Posted in: Disc Reviews by David Annandale on November 13th, 2002
Synopsis
Posted in: Disc Reviews by Gino Sassani on November 13th, 2002
Synopsis
Posted in: Disc Reviews by Archive Authors on October 30th, 2002
This disc combines excellent sound, a fantastic movie, and bales of extras with murky video to create a very acceptable – if not truly outstanding - first release of Spider-Man. I would heartily recommend this disc to anyone, but with some caution: this release (“Widescreen Special Edition” reviewed) leaves plenty of doors open for SuperBit Deluxe and later Collector’s releases. Both sound and video are good – but definitely not the best – so, watch for re-releases after the holidays.
This two-disc set is b... no means unworthy of purchase, however. Its highlights include sound with paranormally accurate special placement, wild menus, and a roster of extras that boggle the mind. Beware, however. The menus switch formats completely within different sections of the discs, so navigation can be confusing. Also, while there are some true gems amongst the extras, there’s also mountains of filler… take a look at the Special Features section below for suggested viewing.
Posted in: Disc Reviews by Archive Authors on October 16th, 2002
Tommy Lee Wallace. Not John Carpenter. Do not be fooled. Just because “Vampires: Los Muertos” (V:LM) says “Presented by John Carpenter” on the front, doesn’t mean it has anything to do with John Carpenter. It was directed, in fact, by Tommy Lee Wallace, who is a Grade B king, responsible for such other gems as “Stell Chariots” and “Danger Islands”. Whether Carpenter was involved or not (no big prize after Ghosts of Mars, anyway), V:LM was a fairly large disappointment anyway. The sound and video are fine, but the mov...e is definitely direct-to-video. Strangely enough, this is a “Destination” film, implying that it is supposed to be distinct and alternative. That it is – but it may not quite be of the caliber that destination collectors are expecting.
V:LM follows the saga of some character played by Jon Bon Jovi, who has cast off his super-stardom to become a Grade B movie star. There are no spoiler warnings forthcoming because I only last through half of the movie. In the half that I saw, a bunch of randomly timed, ill-conceived plot devices created not much drama, a few uninspired action sequences, and zero character empathy. Ok, perhaps that’s a bit harsh. The movie is not a complete loss, with a few decent Matrix-esque scenes thrown in, and the occasional creative prop, such as (Spoiler!) Jon Bon’s folding surfboard weapons. For some reason, this movie is rated R – don’t expect anything too wild.
Posted in: Disc Reviews by Gino Sassani on September 22nd, 2002
We find out early in the film that the term Last Orders is an English tradition along the lines of a last will and testament. There’s really nothing very complicated about this film. There are some wonderful moments of acting particularly by Bob Hoskins. The major complaint is that there are actually four stories being told from four different timelines making it extremely confusing at times.
Synopsis
Posted in: Disc Reviews by David Annandale on September 11th, 2002
Synopsis
I'll confess, I saw Maiden myself, lo these many years ago on their Powerslave tour, so I was sort of partial to this disc. The big favourites ("Number of the Beast" and "Run to the Hills" among them) are present and correct. As with all concert films, there are only so many ways of filming largely motionless people and making them look interesting, but the main point is the sound, when you get down to it.
Posted in: Disc Reviews by Gino Sassani on August 13th, 2002
Synopsis
Meredith Monroe is the rich girl who's been breezing through life. Mia Kirshner is the poor girl for whom life is a struggle. Thrown together for a sociology project, they find that each has something the other needs, and dangerous wheels are set in motion. All of this is recounted in flashback, as Sheriff Taye Diggs (looking a bit young for the role) investigates the cause of Kirshner's near-fatal drug overdose.
Posted in: Disc Reviews by Gino Sassani on August 13th, 2002
Synopsis
Bad boy Spike discovers the benefits of calling the title phone number for his "horrorscope." Bad things happen to the people who tick Spike off. But Spike doesn't need help as much as his put-upon cousin Hoax does. And Hoax's addiction to the number is going to spell bad news for everyone.