Posted in: Disc Reviews by Gino Sassani on November 30th, 2004
While the world of Harry Potter was created primarily for a younger adolescent audience, there is no question that the tapestry is epic, and compelling enough to satisfy adults. I believe the true success of these films lies within that idea. It is truly rare when a film arrives that can appeal so completely to both demographic groups.
Prisoner of Azkaban is perhaps the darkest, but I don’t think the most frightening, Potter film. The creature images of the previous entry were considerably more graphic an... disturbing to the younger children. I’m going to take some heat for this, but I am so happy there was a very limited scene of the famous quidditch games. They are very popular it seems, but I find them a dreadful bore. The children are beginning to mature both as characters and actors. While Daniel Radcliffe has improved quite noticeably from the first film, I must admit that it is the performance of Emma Watson that showed the greatest maturity and potential. Richard Harris was most certainly missed, but I think that Michael Gambon conjured up a nice, while more limited, performance of the wise old Dumbledore. As with all of the Harry Potter films this one begins with Harry’s tedious life in the normal world. I’m sure that each time viewers of all ages are eager to see Harry return to his element and friends.
Posted in: Disc Reviews by David Annandale on November 19th, 2004
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Posted in: Disc Reviews by David Annandale on November 17th, 2004
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National Velvet (1944) is one of the most beloved horse movies out there. A veryyoung Taylor wins a horse named Pie, and dreams not only of entering the horse in the GrandNational, but of riding him, too. Helping her achieve this dream is jockey Mickey Rooney. Alsoon hand is Angela Lansbury as Taylor’s older sister. This is innocent fun of the most perfectlycrafted variety, and it expertly tugs at heartstrings from the opening moments on.
Posted in: Disc Reviews by Archive Authors on November 15th, 2004
Given this DVD’s release date (directly coinciding with one of the most highly anticipated election days in history), and season three’s initial air date (following on the heels of September 11th), this season may become the most pivotal in West Wing history- if not the most consistent. It opens with an out-of-context episode, “Isaac and Ishmael,” that’s as didactic as it is well-meaning. While Chief of Staff Leo (John Spencer) interrogates a suspect, Sam (Rob Lowe), Josh (Bradley Whitford), Charlie (Dule Hill..., Toby (Richard Schiff), C.J. (Alison Janney), Donna (Janel Maloney), First Lady Abbey Bartlet (Stockard Channing), and President Bartlet (Martin Sheen) discuss terrorism and it’s repercussions with a group of nervous High School Students.
Written in response to the 9/11 attacks, “Isaac and Ishmael” does present an interesting analogy (Islamic Extremist: Islamic as KKK: Christianity). But the season really kicks off with “Manchester,” a two part episode that initiates where season two concluded. After Bartlet announces his plans for re-election, the staff deals with his recently disclosed Multiple Sclerosis and a military rescue in Haiti. Flashback intensive, “Manchester” jumps back and forth between the Bartlet’s New Hampshire estate and the White House, as a team of strategists headed by Bruno Gianelli (Ron Silver) attempt to revive the administration. Later, Oliver Platt shows up as White House council Oliver Babbish, and the First Lady’s secrecy regarding her husband’s condition may result in a revocation of her medical license.
Posted in: Disc Reviews by David Annandale on November 11th, 2004
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Posted in: Disc Reviews by David Annandale on November 10th, 2004
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Posted in: Disc Reviews by David Annandale on November 3rd, 2004
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Posted in: Disc Reviews by David Annandale on October 26th, 2004
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Nine years ago, Jesse (Ethan Hawke) and Celine (Julie Delpy) met in Vienna and spent a magical night together, their conversation blossoming into love. But they did not meet six months later as promised, and they moved on with their lives. Now Jesse has come to Paris to promote his book (inspired by that one night), and Celine comes to his book signing. He has an hour or so before his flight, and they head off together for coffee. Their conversation ranges over all manner of topics, graduall... becoming more and more personal as they come to terms with what they mean to each other.
Posted in: Disc Reviews by David Annandale on October 6th, 2004
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Posted in: Disc Reviews by Gino Sassani on September 20th, 2004
The Whole Nine Yards was a pretty funny film. It wasn’t outstanding. It wasn’t classic cinema. It certainly didn’t cry out for a sequel. The Whole Ten Yards goes one yard too far. Most of the original cast is back, but the film has no life. Even the laughs are forced. By now the novelty of the characters has long since worn thin. Bruce Willis seems to be acting for acting’s sake. The mood swings and unnecessary facial exaggerations seem to provide Willis with some distraction from how empty the rest of the film is. I...think he watched DeNiro in Analyze This or Analyze That too long. Amanda Peet’s assassin wannabe whining is no longer cute. It’s just annoying. Matthew Perry might be soon yearning for his Friends days if this is anywhere near his best film attempt.
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