Posted in: Disc Reviews by William O'Donnell on December 5th, 2011
The latest incarnation of Deep Purple is going the route of many “classic” rock and/or metal bands, and are putting being accompanied by a symphony for a special release. This particular concert closed out the 2011 Montreux Jazz Festival.
Many do not realize just how powerful a symphony sound can be without ever hearing one live. For this concert film, it helps when a heavy metal band is present to be matched and/or enhanced by the sheer boom that is power of a symphonic sound to help make for a nice example. The frequently bluesy riffs of Deep Purple, coming from songs both new and old, are complimented well by a large assembly of strings and horns. It should be noted that this is not a full symphony, but something similar to the size of a Count Basie orchestra setup. In fact, there are some songs where the symphony do not play at all, such a “Space Truckin'' whose chunky riffs might be best left alone.
Posted in: Disc Reviews by William O'Donnell on December 4th, 2011
This historical film looks at the three-year siege of Leningrad during World War 2. The film follows a Russian, female police officer who aids a stranded, English news reporter as they try to survive the siege. Said survival goes beyond enduring the battles between Russian and German forces as a lot of focus is placed on the starvation of the denizens of Leningrad as supplies become desperately limited and the people must live off of 300 grams of rations a day, an amount that declines as days go by.
There is a nice balance between depictions of those fighting the battles and civilians just trying to survive. The battles themselves are accurately brutal at times, and the city of Leningrad is looks as cold and wreaked with famine as its inhabitants. Visually, this film does a wonderful job of recreating the horrible images of war. There are dead bodies frozen on the streets and battlefields that the characters have to become acclimatized to.
Posted in: Disc Reviews by M. W. Phillips on December 4th, 2011
“Someone's in my fruit cellar! Someone with a fresh soooul!”
Sam Raimi wasn’t really interested in making a horror movie. Weaned on The Three Stooges, comedy was really more his style, but he could only find interested investors if he made a horror movie. So he and his filmmaking partner, Bruce Campbell, made the short film Within the Woods and with it secured funding for their first feature length movie, The Book of the Dead. When it was pointed out kids might not see a movie with book in the title, the name was changed to Evil Dead. With help from Stephen King proclaiming the movie as “the most ferociously original film of the year,” it became a moderate box office success (in short it made money even if the cast and crew didn’t). The uncut version which then circulated the video market elevated it quickly into cult status.
Posted in: Disc Reviews by William O'Donnell on December 3rd, 2011
Somewhere, somehow, Usher has been dubbed the reigning “King of R&B.” I understand his sales are immense and popularity is undeniable, but I am hearing his name being said in the same sentence as James Brown and Michael Jackson. Those are insanely high standards to live up to, so I was was expecting a lot from the “OMG Tour” live performance.
Amidst scantily clad women, soaring lasers, massive video screens, a hyperactive backing band and sweating buckets in front of a sold out crowd, Usher does an 19 song long Michael Jackson impression. Am I watching the next King of Pop? Or (lord help me) King of R&B? (may the ghosts of Motown have mercy on whomever anointed Usher with that moniker). No, I am not. I am, however watching an extremely smooth dancer, a hard working entertainer, and charismatic singer lead an enormous stage production with a confident, cool professionalism.
Posted in: Disc Reviews by Gino Sassani on December 1st, 2011
"You have been activated."
You've got to hand it to Robert Rodriguez. Since he came onto the film scene in 1992 he has earned a reputation for delivering some very innovative films. His specialty appears to run toward more adult fare with such cult hits as Dusk To Dawn, Sin City, and his recent splashes into grindhouse territory. Anyone who has seen those films might find it strange that the writer/director is also responsible for a somewhat beloved children's franchise with the Spy Kids films. First introduced in 2001 the film pulled in a respectable box office and became a hit for the younger crowd who have fantasies of being James Bond spies with all of the terrific gadgets and the extra benefit of making evil adults look bad.
Posted in: Disc Reviews by Gino Sassani on December 1st, 2011
John Bonito has had very little experience in filmmaking. He's done a few wrestling tidbits and one earlier film called The Marine, and that was nearly six years ago. Chances are you haven't heard of either. If Carjack is any indication of his limited ability, the new film out on Blu-ray isn't going to help with that name recognition. So, with a no-name director and a direct-to-video release, the film really left small expectations. We might go into a film like this expecting a rather dull, "been there, done that" feel to it. In that sense Bonito doesn't disappoint at all. But take a closer look at the cast and hope emerges for something perhaps a little better than that. The only response I can offer for that is that a car wasn't the only thing jacked here. Someone made off with nearly a couple hours of my life. In that Bonito is guilty of grand theft, while some of you might plead it down to petty larceny.
Lorraine (Bello) is trying to put together the pieces of a broken life. Her husband has left her and is threatening to take her son away. She was once negligent and he wondered off into the night alone. She's in group therapy trying to work out those kinks in her life. Her therapist tells her she needs to take control more, and that aspect of her development is about to be tested.
Posted in: Disc Reviews by Gino Sassani on November 30th, 2011
The Disney magic faded for a little while during the 1980s. There were still animated features, but they weren’t the groundbreaking triumphs of the studio’s golden age. All of that changed as we entered the 1990s. The Little Mermaid is considered the first of the new wave of Disney classics. It certainly signaled a change in the direction of animation at Disney. While the change may have begun there, I believe it was Beauty And The Beast that started a wave of productions that would peak with The Lion King. With Beauty And The Beast, everything is cranked up a notch from the mediocre affairs the studio had been churning out for a time. Beauty And The Beast had the epic proportions, fluid animation, and bright colors that set the Disney Express back on track.
With that much importance, is it any wonder that the folks at Disney kept the theme going for as long as they could? There was a television series that featured a live-action Belle who would sing stories to children and teach valuable lessons along the way. There were also some direct-to-video follow-up stories that took us back to the days in the middle of the original animated feature. That in and of itself isn't all too extraordinary. Disney, like any other studio, knows how to milk a cash cow. What is quite extraordinary in this business, even for Disney, is that they kept the original voice cast pretty much intact. It was a bold move that likely cost a few more dollars but was well worth the extra effort. With the return of Jerry Orbach, David Ogden Stiers, Jim Cummings, Robby Benson, and Paige O'Hara, the connection between this holiday film and the original material is unmistakable.
Posted in: Disc Reviews by M. W. Phillips on November 23rd, 2011
“You can blow out a candle, but you can't blow out a fire. Once the flames begin to catch, the wind will blow it higher”
Peter Gabriel, the flamboyant original front man for Genesis from 1967 to 1977, left that band to pursue recording his own solo albums. Although none of his early albums scored a top 40 hit, they were deeply loved by the art house music crowd. Gabriel’s penchant for exotic world musical instruments, dark moving lyrics, and complicated arrangements built on his fiercely loyal following.
Posted in: Disc Reviews by M. W. Phillips on November 23rd, 2011
Let me get this out of the way first off: I am not a big fan of emo-pop, so maybe I’m not the best person to review Placebo. The whiny nasal vocals and amazingly repetitive hooks tend to drag, and I find myself just wanting to slap the band and tell them to man up. That said, I should think if you are a fan of the band, you will love this nearly three hour concert disc filmed at London’s Brixton Academy in September 2010 during the band’s tour for their album Battle for the Sun.
Placebo is not a band that has achieved the same level of popularity in North America as they have abroad. Their “emo” stylings have spawned numerous top ten singles in the UK. The three-piece band is very tight on stage, and their sound is pristine live. The striking stage visuals are complemented by all sorts of digital post effects seamlessly inserted into transitions (maybe a few too many post tricks, as it seems to detract from the show, drawing attention to the video editor instead).
Posted in: Disc Reviews by Gino Sassani on November 22nd, 2011
"My name is John Crichton...an astronaut. Four years ago, I got...shot through a wormhole to a distant part of the galaxy. I ending up on this ship...this living ship, populated by escaping prisoners...who became my friends. I made enemies..."
Take a magical journey with me now. I don't mean into outer space. It's a journey back in time to a day when the SyFy Channel was called the Sci-Fi Channel. A day when it was an exciting and promising place on the cable dial. After a few fledgling years showing old repeats it was time to grow, and grow they did. When the powers that be decided to begin making new original programming they teamed up with Brian Henson who was just getting his feet running his late-father's Jim Henson Company. Yeah, the Muppets guys. He believed it was time to do something darker, something with an edge and targeted more to an adult audience. His father began the journey with The Dark Crystal. Now it was time for more of that kind of thing. The two companies found their solutions together in a show called Farscape.
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