Posted in: Disc Reviews by Archive Authors on October 7th, 2006
If Jackass was on the Travel Channel, the result would be Wildboyz. I think this show can best be described as “perversely fascinating”. On the one hand, any sane person would never sit in a hot tub full of alligators, or step into the ring with a champion Thai boxer. On the other hand, it really is fascinating to see these morons visit the wilds of Africa, see rat-infested temples in India or face off against the Russian hockey team. While most travel programs would discuss the history of the locations...they visit, these guys truly experience the places for themselves, no matter the risk to personal safety. For instance, while many know of the ancient ritual of bathing in the Ganges river, only these fools are crazy enough to dive into the disease and sewage-filled water for a bath today.
Finally, a word of clarification; “uncensored” does not really mean uncensored. The language in these episodes is uncensored, but nudity is not. Believe me, it's all for the best. While the thought of visiting a nudist camp or seeing a tribe of cannibals may sound like fun in theory, believe me, once you see the boys visit a nudist camp in Louisiana, you will be thankful that the blurry boxes have been left in.
Posted in: Disc Reviews by Archive Authors on October 4th, 2006
Synopsis
Everything I needed to know about why there was a double-dip of Save the Last Dance was answered within the first five minutes, when I saw a trailer for what appears to be the straight-to-video sequel for the film. So from there, the strategy appears to be to throw two or three semi-current extras onto the existing disc and call it a special edition. My favorite. Like green vegetables first thing in the morning. Now don’t get me wrong, the movie itself I like, but I would guess that there ar...n’t too many hard-core devotees that are complaining about a double dip.
Posted in: Disc Reviews by Archive Authors on October 3rd, 2006
The second season of USA Network’s The 4400 picks up one year after the events of the four-part season one. This time around, we know the 4400 once-missing people were not returned from alien abduction, but rather from the future.
That revelation aside, this series is still chock full of mystery. What is the nature of the fate the 4400 are meant to save us from? How were they selected? What impact will their return continue to have on the collective future of humankind? Will the government’s role be one of interference, or protection? And if protection, of the 4400 from the rest of the population, or vice-versa?
Posted in: Disc Reviews by Archive Authors on October 1st, 2006
Synopsis
As one who has a brother that is (or was) a bit of a Stephen King fanatic and loves goofy King adaptations like Pet Cemetery, I’d never seen The Dead Zone, and I’m a Christopher Walken (True Romance) fan. I’m also a David Cronenberg (Dead Ringers) fan. And now that I’ve finally seen The Dead Zone, I can consider myself having a fairly complete existence now.
Posted in: Disc Reviews by Archive Authors on September 25th, 2006
Synopsis
So what we have here is Season 4, Volume 1 – i.e. the first 20 episodes of the season. I’m not sure I’m wild about this new trend to trap us into shelling out our hard-earned dollars into buying TWO box sets per season, but there you have it. None of which is to take away from the actual qualities of the show. Either I’m growing softer in the head with age (an entirely likely event) or the series just keeps growing funnier. Everything here is funny, but some are epically so, forcing you to r...wind (after a bout of painful-to-the-ribs laughter) to confirm that you really saw what you think you did. “Mermaidman & Barnacleboy VI – The Motion Picture” is a case in point. Here SpongeBob and Patrick make a movie with their heroes, and the final result is as concentrated a does of rapid-fire, blink-and-you’ll-miss-it hilarity as I have seen in recent years.
Posted in: Disc Reviews by Gino Sassani on September 19th, 2006
With the possible exception of the Vulcans no race has been given a richer history in Star Trek than the Klingons. We need to forget the drastic change in how these bad guys to allies look. In Enterprise this change is finally explained as a genetic experiment gone bad in an episode conspicuously missing from the set. I’m not sure I can criticize the episode selection, as they were voted on at Startrek.com. Still. I don’t like the over usage of repeats these collection sets are plagued with. It’s not like there are...’t a ton of Klingon episodes to pick from to include repeats like Trials and Tribulations from Deep Space Nine. Worf, perhaps the most recognized Klingon, is certainly one of Trek’s most interesting characters. Michael Dorn has essayed the role brilliantly over the years. Worf has grown throughout his run and Dorn deserves as much credit as the writers on that score. All of the Star Trek runs are represented here.
From Enterprise comes the pilot “Broken Bow” which I assume is included mostly as the first contact between Klingons and Humans. I would rather have seen the two-parter explaining the genetic mishap that changed some of the Klingons to human looking folks.
Posted in: Disc Reviews by Archive Authors on September 14th, 2006
Synopsis
While Some Kind of Wonderful may not feature the same kind of young spirit that Pretty in Pink may have had or the kind of older type of intelligence that Say Anything might have had, it’s still a cute, charming little romantic comedy with some recognizable faces penned by ‘80s icon John Hughes, responsible for such teen films as The Breakfast Club and Weird Science, to name a paltry few.
Posted in: Disc Reviews by Archive Authors on September 11th, 2006
Sahara tells the story of Dirk Pitt (Matthew McConaughey) and his buddy Al Giordino (Steve Zahn) as they travel to a country called Mali in search for what the locals call “The Ship of Death”. This “Ship of Death” is a lost Civil War ship named the CSS Texas that has a huge cargo of what was thought to be gold. Once there, Dirk and his buddy run into Doctor Eva Rojas (Penelope Cruz) who’s about to be executed for muddling in business that is, well, none of her business.
This “business” turns out to ...e rather huge, with ruler General Kazim (Lennie James) wanting to rid the ocean of all of its life. He figures that he will accomplish this by releasing this virus into the water system and, as it flows downstream, it will eventually reach the ocean. Why exactly Kazim wants to do this involves a standard for films such as this… for money. Dirk, Steve, and Doctor Rojas must investigate this disease and decide why it is not only infecting the water system, but causing a vast amount of pollution to the area and its surroundings. Add in a few explosions, chase scenes, and a pretty cool ending battle sequence and there you have Sahara
Posted in: Disc Reviews by Archive Authors on September 9th, 2006
The 2003 remake of The Italian Job is about five men named Charlie Croker (Marc Wahlberg), Handsome Rob (Jason Statham), Lyle (Seth Green), Steve (Edward Norton), and Left Ear (Mos Def) who are all part of a group that pull off elaborate heists. The leader of the pack, John Bridger (Donald Sutherland), has decided he wants to quit the game presumably to spend more time with his daughter Stella (Charlize Theron). The only thing is that he wants to commit one last going-away theft so that he can not only secure ...is spot in the hall of fame, but also secure his retirement. The job in question revolves around the city of Venice, Italy and a heck of a lot of gold (Try $35 Million). The plan goes off without many problems but what occurs next is somewhat of a shocker and helps to outline the rest of the film.
The first obvious comparison that this film had to deal with was the comparison with the film Ocean’s Eleven. While not as star-packed or explosive as that film, The Italian Job does a fine job at telling a somewhat ordinary story in a manner that makes the film interesting and charming at the same time. While Ocean’s Eleven had the star-punching power of George Clooney, Matt Damon, and Julia Roberts to name a few, The Italian Job rather focuses on stars not as huge, but most that rival the stars of Eleven in terms of quality of acting (don’t get me wrong, Damon and Clooney are fine actors). With the likes of Edward Norton, ‘Marky’ Mark Whalberg, Charlize Theron, Donald Sutherland, Seth Green, and the funny Jason Statham, the film’s characters make the film enjoyable mainly because these actors turn their roles into characters you’ll hate (Norton), characters you’ll laugh at (Green), and character’s you’ll laugh with (Statham).
Posted in: Disc Reviews by Gino Sassani on September 6th, 2006
The boys are at it again in Season 8 of South Park. To say that this season provides more of the same would be a tad unfair. It appears to me that South Park optimally matures in its eighth year. No, not that kind of maturity. Cartman and the gang are as raunchy as ever, and yes, still at times over the top. The kind of maturity I refer to is more subtle. South Park no longer has to rely on the running gags epitomized by the old Kenny deaths. The show isn’t afraid to feature some of the more peripheral characters. ...utters, Timmy, and Jimmy get a lot more to do, and I find them suddenly to be far more compelling characters. No longer simply foils for the usual suspects, they have come into their own. A good example can be found in “Up The Down Steroid”. While Cartman and one of his schemes are appropriately the center of the episode, the Timmy and Jimmy characters have some outstanding moments. “AWESOM-O” brings us face to face with a more endearing Butters. I must say that in this year of South Park I found myself enjoying these moments considerably. More than adding some dimension to the series, it has, I believe, given the show stronger legs leading into the years that follow.
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