Posted in: Disc Reviews by Athena on March 23rd, 2009
Hi, Athena here. Well, this is going to be my last post for the doggie movies at Upcomingdiscs. Gino says it’s time to retire. He says my investments need to be cashed in so I can take it easy, before they’re all gone. I guess that means someone’s trying to eat up my treats. They better watch out or I’m going to go Siberian Husky all over them. I may be 14 years old and a little slow, but my teeth work just fine. Just ask Baby. She’s the newest member of the family here, and I had to let her know who the boss is right away, if you know what I mean.
Anyway…enough about me; of course there can never really be enough about me. Let’s talk about the latest Disney animation film, and the latest in a long line of movie dogs, namely Bolt (Travolta). Now, when this movie starts you get to meet Bolt and his human friend, Penny (Cyrus). Penny’s some kind of a spy or something, ‘cept she’s not really very good at it. You see, the bad guy is about to catch her, and I don’t think he wants her to give her some belly rubs. So, supercharged Bolt comes to the rescue. Man, that dog’s almost as cool as a Siberian Husky. He’s got something called super powers. He can shoot laser beams from his eyes and run faster than a race car. He even has a super bark that can cause earthquakes. Gino says it sounds and feels a lot like when I snore at night. Of course, Bolt is some kind of a white shepherd, and while they tried to make him look a little like a Siberian Husky, he isn’t one, so you know he doesn’t really have these super powers. Trust me, if Baby doesn’t watch out, she’s gonna see some real super powers, and that spells B I T E. Bolt is really just the star of a television show. The only thing is no one told Bolt that. So, when he thinks Penny has been kidnapped by the show’s villain, the Green-Eyed Man (McDowell), Bolt goes into action. He escapes his studio trailer and heads out into the great unknown to rescue her, just like on the show. He ends up locked in a box and shipped all the way across the country. Now he has to get back to California, before, at least he thinks, the Green-Eyed Man can do something bad to Penny. Along the way he meets up with a cute kitten, named Mittens (Essman) who was abandoned by her family, so she doesn’t think too highly of humans. He also meets Rhino (Walton), a hamster in a ball, who is a huge fan of Bolt’s television show, and like Bolt, thinks it’s all real. Along the way Bolt finds out that he really is an ordinary dog, and not a Husky, after all. But, this is a Disney film, so Bolt finds out that you don’t have to have super powers to be a super hero. He might not really have to rescue Penny, but she misses him a whole lot and he needs to get back to her.
Posted in: Disc Reviews by Gino Sassani on March 16th, 2009
“When you wish upon a star. Makes no difference who you are. Anything your heart desires will come to you. If your heart is in your dream, no request is too extreme.
When you wish upon a star, as dreamers do… Like a bolt out of the blue, fate steps in and sees you through. When you wish upon a star, your dreams come true.”
The song has become a standard. Every kid knows it. Walt Disney Studios has made it their theme song. You hear it each time you load up a Disney disc. If you have been fortunate enough to have visited Walt Disney World, you’ve heard it the entire day long. We know the song, but did you know where it originated from? It was back in 1940 and the release of Walt Disney’s, in fact, the world’s, second ever feature length animated film: Pinocchio. Now Disney brings us this timeless classic on high definition and Blu-ray. What a marvel this release is.
Posted in: Disc Reviews by Gino Sassani on March 12th, 2009
Actor Edward Norton first came to my attention in the heist film, The Score. I hadn’t heard a lot about the bright young actor, but I remember that he impressed me quite a bit. When you consider he was playing along with the likes of Marlon Brando and Al Pacino, that’s no small achievement. Somewhere along the way I missed the 1996 release of Primal Fear. Based on the William Diehl novel, the film would be the first major feature to star Norton. It was a breakout character and a breakout performance. He deservedly was nominated for an Academy Award for the role, one he likely should have received. Norton wears the skin of this troubled teen so closely and so effectively that it can be quite chilling at times to watch. Richard Gere might have been the bankable star for this movie, but Edward Norton walked away with the whole thing in his back pocket, and has never looked back. This was also the first feature for television director/writer Gregory Hoblit. Hoblit was best known then as the Steven Bochco protégé who worked on Hill Street Blues and NYPD Blue. His gritty attention to detail made him a perfect fit for these ultra realistic cop dramas, but perhaps it was his work on Bochco’s legal drama L.A. Law that better prepared him for the legal thriller Primal Fear. The combination would be a formidable one, and it makes me rather sorry I missed out on this one at the box office back in 1996.
Fortunately, the arrival of Blu-ray allows people like myself to visit these missed films in a format that brings out all of the detail and glory that the film enjoyed upon its original release. With a solid transfer and some care towards the print and transfer, you can take the trip you missed out on before. Primal Fear is one such missed opportunity brought to life in high definition.
Posted in: Disc Reviews by Gino Sassani on March 4th, 2009
The highpoint of I’ve Loved You So Long is a rather brilliant performance by Kristen Scott Thomas. She is able to inhabit a character in ways I’ve rarely seen. You’ll be hard pressed to find any identifiable boundaries between the actor and the character. Now, usually, that’s the foundation for a solid film. The problem is that her character just isn’t that interesting of a person after a while. Of course, there are nuances to observe, and Thomas serves them up well, but after a short time we’ve really come to know this character pretty well. We just don’t find her all that interesting.
Juliette (Thomas) has spent the last 15 years in prison for the murder of her 6 year old son. She has been expectedly abandoned by her family while locked up. When it is finally time for her to be released, the only one willing to even talk to her is her estranged sister, Lea (Zylberstein) who takes her into her home. Lea has a family of her own now. She is married with two adopted Vietnamese children. The film pretty much follows no plot or story. It’s more or less Juliette’s journey to adapt to the outside world and deal with her own flood of emotions. If the movie is Juliette’s journey, then it is also a journey for Lea. Without revealing the ending, I can safely say the only destination here is understanding.
Posted in: Disc Reviews by Gino Sassani on March 4th, 2009
Is it me, or have we been getting a lot of talking animal movies of late? I suspect the use of the CG technology that exists today lends itself to this kind of film. You might even make the argument that it hasn’t really been any different than the talking animal cartoons that have been with us forever. It’s just that now we can make live action dogs, or any other creature, for that matter, appear to be talking in a fairly realistic way. And as far as the use of that technology, Beverly Hills Chihuahua certainly blends the CG and live action footage seamlessly enough. And while I can’t really find much fault with this movie, it just seems like I’ve seen and heard it all before, a little too often as of late.
The plot is one of those affairs that’s filled with holes and giant leaps of logic. It’s obviously intended for kids, but it’s a mistake to think that even the under 11 crowd doesn’t notice these incredibly unbelievable things. I don’t have kids, but I would worry if you have a kid that doesn’t let these unanswered questions go by without demanding an explanation. Of course, Disney doesn’t have to field those questions, like why does a rat want a diamond necklace so much. You’re the one who has to do the explaining. For what it’s worth, here’s the general plot:
Posted in: Disc Reviews by Gino Sassani on March 3rd, 2009
“Did you pick your feet in Poughkeepsie?... Have you ever been to Poughkeepsie?... When you were in Poughkeepsie, you sat on the edge of the bed, didn’t you? You put your fingers between your toes and you picked your feet…. If I can’t bust you on this other thing I’m going to bust you for picking your feet in Poughkeepsie.”
There can be no argument on this point. The 1970’s was a golden age for the cinema. When you think about the iconic characters and films the decade produced, it’s hard to contradict the point. Films like The Exorcist, The Godfather (both parts), Jaws, Dirty Harry, Star Wars, Superman The Motion Picture, The Sting, Rocky, Deliverance, Apocalypse Now, Alien, One Flew Over The Cuckoo’s Nest, and yes, The French Connection. They redefined film genres. The slasher film was born in the 1970’s. Their influence is felt on nearly every film today, and inspired nearly every new filmmaker to come along in the years since. Yes, there were golden eras before then, but I’m not sure there’s been one since. Of course, there have been truly great movies since, but can you remember a decade with that kind of a run?
Posted in: Disc Reviews by Gino Sassani on March 2nd, 2009
The French Connection had one of the best film endings a show of this kind could ask for. There was absolutely no need for a sequel. Obviously the success of the first film laid the groundwork for another adventure. In reality the case was rather left open, so there was certainly room to follow up the action. The problem is that none of the elements from the first film remain in the second beyond Gene Hackman’s portrayal of Popeye Doyle and the return of Fernando Rey as the villain Charnier. Friedkin would not return to direct, and even though he was replaced by an even greater director in John Frankenheimer, not much of the original crew remained. Neither Egan nor Grosso were used to consult on the film, and of course, Grosso’s character along with the corresponding Roy Scheider were gone from this film. The gritty streets of New York were replaced by the streets of France. Even the Poughkeepsie line used in the film’s early minutes is a throwaway line meant merely as a wink to the audience. The film has none of the police procedural drive and passion that the original had. In short, this sequel lacks almost everything that made the first a great film. But in spite of all it did not have, it managed to at least be a good film.
None of this film occurs in New York. We begin with Doyle (Hackman) arriving in France to track down “Frog #1”, Charnier (Rey). He doesn’t attempt to hide his contempt for the French and so does little to endear himself with the local police here. Instead they’ve invited him merely to be a target to lure Charnier out of hiding. It backfires, and Doyle is captured instead and hooked on heroin so that Charnier can find out what they know. The film becomes far more of a personal journey for Doyle and less about catching the bad guy. Fortunately Hackman is up for the job and puts in a highly emotionally charged performance. He has to play Doyle, first as a forced junkie, then in the throes of detox. Here we find the film’s best moments. He has a rather long interaction with a French detective (Fresson). This scene is priceless and alone worth the price of admission. In the end it’s a film about obsession as large as the great white whale in Moby Dick.
Posted in: Disc Reviews by Gino Sassani on February 24th, 2009
“A movie filled with so much terrible horribleness, you’ll crap someone else’s pants”
Bruce Campbell has carved out himself quite a little niche in the acting game. No one would consider him a superstar, and the films he’s most notable for are the kind of cult favorite films that critics tend to hate, all except this particular critic. What’s kind of funny about the whole thing is that Campbell has appeared in some seriously successful films, including all three Spider-Man movies. His parts in these affairs might have been small, but Sam Raimi fans know that it wouldn’t be a Raimi film if it didn’t have Bruce Campbell somewhere. Campbell got his start with the Raimi brothers doing little backyard films with them as children. When Raimi got the opportunity to create something a little higher profile, his first choice as the lead was Bruce. That film became the fan favorite Evil Dead and spawned two sequels. The Evil Dead films don’t take themselves or the zombie genre very seriously. They’re a farce, and a failure to recognize that is why the critics hate those films so much. Just take another look at them. The blood effects border on the ridiculous, and Campbell plays such an anti-hero that we laughed far more than we screamed at those movies. For Raimi it meant the chance to become one of the best selling directors out there. For Bruce Campbell it meant wearing the title of schlock king for the next 30 years. If you understand what I just said about The Evil Dead films, than you understand Bruce. And you simply have to understand Bruce, or you will hate this movie.
Posted in: Disc Reviews by Gino Sassani on February 24th, 2009
“Safety is the greatest risk of all, but safety leaves no room for miracles, and miracles are the only sure thing in life.”
Spike Lee finds a noble cause in the experiences of the Buffalo Soldiers, fighting in Italy during World War II. There’s no question that history hasn’t always dealt fairly with the contributions the black soldiers have made on the battlefields that have, at times, defined our nation. From the American Revolution through to today’s War On Terror, the black soldier has risked and often laid down his life for a country that at least during World War II, didn’t honor his service or humanity. The problem is that Lee lost focus of whatever it was he was trying to say or whoever it was he was attempting to honor here. This movie never is about these particular soldiers or their contributions. There is no history, to speak of here at all. We don’t see the formation of these units, and the film doesn’t go into their overall importance in the war effort. Instead the film is more about the Italian resistance during Nazi occupation and the politics and betrayals of that movement. It’s almost as if these few black soldiers are merely witnesses to a series of events that were never under their control.
Posted in: Disc Reviews by Gino Sassani on February 13th, 2009
What a great time it was to be a teen in the late 1970’s. No, I’m not referring to disco music. It was a great time to go to the movies. It was the culmination of the perfect date, and Hollywood was riding the beginning of a trend that remains alive and healthy today. I’m talking, of course, about the slasher film. You could argue that Hitchcock started the ball rolling in 1961 with Psycho, but it would be decades before that film would find its true audience and plethora of imitators. Although The Texas Chainsaw Massacre and Halloween came before Friday The 13th, can it be argued that any horror film franchise is as widely known? The truth is that even the man behind the film, Sean Cunningham, never really knew what it was that he had. It was never his intent to follow the film with a barrage of sequels. He also scoffed at the idea that Jason could become the centerpiece for future films. By now Jason has become such an iconic character that there is an entire generation out there that doesn’t know that Jason wasn’t the culprit in the first film. Jason’s stature has reached the heights of the classic monsters of the Universal days. While some of us hesitate to put his name and hockey mask up there with the likes of Frankenstein, The Wolf Man, Dracula, and The Mummy, the recognition and sheer dollars generated make it difficult not to. By the beginning of the 1980’s names like Jason, Freddy, and Michael Myers would be scaring audiences around the world, rendering the classics somewhat silly in the eyes of a more visceral generation of teens.
It’s hard to believe, but in 1980 the slasher formula had yet to be born. And while Halloween laid down the foundation, this was the house that Jason built. By now it’s all old hat. You know exactly how it’s supposed to happen. There have been spoofs like the Scream series where these rules and expectations have been lampooned. It’s a shame, really, if you never got to see Friday The 13th before this style was so bloodily ingrained in your head. A group of teens gather at a lakeside campground in remote New Jersey. The camp was the scene of a horrific accident and subsequent murder rampage some 5 years earlier. Now someone wants to reopen the place the locals refer to as Camp Blood, but which moviegoers would long remember as Camp Crystal Lake. Despite warnings from the townsfolk, the teens gather to whip the place in shape for a summer filled with kids and fun. But on a stormy first night these teens would be eliminated one by one in “Ten Little Indians” fashion at the hands of a brutal killer. Victims would meet their ends under the most bizarre of circumstances. They would find themselves axed, skewered, and slashed. And as you know by now, but didn’t then, one will survive. The film would end with one of the most clever and effective jump scenes in movie history. No one knew then that a short epilogue intended only to deliver one final kick in the spine would give birth to one of the most infamous monsters in screen history.
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![Primal Fear [Blu-ray] dvd cover art](https://upcomingdiscs.com/ecs_covers/primal-fear-blu-ray-large.jpg)
![I've Loved You So Long [Blu-ray] dvd cover art](https://upcomingdiscs.com/ecs_covers/ive-loved-you-so-long-blu-ray-large.jpg)
![Beverly Hills Chihuahua [Blu-ray] dvd cover art](https://upcomingdiscs.com/ecs_covers/beverly-hills-chihuahua-blu-ray-large.jpg)
![The French Connection [Blu-ray] dvd cover art](https://upcomingdiscs.com/ecs_covers/the-french-connection-blu-ray-large.jpg)
![French Connection 2 [Blu-ray] dvd cover art](https://upcomingdiscs.com/ecs_covers/french-connection-2-blu-ray-large.jpg)
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![Miracle at St Anna [Blu-ray] dvd cover art](https://upcomingdiscs.com/ecs_covers/miracle-at-st-anna-blu-ray-large.jpg)
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