Posted in: Disc Reviews by Archive Authors on February 3rd, 2009
In America, he is wanted. In France, he is desired. Worldwide, his films are praised for their ethereal, disturbing, and sometimes humorous qualities. But his life overshadows his accomplishments. He survived a concentration camp. His parents did not. He found Hollywood success with films such as Rosemary’s Baby, The Tenant, Repulsion, and The Fearless Vampire Killers. His marriage to wife Sharon Tate ended in a brutal homicide that took both her life and the life of their unborn child.The case would later introduce the world to Charles Manson, a crazy-eyed charismatic with a thirst for blood, and his murderous followers. It would also create a disdain in Polanski for the media, one that grew in the wake of an underage sex scandal several years later.
Posted in: Disc Reviews by David Annandale on April 10th, 2008
Sean Patrick Flanery is Harry Balbo, an introverted nobody at a nothing job where he constantly mocked by the unfunny office clown. One night, on his way home from the convenience store, he sees a female vampire rip off a homeless man's head. No one believes him, and his feelings move from frustration to terror when, a couple of nights later, he sees her at work again, and she scratches his face, marking him. He turns to crippled vampire investigator Michael Biehn for help, and eventually captures the vampire. Unable to bring himself to kill her, he is torn between sacrificing himself or others to her bloodlust.
This is a film that finds its strengths in its incidentals. Harry's depressing work environment, the tossed away dialogue from minor characters, the little humiliations of his life and his eccentric little obsessions all work well, and are very funny. The actual vampire storyline isn't quite as fresh and witty, though nestled in such an enjoyable context, it works well enough.
Posted in: Disc Reviews by David Annandale on November 6th, 2007
Hmm. A vision of elaborate torture in washed-out tones on the cover. A three-letter title. Gee, could Gag be inspired by Saw? Perhaps, but fortunately not in any slavish way, limiting its connections to the idea of extended torture, and that’s hardly something Saw invented. As opposed to the Saw franchise’s increasingly risible plot convolutions, Gag keeps its setup simple: a pair a burglars break into a house where they first discover a man chained to a bed, and then are captured themselves by the resident nutjob. The ensuing drama is a claustrophobic one, with the main characters trapped in the torture room at the mercy of a lunatic who has a definite, if mysterious, goal.
The film handles the grime and oppression quite nicely, and the torture scenes are genuinely disturbing. The limited budget is apparent in some of the sound design limitations, and the quality of the performances is variable, but still, this indie effort is far from dishonorable. I can’t help but feel, though, that the opening scene’s drooling voyeurism of a naked woman’s body just before she’s gruesomely killed isn’t gratuitous in the one sense that even this sort of film would do well to avoid.
Posted in: Disc Reviews by David Annandale on September 11th, 2007
It’s good taste time once again, as we follow the unfortunate Amber (Grace Johnston) as she falls into the clutches of your usual gang of inbred hillbillies. These psychos have kidnapped a number of women. They then force them to fight to the death, with the idea that the winner will get to carry on the clan’s bloodline. Charming.
Lord knows the backwoods horror film is not, nor should it be expected to be, a bastion of quiet restraint, but we’ve got a pretty unequivocally misogynist premise here, and the execution does little to mitigate it, despite Johnston’s best efforts. The filmmaking is pedestrian, though not incompetent, but this is a cynical, exploitive work that is also derivative and dull.
Posted in: Disc Reviews by Archive Authors on July 27th, 2007
Although I was never really motivated to check this movie out on my own, I had just recently heard of it and thought it could be fun. It doesn’t have any A list stars in it, but rather has a nice collection of well enough known actors and actresses including Zooey Deschanel, Michael Rappaport, Aaron Stanford, and Paul Schneider. Already I’ve heard this film to be a cross between Bottle Rocket and Fargo, well I don’t know if those statements have any warrant, I can only hope they do and Live Free or Die turns out to be a hit. Writers Gregg Kavet and Andy Robin did some writing on Seinfeld so I can only hope a bit of that can rub off on this one.
Simply put John “Rugged†Rudgate (Aaron Stanford, The Hills Have Eyes) is a wankster, a small time crook who has aspirations of being a gangster. He spends most of his day selling speakers on the street that is until his old buddy Jeff Lagrand (Paul Schneider, The Family Stone) comes back to town. Jeff and his sister Cheryl (Zooey Deschanel, Elf) have inherited a storage facility from their deceased father, but John sees this as an opportunity for criminal endeavors. But close on his tail is the emotionally unstable cop Putney (Michael Rappaport, The War at Home), who is very determined to bring John down.
Posted in: Disc Reviews by Gino Sassani on June 28th, 2007
I’ll admit it. I was taken in by The Life and Hard Times of Guy Terrifico, for about five minutes. I’m not a follower of the country music scene, so it didn’t really bother me that I had never heard of Guy Terrifico before. The box art explained he came and went in the early 70’s, when I was just a kid myself, so none of this was the least bit suspicious to me at all. The film opens believably enough with Kris Kristofferson on stage dedicating his next song to this Guy Terrifico. When we get to that first interview... however, I was getting mighty suspicious. Now I might not be no Jim Rockford, but I am as Italian as Columbo, so I started to sense that something was not quite right here. I instantly paused the film and began to research Guy Terrifico. You know what I came up with? You guessed it. There never was a Guy Terrifico. I was watching This Is Spinal Tap country style. I guess that just got me off on the wrong start with this film. And I’ll freely admit now I might have enjoyed this a whole lot more if I had known going in what I was watching. That’s why I loved Spinal Tap but have a bit of a cold feeling for Guy. You might consider I just wrecked the film for you, but trust me, I might just have saved you some frustration.
The story of Guy Terrifico is too bizarre to be true, which of course it isn’t. It seems that good ol’ guy was an outlaw and heavy drug addict for most of his short life. His big break came when he hit the Canadian lotto for $8 million Canadian (That’s about $2.36 in American). As his widow tells us: “It took care of our drug problem. Getting drugs just wasn’t any problem at all after that”. Through interviews and “archive” footage we are given the ridicules story of Guy all the way to his mysterious death. But did Guy actually die that night on stage? The film leads us to believe not. Most of the folks being interviewed look like they’re making this stuff up as they go along. Where Spinal Tap looked real enough to work, Guy Terrifico always appears to be just one step beyond the realm of reality. Even such stars as Kristofferson and Merle Haggard couldn’t carry the weight of this farce. While the jokes are long on telling and short on laughs, the film actually does sport a few really good musical performances.
Posted in: Disc Reviews by Archive Authors on June 25th, 2007
Perhaps Woodstock is the best known music festival, but only one has kept strong for several decades and still going - Glastonbury. A small town in the southeast of England is the host to a sizeable music festival that spans for several days and attracts in excess of 150,000 people. Like a lot of you I’m sure, I had never heard of this music festival and after watching this once I’ll probably never get wind of it again.
The first disc of Glastonbury is a documentary on the festival it is not in chron...logical order but includes footage from the 60’s all the way through to the latest festival in 2005. It interviews some of the colorful people attending the festival over the years, the staff involved, and of course the bands that play. At first I was interested in this disc thinking I would get the chance to watch these bands play live, but instead I sat through 130 minutes of hippies rolling around naked in mud, with the odd montage of performances. Really I found this to be a weak documentary, I was not interested in the people dancing like fools to bongo drums, holding up lighters and crying, getting naked and just acting totally like a junkie. The people interviewed and shown in the footage in this documentary were just utterly weird, and not interesting. The only somewhat interesting and normal parts of this documentary were the footage of the most recent festival where there was a lack of hippies. Of course I did enjoy the live and uncut performances that were shown, more specifically on disc 2. Although there are some big names and famous songs played in this documentary and subsequent extras disc but I didn’t like enough of the musicians to enjoy this disc myself. If you do however like Radiohead, Paul McCartney, David Bowie, The Killers, Foo Fighters, David Gray, The White Stripes, etc. like I’m sure a load of you do then you might enjoy the odd sequence where you get to see them play.
Posted in: Disc Reviews by Gino Sassani on June 6th, 2007
I should have known I was in trouble from the opening credits. The graphics are accompanied by some really cheap sounding synthesizer music. It sounds like they sprung for the $39 Casio. Beyond the crappy sound, the melody, if you can call it that, didn’t fit the western I was unfortunately about to see. Let’s keep this simple, shall we? If you pick this baby up at your local video store, I’m going to advise you to put it down and back away from the shelf. Now you owe me. I gave you back 2 hours of your life you we...e about to piss away on one of the worst films ever released in any format. This is extremely low budget nonsense all the way around. The acting is the absolute worst I’ve ever seen. Even George Kennedy is obviously only there for the paycheck, which couldn’t have been that much. George’s life must really suck these days for him to allow himself to be a part of this farce, even if it was only for five minutes. I think he just passed Conrad Brooks on the “do anything for a screen credit and a few nickels” circuit. He fumbles through his scene in a performance I hope he’d rather forget. If you’re looking for corny lines, bad acting, and incredibly poor editing, this is the film for you. Perhaps it should be required viewing at all film schools as an example of how not to make a film. If you just think I’m full of crap, I dare ya to sit through all 118 minutes of this film. I double dog dare ya.
Video
Posted in: Disc Reviews by Archive Authors on May 30th, 2007
Life of the Party is little known movie which was released in 2005 where it has since gone mostly unnoticed. I know the first time I’d heard of it was just a few days ago where I first saw it in my hands. It didn’t look half bad, a few cast members were recognizable, and as the movie actually went on I saw quite a few familiar supporting faces.
Michael Elgin (Eion Bailey, Band of Brothers) is a functioning alcoholic with a close-knit group of friends and a loving wife Phoebe (Ellen Pompeo, Old Scho...l, Grey’s Anatomy). But he starts putting strain on all these relationships as a result of his excessive drinking, most affected is his wife who asks for a separation. We soon learn that his work life is suffering as well; he has no goals or motivation to continue on everyday, which is where the bottle comes in. As he continually puts strain on these relationships, topped off with the fact that after a night of drinking and adultery he crashes his best friends dream car, everyone who cares about him comes together and plans an intervention.
Posted in: Disc Reviews by Archive Authors on May 30th, 2007
I think it’s safe to say that most or all of you have never heard of this movie, neither had I. Instead of my typical synopsis and critique I will spare most of you the trouble, this movie is pretty weak, and if that isn’t enough for you, then continue reading too find out why.
Bunny Whipped is ultimately a romantic comedy with the look of a low budget TV movie from the early 90’s. There is no solid storyline and the editing consists of a bunch of randomly placed scenes that seem too follow some sort ...f comic book formula.
