Warner Bros.

Two things you should know about me before reading this review: I'll watch anything involving John Goodman, and I've never seen the animated classic this live-action version of The Year Without a Santa Claus is based on. So unlike when I watched the horrendous Jim Carrey-Ron Howard take on Dr. Seuss' How the Grinch Stole Christmas, in this case I hold no special place for an original.

On its surface, The Promise seems to have a good pedigree backing it up. You've got the guy who directed Farewell, My Concubine and the cinematographer of Crouching Tiger, Hidden Dragon, combining forces for a Chinese film that is epic in scope, similar to the Zhang Yimou films Hero and House of Flying Daggers.

The problem with The Promise is that the story rambles a bit, and the characters are ones that you don't care about. The stunts aren't even breathtaking either, as the visual effects are apparently done with wires and green screens, and can be made out so obviously, they lack the magic and wonder of the Yimou films, or even other films like Shaolin Soccer and Kung Fu Hustle.

I'd never seen, nor heard of, Harvey Birdman, Attorney at Law before I received my review copy of this second volume of the series, which aired as part of Adult Swim. What a bizarre show! Not since Ren and Stimpy have I seen such a strange, adult-oriented cartoon.

Harvey Birdman was a shoddy superhero who has become a substandard Attorney. His firm handles cases for well-known animated Hanna-Barbara characters like The Jetsons, with each of the 13 episodes in this second volume presenting a new case.

What we have here are three films from Hollywood’s days before the Production Code kicked in, which show just how much the envelope was being pushed when it came to sexual subject matters. The recurring theme here is sex as a commodity, whether the situations beinig dealt with involve outright prostitution or not.

Outright prostitution is very much the issue in Waterloo Bridge (1931), director James Whale’s effort just prior to making Frankenstein. Mae Clarke (who would play Elizabeth in Frankenstein) is an out-of-work chorus girl during WWI, not a prostitute trolling for men on the titular bridge.

Nicolas Cage is a highway cop haunted by a gruesome accident. He receives a mysterious letter from his ex-fiancee, begging him to come to the remote colony where she lives and help find her daughter. Cage arrives there to find a grim matriarchy, uncooperative locals, and sinister hints of something nasty going to happen to the child.

I wrote about this film when it was in the theatres, and rather than repeat myself through paraphrase, I repeat myself verbatim. Note there are some spoilers below.

Synopsis

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