Posted in: Disc Reviews by Archive Authors on April 10th, 2006
John Singleton burst on to the scene in 1991 with the gritty urban drama Boyz N Tha Hood. While this excellent film brought him critical acclaim, I think it also brought some misconceptions about who he is as a filmmaker. While he certainly has an urban element to his films, he is not content to keep re-making urban films throughout his career. What made Boyz N The Hood so good was not the fact that it was an urban drama, but that it was a genuine story about the love that a parent has for a child.
Four Brothers brings this theme full circle. Again, we have a non-traditional urban family. Again, we are given access to the first good look at a rap artist with real acting chops in Andre Benjamin from Outkast. Instead of focusing around gangs, however, this is a film that explores just how far children will go for the mother that they so dearly love. When it comes to the love of a family, there are no good people and bad people, there are just families.
Posted in: Disc Reviews by Archive Authors on April 5th, 2006
First things first; there was a big hullabaloo about the fact that this is not the first season of Beavis and Butt-Head, but merely the first volume. Turns out, there are some episodes that Mike Judge has decided he didn't care to see again, so now nobody can see them again. Personally, for a show like this, it really makes no difference to me. If you are the kind of person who is going to be bothered by that, however, then consider yourself warned.
Also gone are the music videos, which is a bigger deal to me. Some of the best parts of the show were hearing the fellas' comments about Alice in Chains or Bono from U2. There are a fair number of music videos included with the DVD release of this title, but they are conspicuously missing from the UMD release.
Posted in: Disc Reviews by Archive Authors on April 2nd, 2006
There may have never been a more aptly-named television show in history than Jackass. For those who don't know, this show is comprised of a collection of short clips of “stunts” that push the limits of common sense and decency. While the majority of these stunts amount to little more than idiots with a camcorder, and some are just downright disgusting (do I really need to see some guy throw up a goldfish?), some of the segments honestly are quite funny. Giving your buddy a Billy Ray Cyrus haircut will always b... funny. Having two broken arms and asking total strangers to “help you out” by unzipping your fly is the stuff of classic set-up shows like Candid Camera. However, for the overwhelming majority of this disc, the clips on this disc can best be described at a lame brained attempt at humor.
Audio
Posted in: Disc Reviews by Archive Authors on March 29th, 2006
Synopsis
Growing up as the oldest son in an upper-middle class neighborhood outside of Washington, DC, I am familiar with rap as much as, or even more than, KRS One, Grandmaster Flash and the Furious Five, Public Enemy or NWA. I come from dem hard streets, where I can kill a muhvuggah! Well, maybe not exactly, and in the age where lame musicians become lame actors (or vice versa in the case of Jennifer Lopez), anyone who tries to be the entertainment “double threat” deserves to be subjected to any and all s...orn and ridicule. Surprisingly though, some of the musicians who have started appearing in movies have employed the easy strategy of appearing as themselves (or dramatically licensed clones of themselves), and some of them have surprisingly interesting stories to tell, such as Eminem in 8 Mile.
Posted in: Disc Reviews by Gino Sassani on March 28th, 2006
Sliver is a sexy thriller that is neither sexy or at all thrilling. Filmed in the wake of the hugely successful Basic Instinct, Sliver has all of the elements but none of the passion. Call it Basic Instinct lite. Less filling without the great taste. Sharon Stone sleepwalks through her role of Carly. Carly works at a publishing house and has recently moved into one of New York’s plush apartment buildings. She was trying to ride her Basic Instinct wave here, but the truth is she has never really lived up to the pote...tial. William Baldwin tries at least a little harder as Zeke, who happens to own the building where tenants seem to end up dead, particularly young attractive women. Zeke loves to watch the private moments in his tenants’ lives. He is likely intended to represent the audience. Filling out the cast is Tom Berrenger as Alex, a self-absorbed writer who is obsessed with Carly. Martin Landau is underused as the fatherly owner of Carly’s company. Red herrings abound. Twists are nothing more than cheap thrills.
This “unrated” version promises scenes too hot for theatres. All you really get is a little more moaning from Sharon Stone and not anything remotely steamy. The final product is a film that will leave you unsatisfied whatever your intention going in. The new scenes serve simply to slow down an already hopelessly bogged down premise.
Posted in: Disc Reviews by Gino Sassani on March 24th, 2006
Season 7 of South Park has all the earmarks of a successful show trying to return to its roots. With Kenny back, we are once again treated to multiple deaths, although not on a weekly basis. The very first episode of the season recalls the show’s Comedy Central pilot episode. Cartman is once again struggling with his Anal Probe incident. There are tons of homage elements to South Park’s origins. Could it be that Stone and Parker have decided to satire themselves? Season 7 revitalizes a show that quite honestly had ...escended to too many cheap shots and over the top disgust to stay fresh. South Park is back and as good as it ever was in Season 7. Some of the highlights include: Cartman sings gospel music for Jesus, Jimmy and Timmy mix it up with the “Bloods” and the “Crips”, Cartman returns to law enforcement, and Gay Pride reaches South Park.
Video
Posted in: Disc Reviews by Archive Authors on March 11th, 2006
Synopsis
First off, I never would have thought that a Comedy Central TV show featuring animated eight-year olds who curse like I used to (I still do, who am I kidding?), is transformed into a 94 minute movie with abundant musical numbers and (gasp!) an Oscar-nominated song performed by Robin Williams at said awards ceremony. Creators Trey Parker and Matt Stone created a dazzling, hilarious, and unpredictable movie, filled with musical numbers, and vocal cameos from George Clooney, Dave Foley and Eric Idle, ...o name a few.
Posted in: Disc Reviews by Gino Sassani on March 8th, 2006
MacGyver (v) To act in an extremely resourceful manner. To utilize everyday items in unconventional ways to achieve a difficult task. I predict it will not be long before you can open your trusty copy of Webster’s and find this character has officially entered our lexicon. There is little doubt but that it is an unofficial part of it now. Crossing over from the realm of pop culture and into our language is a phenomenal achievement for a television show.
I came to the MacGyver party rather late. Like ...veryone else on the planet I was certainly aware of the show and the clever abilities of the lead character. Still, with so many other shows to watch, I never saw a complete episode. Then came Stargate SG-1. This was another series I at first avoided. I thought the original film was OK but nothing I’d care to see week in and week out. One day while my wife was taking our neighbor’s dog to the vet I was bored and sat down to an episode on Showtime. I was hooked, not only on the series, but the characters, along with their alter ego actors. Richard Dean Anderson I found most compelling. I must admit to confusing him at first with the Richard Anderson of The Six Million Dollar Man fame (Oscar). Finally I sat down to some MacGyver on DVD. It didn’t hurt that MacGyver’s boss bears no small resemblance to O’Neil’s commanding officer, played by Don S. Davis. I would later learn that Davis has filled in for Dana Elcar on a few occasions as a double.
Posted in: Disc Reviews by David Annandale on February 20th, 2006
Synopsis
Dennis Quaid is a widower Coast Guard Admiral with eight kids. He runs his household with (of course) military precision. His career has taken him back to his home town, where he runs into high school sweetheart Rene Russo. She is a widow (no divorces in THIS movie, thank you very much) with ten kids (four biological, the rest adopted), and her household is a joyful chaos of artistic self-actualization. Quaid and Russo fall in love and marry immediately, and then announce to their kids that ...heir family has just double in size. Cue conflict as the military kids and the artsy-hippy kids collide, and then collude to try to break up the marriage.
Posted in: Disc Reviews by David Annandale on February 17th, 2006
Synopsis
Untroubled by charisma, Jimmy Kimmel hosts this concertedly nasty roast of Pamela Anderson. The roasters include Tommy Lee, Adam Carolla, Sarah Silverman, Andy Dick, Bea Arthur, and Courtney Love. They all mangle each other as well as the guest of honour. So many jokes involve Anderson’s breasts and Lee’s penis that the they get rather boring (scratch that: EXTREMELY boring), but there are a few very funny bits. The highlight is Bea Arthur’s reading of Anderson’s novel Star. Arthur’s ...elivery, her constant disbelieving looks directed at the “author,” and the riotously awful prose itself make sitting through the more predictable moments worthwhile. Notable too is the spectacularly off-kilter Love. That woman needs help.
