Posted in: Disc Reviews by Archive Authors on February 23rd, 2004
Sightings: Heartland Ghost is based, apparently, on a true story. One is reminded of that other “true story” haunted house movie, The Amityville Horror. But both films have the same hokey quality in common. (no blood in the toilet in Sightings, however). Sightings starts with the “new couple moving to the neighborhood”. They slowly learn that there is something “not quite right” about their new house. Enter paranormal debunker (Beau Bridges) and his T.V crew. Bridges’ character host... a quasi-reality show about ghosts and other worldly behavior. Like the couple, Bridges comes face to face with the history of sin and murder that took place in this house. He is forced to deal with his cynicism about the paranormal and becomes changed by the whole experience. Sounds good, huh. It’s not.
Beau Bridges is a fine actor. Why is he in such a cheesy movie? Times must be tough. Beau, like his brother Jeff, always brings a sense of humanity to his roles. The case is still true here. The movie is laughably bad at times (see spoiler notes). But Bridges grounds the movie and gives it a depth it doesn’t deserve.
Posted in: Disc Reviews by Archive Authors on February 22nd, 2004
Synopsis
On the outside, Rivervale High seems like a typical suburban school, filled with a largely white, middle-class population. New student Jenny Dahlquist (Jane McGregor) quickly discovers the divisive cliques that polarize the campus when she tries to find a seat in the cafeteria. Cheerleaders, jocks, druggies, preppies, skateboarders, nerds—they've all staked their territory in the lunchroom, and don't tolerate outsiders. At an empty table sits Trevor, the ultimate loner/outcast. Dubbed "The M...d Bomber," Trevor targeted the football team with an unwired explosive device the previous year, after enduring continual abuse and humiliation at the hands of the school's swaggering athletes. As a result, Rivervale now resembles a maximum security prison, complete with metal detectors, guards, and a zero tolerance policy.
Posted in: Disc Reviews by Archive Authors on February 22nd, 2004
In 1967, a top secret document was commissioned by the government, tracing the United States’ history with the Vietnam war. This history went as far back as the 1940’s. The result was a 7,000 page document. In 1971, a defense department official and former Rand corporation employee, Daniel Ellsberg, secretly photocopied these “Pentagon Papers” and released them to the New York Times. Then President, Richard Nixon, called Ellsberg’s act “treasonable”. FX and Paramount’s television production of The Pentagon Pa...ers details this period in Ellsberg’s life and times.
The opening credit sequence (with its shadowy images and sounds) sets up the expectation that this movie will be a taut political thriller. Perhaps in the style of The Parallax View or Winter Kills (which are must sees, by the way). Unfortunately, the sequence belies the film’s true events. It’s really a carefully crafted character piece; at least, it tries to be. James Spader plays Ellsberg with a kind of indirect integrity. In any given performance, you’re never quite sure where Spader is coming from. And you probably think he’s into something kinky. In The Pentagon Papers, Spader’s indirect and unconventional qualities are a good match for Ellsberg.
Posted in: Disc Reviews by Gino Sassani on February 22nd, 2004
The third season of South Park was a bittersweet one. It seemed that season 2 had floundered just a little. Most of us wondered if the talents of Stone and Parker had already run out of gas. Season 3 turned out to be one of the funniest yet. This was also the year that Mary Kay Bergman committed suicide. Mary Kay had provided ALL of the female voices for the show. This left the crew in a scramble to deliver episodes before they could find a replacement. This unfortunate turn did produce some memorable episodes, howev...r.
Audio
Posted in: Disc Reviews by Archive Authors on February 18th, 2004
MTV is getting used to productions about provocative love affairs. Just look at Justin Timberlake and Janet Jackson at this year’s MTV produced Super Bowl. So in their production of a modern updating of Emily Bronte’s novel “Wuthering Heights”, MTV throws in everything but the nipple.
“Wuthering Heights” is a benchmark of Gothic Romantic literature. It tells the tale of a doomed and frenzied love between the two protagonists, Heathcliff and Cathy. “Wuthering Heights” has been adapted for film and tel...vision umpteen times, in different styles and different languages. The most notable adaptation is probably the first in 1939, with Larry Olivier and Merle Oberon in the title roles.
Posted in: Disc Reviews by Archive Authors on February 15th, 2004
Synopsis
Danny (Greg Kinnear) and his wife Jennifer (Lauren Holly) are a happily married couple. They have reached the point in their marriage that they are now ready to start a family. The only problem is that for whatever reason, they are unable to conceive. Jennifer goes to her physician for a work up and is found to be healthy and able to conceive. Therefore she concludes that the couple problems are due to Danny. She tricks Danny into going a fertilization clinic to be examined. It turns out tha... his boys are the reason for the couple’s baby making problems. They then try IVF (in vitro fertilization) given that the likelihood of success is low but still higher than the good old fashioned way.
Posted in: Disc Reviews by Gino Sassani on February 8th, 2004
I’m not always sure what to make of Star Trek VI. It is most notable as the final film to feature the entire original cast. Star Trek has always been about message and morality, so it seems natural for the franchise to tackle the end of the cold war and the fall of the Soviet Union. I just wish some of this film didn’t feel so forced. This film is also bittersweet in that it was DeForest Kelley’s final appearance before his death. Kelley’s “country doctor in space” routine never got tired. He was perhaps the most human face in all of Star Trek. I miss him terribly.
Another sadness is the glimpse we are given of things missed. Walter Koenig and George Takei pressured Paramount for years for a Trek series to follow these junior members of the original cast. Petitions were signed and even scripts written and submitted. In Trek VI we see what might have been. This film seems very much like an end, but who knows. In Roddenberry’s future anything is possible.
Posted in: Disc Reviews by Gino Sassani on February 8th, 2004
I must admit that going into my screening of this DVD, I was anticipating a horrible film. With Jerry McGuire as the exception, I have hated Cuba Gooding Jr. as an actor; and let’s face it, Beyonce is a much better singer then she is an actress. That all being said, I was surprised that I actually enjoyed The Fighting Temptations. It was not the story or acting that led to my enjoyment… it was the music. This film is a fun film that is full of some great gospel music. Not only does Beyonce lend her voice ...o this film, but you will also be able to enjoy the voices of Montell Jordan, The O’Jays, Faith Evans, and more. Win awards this film will not, but if you want a decent film with great music, this film is worth a watch.
”Oscar® winner Cuba Gooding, Jr. stars as Darrin Hill, a slick-talking but down-on-his-luck NYC advertising exec who returns to his hometown in Georgia to claim the inheritance his aunt left him. But before Darrin can collect the money, he must fulfill his aunt’s final wish – to create a local choir and lead them on to win the annual 'Gospel Explosion' competition.
Posted in: Disc Reviews by David Annandale on February 1st, 2004
Synopsis
Posted in: Disc Reviews by Archive Authors on January 30th, 2004
Timothy Olyphant, in the movie Go, refers to the comic strip The Family Circus in this manner: “it’s always there, in the lower right hand corner, just waiting to suck.” This is one of my all-time favorite movie quotes, and it applies quite nicely when discussing Marci X. Completed in 2000, this is the film that the studio put on the shelf, all the while knowing that eventually they would have to do something with it, because there it was, looming in the corner, waiting to suck.
Finally... the studio decided to drop it into theaters in the middle of the summer blockbuster season of 2003, where it would get lost in the shuffle of bigger films, yet still make as much money as possible, despite its paltry promotion budget. The plan worked, the film recouped some of its costs (albeit less than half), and Paramount got on with their lives.
