Posted in: Disc Reviews by David Annandale on August 10th, 2004
Synopsis
Posted in: Disc Reviews by David Annandale on August 10th, 2004
Synopsis
Posted in: Disc Reviews by Gino Sassani on July 31st, 2004
Comic book characters have provided a large slate of movie productions in recent years. This really isn’t anything new; both Superman and Batman have each fueled successful film franchises (It should be noted that both are soon to return). Spider-Man’s record take opened a new floodgate. Some have been quite disappointing (The Hulk and The Punisher) while a few (X-Men and Spider-Man) have provided outstanding products. Hellboy fits somewhere in the middle. The character is somewhat lesser known and considerably more ...ecent. Ron Perlman is perfectly cast here. He almost makes this larger than life creature believable. Guillermo Del Toro creates a convincing world of dark hues with tremendous style that never gets pretentious or interferes with the story. At first this film looks unsettling, but as you allow yourself to be immersed in the rich shadows, you are completely transported away. It’s a hell of a fast 2 hours.
Synopsis
Posted in: Disc Reviews by Gino Sassani on July 27th, 2004
The Second Season of Starsky and Hutch is often considered its best by long time fans of the show. Even Paul Michael Glaser expressed his feelings that the show peaked in the second year. By now the characters were well honed and the stories less 70’s cliché and tighter. The show often used the 2 parter now to tell more elaborate tales. The bad guys were meaner. The guys spend time undercover a bit this year, which added a tremendous amount of variety to what was really a formula show in the first year. That all impo...tant character chemistry was rock solid. Season Two of Starsky and Hutch is a great example of the better 70’s cop show.
Audio
Posted in: Disc Reviews by Gino Sassani on July 22nd, 2004
It’s perhaps a sad commentary on the level of political correctness that Archie Bunker could never have graced network primetime in 2004. Archie was ignorant and an incredibly vocal bigot. Archie was an equal opportunity bigot. He didn’t just hate certain minorities … he hated everybody who wasn’t white blue collar protestant. Carroll O’Connor, who brilliantly portrayed Archie, was without a doubt one of the best actors to grace a network sitcom. Just watch his eyes and you’ll understand. All in the Family holds a re...ord for spin-off series. The Jeffersons, Maude, Good Times, and Archie Bunker’s Place are just a few of the highly successful shows that owe their roots to All In The Family. Rob Reiner, Meathead, has since followed in his father Carl Reiner’s footsteps as a highly acclaimed producer.
Audio
Posted in: Disc Reviews by David Annandale on July 20th, 2004
Synopsis
Posted in: Disc Reviews by David Annandale on July 19th, 2004
Synopsis
Posted in: Disc Reviews by Archive Authors on July 17th, 2004
I am sure that many consumers have noticed the disturbing trend taking place in DVD land with regard to the same movie being released in multiple versions. This practice, commonly referred to in the industry as “multiple bites at the apple”, is a cheap way for studios to persuade consumers to buy movies that they already own over and over again, since each new release offers some sort of extra upgrade from the previous versions. Even those of us in the DVD community sometimes get burned on this type of thing, as ther... is not always a way to tell if we should purchase a product when it is new, or wait for a few years, in the hopes that a better version will come along. Adding to the frustration is the fact that on some occasions, versions are so different that consumers actually want to own multiple versions of a film. This is the case with the Lord of the Rings films, as the extended editions are quite different from their theatrical counterparts. Arguably, the upcoming Kill Bill releases will merit this kind of double purchasing as well.
Das Boot is also one of those films that has fallen victim to the practice of multiple releases. Originally, the film was released in a standard American theatrical version. It became such a hit with movie buffs, however, that an extended Director’s Cut was issued as well. Following this release, a separate Superbit edition of the Director’s Cut hit the shelves. All versions sold well, and the legend of Wolfgang Peterson’s epic film about a German submarine crew during World War II continued to grow. As more and more people saw this film, word started to circulate about the existence of a massive five-hour version of the film. Being a town that never misses a chance to make a buck, Hollywood listened to the ramblings, and in 2004, the complete epic was finally released on DVD.
Posted in: Disc Reviews by David Annandale on July 13th, 2004
Synopsis
Posted in: Disc Reviews by Gino Sassani on July 9th, 2004
In the greatest tradition of 1950’s producers like William Castle comes The Lost Skeleton of Cadavra. Castle fans will appreciate the “Filmed in Skeletovision” gag on the cover art. This is a wonderful send-up of the 1950’s science fiction genre. Most of the acting is deliberately over the top and the gags are often too obvious… but this is funny stuff. The music cues are dead on. Fans of Mystery Science Fiction Theatre 3000 will also find this film entertaining to the extreme. Andrew Parks steals the show wit... his portrayal of alien Kro-Bar. His facial expressions alone are worth watching this film.
Synopsis
