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"The 2nd World War's violent, disturbing images have been constantly replayed for decades. Sometimes it seems there is little we can see that we haven't seen before. But buried in archives and tucked away in private collections an astonishing set of 3D films and photographs with the power to erase time and transcend space will now be seen for the first time in nearly 70 years."

I know what you're thinking. Like the above prologue says, it hardly seems like we can get anything new out of footage from World War II. There have been countless of specials and serials to the point of overload for many. Yet, History Channel has found ways to bring cutting edge technology to these old themes, and somehow they find new ways to intrigue us. Historians are living in a veritable new age of discovery. The boom began when footage was cleaned, restored and mastered in high definition. History was there every step of the way and delivered the goods in WWII in HD. But, they haven't stopped there. 3D has been trending lately, and now we have this documentary which delivers stunning 3D images from 70 years ago. What will be the next step?

The Paranormal Activity franchise steps back in time for this third entry, revealing how and why sisters Katie and Kristi come to suffer demonic assaults later in life. We are back in 1988. The blended family of mother Julie (Lauren Bittner), daughters Katie (Chloe Csengery) and Kristi (Jessica Tyler Brown) and stepfather Dennis (Christopher Nicholas Smith) are settling in to life together when the first odd things start happening.

Wedding video producer Dennis is the first to suspect the outright paranormal, and sets up cameras upstairs and down to capture events. Ominously, little Kristi has an imaginary friend, Toby, who, in proper Captain Howdy style, reveals himself to be all too real. What is he saying to Kristi? What does he want of her? Answers are forthcoming, and they are not reassuring.

"As you know, in less than two hours liquor will be declared illegal by decree of the distinguished gentlemen of our nation's Congress. To those beautiful, ignorant bastards. Rest assured that, dry though the country may be, I am in the midst of concluding arrangements that will keep Atlantic City wet..."

Lately, you might have heard a lot of folks talking about getting home for a little Nucky. Well... it's not what you think. They're talking about Nucky Thompson, played by Steve Buscemi on HBO's latest gangland series, Boardwalk Empire.

"Goooood morning, Vietnam! Hey, this is not a test! This is rock and roll! Time to rock it from the Delta to the D.M.Z.!"

Since his early days on Mork and Mindy, Robin Williams has been in a lot of movies. Some of them are pretty good films. Others are even downright awful. He does have a habit of going over the top. Ask anyone you might meet for their favorite Robin Williams movie and the answers will most certainly differ. Still, two things are pretty certain.

It would still be two years before Kate Beckinsale would don her fangs, blue contacts, and black cat suit and become a blip on the radar for the guys among us. Yes, she had done Pearl Harbor, but how many guys thought that was just a romance story that happened to revolve around a particular historic event. Can anyone say Titanic? Serendipity came out the same year as Pearl Harbor, so 2001 was likely the year that Beckinsale really came out, at least to the women in the audience. Of course, Serendipity didn't bring in near the kind of cash that Pearl Harbor did, and honestly, it's kind of fallen by the wayside in the last decade. Mirimax is doing something about that with the new Blu-ray release of John Cusak and Kate Beckinsale in Serendipity.

Jonathan Trager (Cusak) and Sara Thomas (Beckinsale) are both doing a little Christmas shopping for their significant others. In a department store they both attempt to lay claim to the last pair of black gloves on the counter, each tugging on a separate glove. They share a little laugh and conversation and Jonathan offers to allow Sara to have the gloves in exchange for a coffee together. While they both are in relationships, they begin to have feelings for each other. They appear to keep bumping into each other, and Sara is a believer in fate, or serendipity, if you will. She decides to leave their future in the hands of chance. She will write her name and number on a book and sell it to a random bookstore the next day. He puts his information on the back of a five dollar bill, and she spends it at a newsstand without peeking. The idea is that if they were meant to be together, the information will find itself back to them.

Where do I begin? There was this rather formulaic movement that started in the 1990's and continued to just a few years ago. It was certainly that generation's version of Animal House. Every generation has them. They typically star teen idols or up and coming young stars and where my generation often placed them in college, these films were all about high school. They tend to take advantage of the cool trends of the time from the present pop culture to the style of music. The problem with these kinds of films is that they seldom have staying power and almost never translate to the next generation in either direction. A good example of this rule has to be She's All That.

At the time of its release in 1999, the film became quite hot. It yanked in over $60 million at the box office and became the fodder for teenage giggles and dates. Now we find the film making another generation jump into Blu-ray and high definition. But this might be one jump that just misses its mark. I freely admit I was never in the film's target audience either then or now. If you were a teen then, you might still have fond memories of this one. I just don't think those memories are going to be quite so magical this time around.

James M Cain wrote Mildred Pierce in 1941 and based the character on a woman he was seeing at the time. It's said that she offered much of the insight into women's plights of the depression era from undisclosed women. Not that Cain needed help in writing a compelling story. He's had a few hit novels that include The Postman Always Rings Twice. Mildred Pierce was an almost instant hit and was soon optioned for a film in 1945 staring Joan Crawford, for which she won an Oscar, and while she had been nominated three separate times, it would be her only win. The filmed did huge at the box office, and that's where the character and story have pretty much resided for over 60 years.

HBO is no stranger to quality series or mini-series. The John Adams production is considered one of the best period mini-series ever made. The list of Emmys is long and well deserved. So, it is in their hands that the long-dormant Mildred Pierce would make her resurrection in the form of Kate Winslet. The all-star cast also includes: Homicide's Melissa Leo, Guy Pearce, Mare Winningham, Evan Rachel Wood.

"December 7, 1972: Apollo 17, the final official lunar mission, lands on the moon. In 2011 eighty-four hours of classified footage is uploaded to www.lunartruth.com. This film was edited from that footage."

Yes, you get the picture. Apollo 18 is another "found footage" film that has populated the movie landscape since the time of The Blair Witch Project. Unlike that famed film, this movie did not go on to make any kind of box office history. In spite of a rather large advertisement campaign, the film pulled in a very modest $17 million. I'd say we've become somewhat jaded by these kinds of films, and we've begun to demand something more in order to put up with the intentional amateur shooting style and enough shakes to reward our attention with something akin to a hangover. There will continue to be a flood of these kinds of films, and some of them might even be quite good. I can't count Apollo 18 among them.

“If you run, they catch you; if you don't run, they catch you.”

Just miles from one of the most glamorous cities in the world, Rio de Janeiro, resides a favela (slum) known as Cidade de Deus or City of God. The poor were routinely pulled off the streets of Rio and forced to live in squalor in this favela. For decades this hell hole was run by murderously corrupt police and street gangs. Like a roach motel, once you checked into the City of God these dehumanizing elements, combined with brutal poverty, made sure you never checked out. This heartless system thrived with the blessings of the local government, because the poor are offensive to the affluent, and if you keep them out of sight they stay out of mind.

By John Delia

Slick, compelling, and gripping, Contagion uses the fright brought on by past outbreaks of deadly virus attacks around the world to punch home a ‘what if’ plot that succeeds in scaring the pants off accepting moviegoers.  The recognizable actors save the plot from being hard to follow as it jumps from country to country in this thriller that ‘could actually happen’.