Posted in: Disc Reviews by Archive Authors on July 10th, 2007
Although romantic comedies aren’t my forte, I have admitted to liking a few in the past, and surprisingly a good number of the ones I have found tolerable or even likeable star Hugh Grant. So I go into watching this film with an open mind and hopefully we’ll see some results out of Music and Lyrics.
Alex Fletcher (Hugh Grant, Nine Months) is a founding member of the hit 80’s pop group appropriately named PoP! And although he surmounted to a considerable amount of fame during his prime, he is no... contempt as being a has-been. Still Alex gets the opportunity of a career revival when current chart toping diva Cora Corman (Haley Bennett) offers to perform with him in a duet, which he must compose in a short period of time. Having not written anything in quite some time, Alex decides to enlist the help of a lyricist to get the ball rolling. After some convincing Alex convinces the unsure Sophie Fisher (Drew Barrymore, Charlie’s Angles) collaborate with him, and while getting places with their music there is obvious signs of an attraction from both parties. But things get more complicated as the two submit their song to Cora Corman. Although initially loving it she changes some things around pitting Alex and Sophie in awkward positions, at the same time the two try to deal with the feelings for each other.
Posted in: Disc Reviews by David Annandale on July 8th, 2007
Synopsis
Stephen King wrote, in Danse Macabre, back in 1981, something to the effect that horror on TV ranged in quality from the ridiculous to the workmanlike. This was, of course, before he became rather too involved with the medium himself. Things have improved since the, of course, but horror has yet to achieve the truly sublime on television, and this series certainly wasn’t that. It was, however, on the upmarket end of workmanlike, and some of these 15 episodes are pretty neat little eff...rts. The standout is, arguably, “You, Murderer.” Directed by Robert Zemeckis, its opening intro is a parody of the director’s Forrest Gump, and it then has the gall to cast Humphrey Bogart in the lead of a humorous murder tale. The whole thing is done in first-person perspective, à la Lady in the Lake, and co-stars John Lithgow, Isabella Rossellini and Sherilynn Fenn. Everybody has fun with the piece, including the audience, and, from beyond the grave, Bogart himself.
Posted in: Disc Reviews by Gino Sassani on June 27th, 2007
It was the final hours of the Civil War, and incompetent Captain Parmenter (Ken Berry) gave off a sneeze and sent his men in the wrong direction. By sheer luck the enemy was there and forced to retreat, making Parmenter a hero of sorts. His reward was to be placed in command of the frontier outpost Fort Courage. And that’s the set-up for F Troop. In the first season this story was told in the opening credits, but these were cut short for season two and beyond. Westerns have not traditionally been good fodder for co...edy. F Troop is the exception. But what made F Troop funny had little to do with the setting. What gave F Troop is long standing following was the cast of characters and the actors who brilliantly portrayed them. Ken Berry had a natural wit about him that brought him long success even after F Troop. He is most likely better known today for his stint in Mama’s Family. He was originally a dancer, which gave him an uncommon grace in the physical comedy that was so much a mainstay of F Troop. When you think of Forrest Tucker, you don’t necessarily think of comedy. With his run on Gunsmoke, Tucker was best known for his tough guy roles. His intimidating stature made him a natural, and he appeared on such favorites as Wagon Train and Daniel Boone. Still, to many fans he will always be the rough and tumble Sergeant O’Rourke on F Troop. His boisterous voice was instantly recognizable to the show’s legion of fans. The trio of stars is completed with Larry Storch as the naïve Corporal Agarn. The natural chemistry between these three accounted for the vast majority of the show’s success. Let’s face it the writing here was 1940’s vaudeville slapstick translated for television audiences 20 years later.
F Troop has had its fair share of controversy over the years. Fortunately the 1960’s public was not so sensitive to stereotypes, or the show might never have been made. Much has been made of the show’s portrayal of the American Indians, of course today more politically correctly referred to as Native Americans. The characters were bumbling savages with the combined intellect of an insect. One might take offense if not that the American soldiers stationed at Fort Courage were portrayed in exactly the same way. This was never anything more than mindless comedy intended to elicit a laugh or two or thirty. That it did.
Posted in: Disc Reviews by David Annandale on June 27th, 2007
Synopsis
There isn’t a lot that connects these films, other than the fact that they are all budget-conscious SF and were released in 1958. All are joys for fans of the genre, however.
Posted in: Disc Reviews by Archive Authors on June 25th, 2007
Previous to receiving this copy of Happy Feet for review, I have wanted to check it out but never got the chance; the animation appears to look spectacular and the cast of voice actors seems really impressive. The list includes one of my favorite actors Hugh Jackman, Elijah Wood, Brittany Murphy, Robin Williams, Hugo Weaving, Nicole Kidman, and more. So on paper Happy Feet sounds like a winner, how does it turn out?
Happy Feet revolves around the lives of a colony of emperor penguins on...Antarctica, and as I’m sure some of you know compliments of Planet Earth or March of the Penguins that in order to find a mate emperor penguins sing to each other - in Happy Feet they call this a “Heartsong.” Norma Jean (Nicole Kidman) sings to Memphis (Hugh Jackman) who in turn sings to her and the two identify each other as soul mates. They mate and Norma Jean along with the rest of the females take off to get food while Memphis and the males stay and guards the eggs, but Memphis drops his and normally the harsh winter isn’t so forgiving of a dropped egg in the sub zero temperatures, but the baby penguin survives and out hatches Mumble (Elijah Wood). As time goes on it becomes realized that unlike every other penguin Mumble’s can’t sing, therefore has no “Heartsong.” Instead he is blessed with an outstanding ability to tap dance, which ultimately gets him branded as a freak amongst the emperor penguins. As Mumbles grows older he fails to garner a singing voice, and it unable to attract the penguin of his dreams, Gloria (Brittany Murphy). Then through a series of unfortunate events Mumble is swept into the sea and lands up within a new colony of fun loving penguins who actually adore his tap dancing abilities. Through the adventures with his new penguin buddies, Mumble discovers humans who he refers to as aliens, caught up in the hype he sets out for home to tell the colony of his findings, where he must prove himself to not only his family, but also the colony and his crush Gloria.
Posted in: Disc Reviews by Archive Authors on June 21st, 2007
Four years ago when The O.C. came out it was a pretty big deal. I was finishing out high school back then, and like Beverly Hills 90210 did to the previous generation, The O.C. captivated the minds of the teenagers and young adults. I, like most people my age, watched the first season regularly. Back then I loved it and although some of its novelty has worn off, I can still really enjoy it. But as with most shows, as the years go on, the episodes become less entertaining - I watched much of the s...cond season, parts of the third season, and none of the fourth. Recently I had a fit of what could best be referred to as nostalgia, I rented the first three seasons of The O.C. and got back into what I loved so much back in 2003. As it stands I still really like the first season, the second season seemed lazy and predictable as with the third. Since I already know the fourth season was its last, I hope it somehow returned to its roots, regardless I am eagerly anticipating how things are going to wrap up.
If for some reason you’re reading this and have not yet seen the first three seasons of The O.C. I’ll briefly fill you in on the situation, so be prepared for spoilers. Ryan Atwood (Ben McKenzie) was a troubled teenager living in Chino, after being busted for theft his public defender Sandy Cohen (Peter Gallagher) decided to adopt him giving him a new start in the posh Orange County. Before long Ryan befriends Sandy’s son Seth (Adam Brody) and the neighbor’s daughter Marissa (Mischa Barton). Of course there are love triangles, parties, fights, and other teenage matters that are dealt with throughout the show, but it mainly focuses on the relationships between Ryan and Marissa and Seth and the girl of his dreams Summer (Rachel Bilson). By the time season three wraps up Marissa has died in a car accident and Summer is heading to college out east.
Posted in: Disc Reviews by Archive Authors on June 18th, 2007
Written by Evan Braun
Television today is littered with shows that burned bright but died quickly. In a time when networks are quick to cancel, it’s becoming more and more rare to see a show live out its full potential. Having just concluded its thirteenth season, with many more years on the horizon, ER has more than shown itself to be a proven commodity. It could very well be remembered as one of the most successful and longest-running series in the history of primetime television.
Posted in: Disc Reviews by Michael Durr on June 10th, 2007
Synopsis
Hello, all you happy people. Growing up, many people of my generation when turning to classic cartoons turned to Bugs Bunny or Mickey Mouse or even Popeye. I wasn't normal (who would have guessed?). I found my cartoon home when I wasn't watching Transformers or He-Man in the old Tex Avery cartoons of yesteryear. My favorite character was Droopy, the little dog with the deadpan wit and a penchant for outsmarting the big bad Wolf or Spike/Butch the bulldog. Tex was fa...ous for throwing one gag at you and then while you are still laughing throw another. He would usually follow that up with a third one for good measure. It was this constant unapologetic slapstick that would become his signature and would be found most consistently in the hands of Droopy.
Posted in: Disc Reviews by David Annandale on June 7th, 2007
Synopsis
When all his cowhands desert him to take part in a gold rush, John Wayne is left with no alternative but hire a group of schoolboys, between the ages of 9 and 15, to work for him on a long and dangerous cattle drive. Along with all the usual hazards of such a journey, they are also being stalked by Bruce Dern and his band of rustlers.
Posted in: Disc Reviews by Michael Durr on June 3rd, 2007
Synopsis
Tom & Jerry cartoons used to be so much fun back in the day. The mayhem, the violence, the pursuit of one cat to vanquish one tiny little mouse (and never succeeding). I remember one episode very vividly that involved Tom destroying the whole house to get to Jerry and literally killing himself in the process (well the fake cartoon dieing anyway). They probably took that off tv these days with trying to sanitize children's programming and all. However, without Tom & ...Jerry, there would be no Wile E. Coyote & Road Runner, no Itchy & Scratchy & no Rosie O Donnell & Donald Trump. (all I'm saying is that Rosie is hungry). Since those old cartoons are considered too violent (*roll eyes*) and sometimes too racist (*even bigger roll eyes*) they try to bring back popular cartoons in new tv series. They do this to try to bring back today's viewing public back in by serving them friendly cartoons and keep the parents from suing or complaining to somebody.
![Music and Lyrics (Combo HD DVD and Standard DVD) [HD DVD] dvd cover art](https://upcomingdiscs.com/ecs_covers/music-and-lyrics-combo-hd-dvd-and-large.jpg)
![Happy Feet (Combo HD DVD and Standard DVD) [HD DVD] dvd cover art](https://upcomingdiscs.com/ecs_covers/happy-feet-combo-hd-dvd-and-standa-large.jpg)
