Posted in: Disc Reviews by Archive Authors on August 17th, 2007
Are We Done Yet? That's not just the title of this film, it's a form of the question you'll be asking repeatedly during the film's runtime, until you eventually reach a climax of desperation and cry out for all to hear, "For the love all that is good and pure in this world, when will it end?" Not soon enough, my friend. Not soon enough.
Should you find yourself watching this torturously stupid sequel to 2005's Are We There Yet?, all I can say is, you should have known better. While opinions about movies are subjective, this one's a special case that allows me to say with 100% confidence: if you liked Are We Done Yet? you deserve a big ol' smack upside the head.
Posted in: Disc Reviews by Archive Authors on August 14th, 2007
Written by Evan Braun
If I had to find one single word to completely encapsulate this show, and particularly its first season, it would be: Cute. No, wait ... scratch that. Make it: Nauseauting.
Posted in: Disc Reviews by Archive Authors on August 9th, 2007
There must be very few people out there who haven’t seen Taxi Driver or at the very least muttered the words, “you talking to me?†Regardless, this thirty year old film is easily a classic, and still on the top of many critics lists. It marked the blooming of an epic and ongoing relationship between Robert DeNiro and Martin Scorsese, the spawn of Jodie Foster’s career and arguably Harvey Keitel’s as well. At any rate Taxi Driver managed to receive four Academy award nominations as well as gaining a huge cult following. I don’t think it’s a surprise that I’ve already seen and love this movie, but how does the newly released DVD pan out?
Travis Bickle (Robert DeNiro, Heat) is an ex-marine who had recently fought in the Vietnam War. He has since developed several psychological disabilities as showcased throughout the movie including insomnia, obsession, and depression. He works as a nighttime taxi driver and spends his sleepless days in pornography movie theatres or watching presidential aide Betsy (Cybill Shepherd, Alice). He finally garners the courage to approach Betsy and ask her on a date, initially she in intrigued by Travis, but after he takes her on a date to a pornographic film she ditches him and takes a cab home. This acts as a catalyst for Travis’ depression and increasingly paranoid and delusional behavior. He begins having vigilante fantasies and acquires several handguns. One night a 12 year prostitute named Iris (Jodie Foster, Silence of the Lambs) jumps in to his cab trying to escape a beating from her pimp. Travis has a moment of realization about the decaying world around him. From here he begins toying with the notion of killing Senator Charles Palatine and Iris’ pimp (Harvey Keitel, Reservoir Dogs).
Posted in: Disc Reviews by Archive Authors on August 2nd, 2007
As much of a Bruce Willis fan as I am, I have to admit that this movie has no initial appeal to me. Still I am a fan of thrillers and hope I can be surprised by this one as it has a good enough cast including the previously mentioned Bruce Willis, Halle Berry, and Giovanni Ribisi.
The movie opens with the death of Grace, best friend of Rowena Price (Halle Berry, X-Men). We don’t learn much about her so it’s hard to garner up any feelings towards Rowena’s plight in tracking down the killer. But nonetheless as the story plays on Rowena enlists the help of her good friend Miles (Giovanni Ribisi Gone In 60 Seconds) and narrows down the list of potential killers to Harrison Hill (Bruce Willis, Live Free or Die Hard). The rest of the movie consists of Rowena following a trail of evidence that in the end is irrelevant in a twist ending that is quite common of modern day film.
Posted in: Disc Reviews by Archive Authors on August 1st, 2007
I am a big fan of Kung Fu on film, whether it be Bruce Lee’s Enter The Dragon or Jackie Chan’s Drunken Master I can't get enough. More specifically I love Asian Kung Fu cinema, the Sammo Hung's and the Sonny Chiba's. So I think it goes without saying that this isn’t the first time I’ve seen Kung Fu Hustle, and it certainty won’t be the last.
It’s the 1930’s in Shanghai and various gangs compete for territory, the most powerful being the deadly Axe Gang. The police are powerless and it seems the only people that can live without fears are the poor ones, who the gangs have no interest in. That is until things get shaken up by Sing (Stephen Chow, Shaolin Soccer) and his sidekick Bone (Lam Chi Chung, Shaolin Soccer). The two pose as Axe members in the tenement Pig Sty Alley, where they attract the attention of real gang members. Catastrophe is merely averted when three local tradesman the coolie, tailor, and baker showcase their kung fu talents and thwart an Axe gang attack.
Posted in: Disc Reviews by David Annandale on July 20th, 2007
While expecting her husband home from a business trip, Sandra Bullock receives word that he has died. But the next morning, when she wakes up, he is still alive, and hasn't even left yet on the trip. Next morning, he's dead again, and it's the day of the funeral. Understandably, our poor heroine is a might discombobluated as she deals with having become unmoored in time, struggling to save her sanity, her husband, and her marriage.This film was thoroughly trashed at the time of its theatrical release, and there are, it must be said, plenty of things wrong with it. Some temporal elements are inconsistent as the days move around (why, for instance, does Bullock's older daughter not show, on the day the news of the husband's death is received, the facial injuries that she received a few days prior?), the pace flags after a fairly taut first half-hour, a theme of incarceration mysteriously disappears, and the explanation for why this is all happening is weak, not to mention that the purpose for it all is rather pointless. So yeah, all of that is wrong. As a supernatural thriller, the film doesn't work. But as an old fashioned weepy melodrama, it has a certain daffy power. Bullock gets to chew up the scenery in some wonderfully OTT moments of Grand Guignol soap opera. The film also stays true to the weepie form with its heroic/tragic conclusion. As a piece of whacked entertainment, engaging in no small part because of all the things it does wrong, but also because it takes itself so seriously and plays the emotional heartstings for all they're worth, this isn't on part with such classic weepies as Now, Voyager, Stella Dallas or Mildred Pierce, but it could hold its head up alongside the likes of The Other Side of Midnight.
Audio
Posted in: Disc Reviews by Gino Sassani on June 20th, 2007
Since its release first as a Dan Brown novel and then as a less successful film, The DaVinci Code has stirred up more than its fair share of hornet’s nests. What most folks seem to be forgetting is that the stuff was fiction. Brown NEVER claims to be offering a secret look inside the workings of the Catholic Church. So why do we need this investigation? The self-professed documentary isn’t really a look at the story at all. It’s merely a lot of real wackos trying to fill our heads with their claptrap conspiracy the...ries and new definitions for Christianity. This will not appeal to fans of the film, unless you are one of those who think Brown was really on to something. I have no problem with these beliefs. If that’s what you want to believe, go ahead. I do have a problem getting sucked into this craziness in the guise of having something to do with a film I might have enjoyed. Susan Sarandon attempts to hold the whole thing together but can’t seem to save this sinking ship.
The problem, as I see it, is how thin the line is for some folks between fact and fiction. It shouldn’t really come as such a surprise when one looks at how much news time today is dedicated to the likes of Paris Hilton or Anna Nicole Smith. In recent years we’ve lost men who have been President of the United States and got far less attention than has Smith. Are we that far gone as a society? Watching this makes me wonder. With that much attention on celebrity, is it any wonder we start to believe almost anything we’re told, even in a work of fiction? Oliver Stone has made a living trotting out conspiracy theories knowing he can beat the conspiracy nuts into a frenzy. This gets good PR for his films, but does it serve us as a society? I’ve already said more than this thing deserves. Just say no.
Posted in: Disc Reviews by Gino Sassani on June 19th, 2007
Marvel Comics has certainly enjoyed a renaissance of late. There can be no question that this entire run of comic heroes on screen began with Spider-Man. Even the recent DC reimaginings might not have gotten this second chance without everyone’s favorite web slinger, or at least the gobs of money that franchise has pulled in. While none of these recent comic films have come close to the success of Spider-Man, the studios are determined to keep the trend alive and well. That translates to great news for us. The most...recent development of this success is that lesser known comic heroes are starting to emerge on film. Ghost Rider is not quite as known around the world but is not without its loyal following. Nicholas Cage happens to be among the Ghost Rider faithful. We’re talking about a guy so into the comic scene that he named his son Jor-El (Superman). Cage, it appears, has wanted to do Ghost Rider for almost as long as he’s been acting. This unusually high level of passion for a character plays to the film’s advantage. He believes in the role and thus becomes Ghost Rider with an uncanny ease.
The Ghost Rider character has evolved more over the years than perhaps any other comic icon. The story and the character himself have gone through many significant changes. The film pays homage to a ton of this history by including elements of many of those comic runs. The writers combined some of the best elements from the whole to create a world and character that is unique, yet quite true to the spirit of the Ghost Rider. The basic story remains relatively faithful to some aspect of the story’s varied history while allowing the film to have its own distinct look and tale. Here a young Johnny Blaze discovers that his father is dying of lung cancer. Together father and son have a motorbike daredevil show. He is approached by an ominous stranger who offers to heal his father’s ailment in return for, you guessed it, his soul. I know what you’re thinking. “Boy have we seen that one a thousand times before. Believe it or not this story has a remarkable twist to the old story. Of course, the deal’s a rip-off and Johnny gets exactly what he wants but not really what he wants. It’s that old fine print stuff again. The twist is that our old devilish friend has a more complicated fate in store for Johnny. When called upon he must ride his bike as the flaming skulled Ghost Rider to do the Devil’s bid. In this film the spectral rider is called upon to collect a powerful contract , which is also goal of some rather nasty elemental bad guys. It’s a royal battle to control Hell, and Blaze is right in the middle of it.
Posted in: Disc Reviews by Archive Authors on June 12th, 2007
Seraphim Falls was a sparsely released film released early in 2007, recently finding its way to DVD. In addition to being the first film where two Irish stars - Pierce Brosnan & Liam Neeson - share screen time together, it also marks the directorial debut of David Von Ancken who also happened to be a co-writer. After watching this movie I can definitely tell you that I am looking forward to any future projects of Von Ancken’s. But that’s aside from the point, how was this film?
Before watching this m...vie I didn’t know anything about it, and it definitely makes it more interesting this way. The movie opens with Gideon (Pierce Brosnan) sitting next to a fire in the snowy woods, the tranquility of the forest is soon interrupted by gun shots aimed for Gideon, one hitting him. He begins running and pursuing him closely is Carver (Liam Neeson) with a posse. I was perplexed at the time trying to figure out what was going on, more specifically why Carver was trying to kill Gideon. I couldn’t figure out who to cheer for, and after Gideon cleverly kills a few posse members it becomes apparent that he’s not just your average Joe which made it all the more interesting to discover their back stories. As the film progresses you learn more about the connection between these two and their motives, but I won’t spoil that. But you can expect a very entertaining movie with an intense chase that leads from mountains to desert, although there isn’t much dialogue there is a lot of intensity and enjoyment, of course there is some action as well.
Posted in: Disc Reviews by Gino Sassani on June 8th, 2007
Tony Scott’s controversial thriller, Revenge, is based rather loosely on a 1979 novella written by Jim Harrison for Esquire Magazine. I say loosely because the source material is quite short and was necessarily expanded for a feature length film. I never saw the 1990 theatrical release of the film, but research shows it did rather poorly. What I know of the difference between this cut and the original comes from Tony Scott’s commentary, which I’ll discuss in the audio portion of this review. I do know the changes m...st be significant as extra credits were required which provide for an additional composer for new music for some additional footage. The running time is also a stunning 30 minutes or so less than the original film. I say this up front so that if you are a fan of the original your mileage may differ. That DVD was released back in 1998. The DVD cover contains a quote from Quentin Tarantino exclaiming that Revenge is Tony Scott’s masterpiece. He does not imply which version he’s talking about. Either way, that’s saying a ton when you consider Scott’s impressive portfolio.
The film begins as Michael Cochran, no relation to Zephram (I think) is retiring as a Navy pilot. He heads to Mexico to spend time with a very old friend. It is hinted that he is going there to work for him, but that situation is never really explained. Unfortunately he falls in love with his pal’s wife, Mireya (Stowe). I say unfortunately because it happens that his pal Tibby (Quinn) also happens to be a ruthless underworld kingpin with plenty of power, money, goons, and guns. Did I mention he has a lot of guns? From almost the moment Cochran enters this world he seems to be ruffling the feathers of everyone around Tibby even before he starts ruffling Mireya’s bed sheets. Now I hate to disagree with the venerable Mr. Tarantino, but doesn’t all of this look just too contrived to be a masterpiece? Call me, Quentin, and we’ll talk about it over pasta and meatballs, my treat.
