Posted in: Disc Reviews by Gino Sassani on April 28th, 2009
There are many examples of excellent BBC series and miniseries. Some eventually get remade into American shows. State Of Play is one of those fantastic BBC drama thrillers that is now making its way to American audiences, not as a copycat series, but as a major box office film staring Russell Crowe. While I have not seen this theatrical release as of yet, I am intrigued with the story and will eventually find myself watching this movie version. Unfortunately for the likes of Crowe and director Kevin Macdonald, I have a hard time believing that a 2 hour film can pack in as much detail and character development as this 6 hour BBC production has managed to do. I literally watched the entire 6 hours in one sitting. It’s not the Herculean effort you might be thinking, and I’m certainly not bragging here. It’s one of those stories that plays out so well and is paced so perfectly that the hours literally fall away. Before you know it a quarter of an entire day has passed you by and you don’t feel tried, tired, or put out from the time.
The series begins by depicting a rather brutal street murder. It’s a misleading beginning. You might expect this thing to become a marathon of slayings and envelope pushing violence. Nothing could be further from the truth. The six hours will never again get this bloody. The scene is intended as a shock to the system to immerse you quickly into the tale. In the next instant we learn that a woman named Sonia Baker (Macdonald) has apparently “toped herself”. That’s British for committed suicide. She seems to have thrown herself in front of a commuter train. This might not make for big news except that Sonia Baker was the assistant to a member of Parliament who also chairs the Energy Commission. That body is currently holding highly publicized hearings to assess punitive damages to the oil companies. The member of Parliament, or PM, as they’re commonly referred to, is Stephen Collins (Morrissey) who is a young up and comer in the party. It is also soon revealed that Collins had an affair with the young assistant. The story is picked up on by Cal McCaffrey (Simm), a young hotshot investigative reporter, who also happens to be Collins’ best friend and former campaign manager. As McCaffrey uncovers fact after fact, it becomes apparent that his friend isn’t telling the whole truth. Their relationship becomes strained, not helped by McCaffrey’s pursuit of a romance with Collins’ wife, Ann (Walker). The paper’s editor, Cameron Foster (Nighy) assembles a team to cover the evolving story in spite of pressure from the government to let it slide. Obviously, we’ll discover that both crimes are related, and each episode unravels a new important piece of the puzzle until the mystery is revealed. There’s enough conspiracy and government cover-up here to satisfy even X-Files fans. Sorry, no aliens.
Posted in: Disc Reviews by Gino Sassani on April 28th, 2009
“We’re tiny. We’re toony. We’re a little bit loony. And in this cartoony we’re invading your TV. We’re comic dispensers. We crack up all the censors. On Tiny Toon Adventures, get a dose of comedy. So, here’s Acme Acres, it’s a whole wide world apart. Our home sweet home, it stands alone, a cartoon work of art. The scripts were rejected, expect the unexpected on Tiny Toon Adventures it’s about to start.”
What do you get when you cross Steven Spielberg with the tradition of Loony Tunes? You get Tiny Toon Adventures. Spielberg produced this 1990’s television cartoon show for the WB Network. Set in Acme Acres, this cartoon was intended as a Next Generation of Loony Tunes characters and stories.
Posted in: Disc Reviews by Gino Sassani on April 23rd, 2009
“You are invited to a reunion.”
I grew up on the Peanuts creations of Charles M. Schulz. Most of us have in some way or another. His newspaper comic strip is one of the longest running and most successful strips of all time. The work has been translated into every language currently spoken on the planet. The images of Charlie Brown, Snoopy, Linus, and the rest of the Peanuts gang have appeared on just about any kind of product imaginable. Our pop culture contains too many references to the strip to mention briefly. For me, it was the television specials starting in the mid 1960’s that brought the gang into my life. The classics are running annually, still after nearly 50 years. A Charlie Brown Christmas and It’s The Great Pumpkin, Charlie Brown are the most mentioned and certainly beloved by generations of children and adults. I thought I never missed an airing. Somehow 1991’s Snoopy’s Reunion has managed to escape my notice all of these years. Why isn’t this particular special among the classic cartoons of that era?
Posted in: Disc Reviews by Gino Sassani on April 10th, 2009
Jim Carrey’s life and career are in a sort of mid-life crisis. He has avoided doing his usual goofball comedy films and opted for more serious roles. His appearance in Number 23 was a bit of a shock for most of us, but he pulled it off reasonably well. Even his more recent comedies have often been less about one crazy character and more about the story elements. It seems that he has decided it was time to return to the parts that made him a household name with Yes Man. But after watching Yes Man,,I have to wonder if maybe that genre has passed him by. For the first time, you really start to see age catching up on the crazy actor, and while he still has tremendous timing, he doesn’t look altogether quite right when he brings out the twisted faces and expressions anymore. It’s not a dig at Carrey at all. Still, it can’t be very good for a comedy, particularly one with a romantic element to it, when your first reaction is that the lead’s starting to look a little old. It’s not even that he looks bad. He just might need to tone down the goofy and concentrate on being more sincere. When Carrey takes that approach in this film he’s far more believable and, yes, that much more funny.
The story is almost a direct riff from his Liar Liar plot. In this one Carrey plays Carl Allen. Carl is a loan officer at a local bank. He was divorced three years ago, but he still hasn’t gotten over it. He’s become somewhat reclusive and self absorbed. He finds all manner of excuses to avoid doing anything with his friends. Instead he spends each night falling asleep watching rented movies on television. What’s worse is that he doesn’t even know that he’s miserable. One day at lunch a former coworker, Nick (Higgens) approaches him as he’s eating lunch in front of the bank. He tells Carl about how a motivational seminar has changed his life. He invites Carl to come to a workshop, but Carl drops his usual no thanks on him. But later Carl begins to realize how detached he’s become and has a scrooge-like epiphany at just how lonely he is. So, predictably, Carl goes to the seminar. Here motivational Guru Terrance (Stamp) preaches the gospel of Yes. He challenges Carl to merely accept every opportunity that comes his way. He commits him to a covenant to say yes to anything. As soon as Carl leaves the building the expected situations arise, where most sane people would say no. In a series of Yes’s that involve a homeless man, Carl begins to have second thoughts when his affirmative replies appear to put him in a bad situation. That is, until he meets Allison (Deschanel). Suddenly his new life appears to bring him a bounty of experiences and pleasures. As you might expect, it’s all leading to some rather uncomfortable consequences. But, as all “feel good” films must, Carrey eventually learns to live his new life in moderation and lives happily ever after.
Posted in: Disc Reviews by Gino Sassani on April 8th, 2009
“The Black Freighter, the Hell bound ship’s black sails against the yellow Indies sky. I know again the stench of powder and men’s brains and war…more blood”
Zack Snyder had a big problem. He was trying to make a film out of a graphic novel that many acclaim as the best graphic novel ever written. Many directors before him have declared the project unfilmable. Alan Moore, the writing part of the book’s creation team, was dead set against a film version of the book and refused to have his name associated with the film. A lawsuit had broken out between Warner and Fox over who exactly owned the rights to even make the movie. The fans were making their expectations known loud and clear: Mess this up and we’ll get you for it. Did I say Zack Snyder had a problem? On second thought he had several, and not the least was that he found himself staring into the abyss of an unreleasable four hour film. Cuts were going to have to be made, severe cuts. One of those cuts was the comic within a comic story of The Black Freighter.
Posted in: Disc Reviews by Gino Sassani on April 2nd, 2009
A short time ago in a galaxy right in your own back yard….(cue music)
Star Wars Episode XXCV: The Clone Wars: A Galaxy Divided DVD Release:
Posted in: Disc Reviews by David Annandale on April 2nd, 2009
A heavily armed group descends on a small-town supermarket. They gun down a customer, and announce that they are robbing the place. More killings ensue, but it soon becomes clear that this is no ordinary robbery. A strange form of triage is taking place that determines who is shot and who is allowed to live. Before long, only a handful of employees and customers remain, and it becomes clear that the attackers are not thieves at all, but in fact humanity's last hope against an insidious alien invasion.
The title is utterly generic. It might as well be “Sci-Fi Horror Thriller.” And sure, the flick has its share of scenes of people creeping around nondescript interiors in the dark. But while one would be understandably tempted, at first glance, to dismiss Alien Raiders as yet another bit of filler for the Sci-Fi Channel (oops, sorry, that should be SyFy Channel) and the like, it is, on the contrary, a most engaging and reasonably suspenseful exercise. The monster effects are (wisely) kept in the shadows, making a virtue out of low-budget necessity, and the performances and writing are both sharp, making a very familiar scenario fresh again. The conclusion is telegraphed a little clumsily, but in the end, that's a minor problem. There's a real aura of desperation surround the characters, and one can't help but root form them.
Posted in: Disc Reviews by Gino Sassani on April 1st, 2009
“Scooby-Dooby, Scooby-Dooby-Doo! There's a mystery in town, So call the coolest pup around, Call Scooby, A pup named Scooby-Doo! Join Shaggy, and the crew, Daphne, Freddie, Velma too! And Scooby! A pup named Scooby-Doo! When the ghostly ghoul attacks, Scooby eats a Scooby Snack! Scooby-Dooby-Doo! So come on, it's mystery time, You can help us solve the crime, With Scooby, a pup named Scooby, Scooby, a pup named Scooby-Doo!”
First there was Muppet Babies. Then there were Tiny Toons. It seems that every famous children’s cartoon series eventually turns back the clock to offer up pintsized versions of the same formula. That’s what you get in A Pup Named Scooby Doo. The show aired 1988 through 1991. It was on somewhat erratically so that, while the box claims this 2 disc set contains the complete 2,3, & 4 seasons, that really only adds up to 17 half hour episodes in all.
Posted in: Disc Reviews by Gino Sassani on March 5th, 2009
Ace Ventura’s back, sort of. It’s a new day. A new cast and crew. A new movie. And, unfortunately, a new Ace Ventura. This is Ace Ventura, Jr. Emphasis is on the junior. Without Jim Carrey, this thing was doomed from the start. Still, if you’re going to do it, I would have hoped that at least some kind of an effort would be in order. Alas, it seems that everyone involved knew this one wasn’t going anywhere so they just decided to have a great time and not worry so much what actually made it on to the film.
Director David Evans is best known for killing the Beethoven franchise with its third and fourth direct to video films. He did the same with the abysmally bad Sandlot 2. Evans is the place where mediocre comedy franchises go to die, or at least end up in direct to video cheap imitations of their former selves. If he had torn himself away from playing with the kids and animals long enough, he might have realized that he was killing yet another franchise. In the previous cases, I’d say he had a shot at 2nd degree murder, or negligent homicide. This time it’s a clear case of premeditation. He needs to be sentenced to life…away from a movie set.
Posted in: Disc Reviews by Gino Sassani on February 24th, 2009
Paul Newman was born in 1925 near Cleveland, Ohio. He was an attendee of the world famous New York Actor’s Studio drama school in 1947. His first movie is included here, The Silver Chalice. The effort actually embarrassed him, and he took out an ad apologizing for the performance. It was looking like this young actor was going to disappear into obscurity in short order. Fortunately for moviegoers everywhere he decided to stick it out. He would deliver in the 1960’s and 1970’s some of the best movies ever made. His team ups with Robert Redford made for one of the best acting partnerships in film history. That’s what I’d like to see as a collection. Films like The Sting, All The President’s Men, and Butch Cassidy and the Sundance Kid would make the best collection
With the Acadamy Awards nearby, Warner Brothers decided to trot out a tribute to the recently deceased Paul Newman. Unfortunately they picked some of his worst, and certainly lesser known films to do the job. All of these films represent either an early point in Newman’s acting or directing career or as is the case with When Time Ran Out, a late career paycheck before Newman found out he could still do good films. None of these efforts represent his power films of the 1970’s.
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