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"We watched as the bombs shattered the second comet into a million pieces of ice and rock that burned harmlessly in our atmosphere and lit up the sky for an hour. Still, we were left with the devastation of the first. The waters reached as far inland as the Ohio and Tennessee Valleys. It washed away farms and towns, forests and skyscrapers. But the waters receded. The wave hit Europe and Africa too. Millions were lost, and countless more left homeless. But the waters receded. Cities fall, but they are rebuilt. And heroes die, but they are remembered. We honor them with every brick we lay, with every field we sow, with every child we comfort, and then teach to rejoice in what we have been re-given. Our planet. Our home. So now, let us begin."

It all started when Steven King wanted to remake the sci-fi cult classic When Worlds Collide. These films must have been favorites to him, as he would indeed go on to remake George Pal's better known film War Of The Worlds and the Robert Wise classic The Day The Earth Stood Still. But it just never really happened for When Worlds Collide, at least not directly. At the same time Spielberg had optioned The Hammer Of God by Arthur C Clarke of 2001 fame. That book dealt with the deflection of an asteroid on a collision course with Earth using thermonuclear rockets. Somewhere in that time he decided to put the plots together, and the result was Deep Impact, with an "original" screenplay by Michael Tolkin and Bruce Joel Rubin. By then Spielberg wasn't interesting in directing the feature, but acted as one of the film's producers with Mimi Leder in the director's chair. She was somewhat of a risk. Leder had never directed a big-budget film before. In fact, all but one of her previous credits were for television, directing shows like China Beach and L.A. Law. The risk paid off, and she did quite a good job with the film for the most part. There are certainly some pacing issues, but the film was well received as it raced to beat another film with pretty much the same plot to the box office. That other film was Bruce Willis's Armageddon, and Deep Impact beat it by two months.

"All my life I wanted to be a cop, you know. It's like I can remember nothing else. I remember this one time  somethin' happened. A domestic argument or somethin'. Somebody stabbed somebody or somethin'. And -- there was this crowd around this tenement. I must have been nine, ten years old. I was this big. I went over to see what was going on. I noticed the red light -- goin' around and around, all these people, and I couldn't see. And I kept saying, ‘Do you know what's goin' on? Do you know?’ Nobody knew. It was like a big mystery behind that -- that crowd there. All of a sudden, the crowd just parted. Like the Red Sea, you see? And there were these guys in blue, and I said, ‘They know.’ What do they know? What do they know?” 

Frank Serpico was a New York City cop in the 1960's and early 1970's. Thanks to the film, everyone knows who he is, and they also know about his struggle as an honest man in a hornet's nest of corruption. His honest stand saw him a pariah and almost killed when his fellow officers stood by as he was shot in the face. He would eventually recover and testify before the famous Knapp Commission that investigated the systemic corruption inside the NYPD. If you know his story, it's because of this film, because that's the plot, pure and simple. What isn't so pure and simple is the inspired performance by Al Pacino, still a relative unknown, who had just finished The Godfather but hadn't really had a lead role up to this point. Serpico changed all of that. Pacino was on a rocket ship to stardom, and this film as much as The Godfather started the whole thing going.

One of my favorite movies of all time is Se7en.  Morgan Freeman, Brad Pitt, and Kevin Spacey star in this amazing film about a senior and rookie pair of cops on the hunt for a serial killer who is murdering victims depicting the seven deadly sins.  It's so breathtaking, and so long overdue for a 4K release, it's ridiculous.  It has also led me when I receive packages to blurt out, "What's in the box?" in the deadpan tone that Brad Pitt uses in the movie.  So naturally, whenever I hear of a film that draws comparisons to this fine film, my head certainly does a double take.  Enter Hinterland. In this film, Peter Perg who just came home after World War I, is searching for a serial killer who is taking out former soldiers in a very ritualistic pattern.  Let's check it out.

The film opens with some background.  World War (I) is lost.  Austria, once a proud major power, is turning into a small and insignificant state.  The emperor has stepped down, and now Austria is regarded as a republic.  The soldiers who have come home realize that nothing is as it was before.  What's worse is that some of those soldiers did not return until years later (prisoners of war).

I remember when The Golden Compass came to theaters. I know I saw it because I was a projectionist and had to screen the print, but for the life of me I couldn’t remember anything about the film. Perhaps that’s why that when I first heard about HBO doing a TV series adaption of the beloved book series His Dark Materials I wasn’t all that thrilled.  I’d never read the -adult series, and considering the amount of awful YA film and TV adaptations that have bombarded us for nearly two decades, it played a role in squashing any excitement I may have had in different circumstances.  I was definitely pessimistic about watching the show, but when I finished Season 1, I was excited about where the next season would take us. I loved the characters, the daemons and the worlds that the show took us to. Not since Stranger Things had I been more excited about a new series.  Season 2 was a step up from the first season, and I absolutely loved what the show was delivering.  There has been a bit of a wait for this third season; after all COVID did get in the way of the show’s production, and the delay can dampen the excitement for others. But with sSeason 3 now here, would the final eight episodes be enough to wrap up this pretty great storyline about the multi-verse and the war set to be waged between man and the Authority?

Season 3 opens up with a bit of a time jump with Lyra (Dafine Keen) being held captive by her mother, Mrs. Coulter (Ruth Wilson). We want to believe that Lyra is being held for her own protection and that her mother has finally seen the evil of her ways in the past, but we’ve seen in the past she simply can’t be trusted. The Magisterium continues to establish themselves as the big bad of the show as they are wanting to hunt down Lyra because they believe she is the girl in the prophecies who will bring ruin to all the worlds. Then there is Will (Amir Wilson), who is trying to find Lyra, though to help him in his search he teams up with an angel and Iorek (Joe Tandberg), our favorite polar bear. Then we also have Mary Malone (Simone Kirby), who continues her journey to better understand dust, though to be fair, considering all the peril we see just about every other character experience, her journey seems more like a simple vision quest that leads her to strange elephant-like creatures with wheels on their feet … yeah, this show can get weird. Then of course there is Lord Asriel (James McAvoy), who seems to be hell-bent on waging war against the Authority, and he doesn’t seem to care who he loses or may die because of his actions.

Films about World War II and Nazism are hard for me to watch.  No matter how well-intentioned they may be, I can barely make it through Schindler's List or Dunkirk or even something like Inglorious Bastards (I do, however, find The Producers to be hilarious).  Most of the time, it hits a little too close to home.  For you see, my Polish grandfather (may he rest in peace), his parents were taken away to a concentration camp.  So anytime I watch a film set in that time period, I think, well, what if he had been taken away.  It's not like those horrible people showed any sort of restraint on children, and then where would my grandfather be?  Or my mother?  Or myself?  Anyway, I got lured into Chess Story by the promise of a thriller with the game of chess as the backdrop.  Unfortunately, by the end I was reminded of the horror, but also that there is still great modern moviemaking even with Nazis.  Let's take a look.

We hear whispers all around from every direction, and there is a light crackling overheard.  It continues until it fades to black.

Most people who know me know that I adore Scooby Doo.  Some of my favorite episodes of Scooby Doo are those where they have famous guest stars solving mysteries.  Addams Family, Harlem Globetrotters, Batman, etc.  Classic Scooby goodness with characters that I enjoy and always wondered how they would work in another universe.  Today, I have the benefit of seeing how Superman, Batman, Wonder Woman, and other Justice League members will look and react in the RWBY world of Remnant.  Let's take a look.

Superman (voiced by Chandler Riggs) is breathing heavy and struggles to open his eyes.  When he does, he sees a strange world, and he's suddenly become a teenager.  In front of him are two young teenage girls named Ruby (voiced by Lindsay Jones) and Yang (voiced by Barbara Dunkleman), who are taking on demons simply known as the Grimm.  However, these Grimm are strange to Ruby and Yang as well, since they can shoot lasers.  Superman gets up to help the two ladies when he realizes that his powers are completely different from what they were.

Most people who know me know that I adore Scooby Doo.  Some of my favorite episodes of Scooby Doo are those where they have famous guest stars solving mysteries.  Addams Family, Harlem Globetrotters, Batman, etc.  Classic Scooby goodness with characters that I enjoy and always wondered how they would work in another universe.  Today, I have the benefit of seeing how Superman, Batman, Wonder Woman, and other Justice League members will look and react in the RWBY world of Remnant.  Let's take a look.

Superman (voiced by Chandler Riggs) is breathing heavy and struggles to open his eyes.  When he does, he sees a strange world, and he's suddenly become a teenager.  In front of him are two young teenage girls named Ruby (voiced by Lindsay Jones) and Yang (voiced by Barbara Dunkleman), who are taking on demons simply known as the Grimm.  However, these Grimm are strange to Ruby and Yang as well, since they can shoot lasers.  Superman gets up to help the two ladies when he realizes that his powers are completely different from what they were.

"Superman's journal, final entry. My cells are breaking down at an alarming rate.  I'm running out of time. I have few regrets. My life has been a wonder. I've traveled across space and time, seen and done things beyond imagination. I had parents who loved me. Good friends like Pete, Lana, and Jimmy. I got to help people while living an incredible adventure. I loved a good woman, and she loved me back. I'm tired, but I still have one more job to do ..." 

We all know the story and its many incarnations. All-Star Superman is one of the more unique stories to be told through Warner Brothers Animation's DC feature films. It's not the latest. It was released in 2011 before Warner Brothers started to release their films on UHD. Of course, there was no UHD Blu-ray in 2011. In addition to the recent and upcoming animated features, Warner Brothers is going back to those earlier films, and All-Star Superman is as good a place as any to start.

If someone were to read my biography below, one would probably learn one of two things, I have an unhealthy obsession with Alyssa Milano movies, and I deeply appreciate Basil Rathbone, the man who popularized Sherlock Holmes films.  While many would argue who the best Holmes would be (Downey, Brett, Cumberbatch, etc), my heart will always go to Basil.  So naturally, when I saw the movie Rio with him in the starring role had come to Blu-ray, I jumped at the opportunity to review it.  Let's take a look.

We get a tight close-up of a sign that reads Paul Reynard & Associates Investment, Paris Branch.  Here the board of directors are meeting and waiting for a phone call from the one and only Paul Reynard (played by Basil Rathbone).  Where is Mr. Reynard?  Why, he's in London securing a loan.  We soon see Paul's friend, Dirk (played by Victor McLaglen) telling the board of directors to hold, Paul should be in soon.

"If I had one day when I didn't have to be all confused and I didn't have to feel that I was ashamed of everything. If I felt that I belonged someplace. You know?"

There are a handful of films in Hollywood history that have stories as compelling if not more so than the story the film itself tells. I don't know if there has ever been a film about the making of Rebel Without A Cause. There have certainly been several books, but this is one of those classic films which is surrounded by so many legends, some of them urban myths, but so many of them were true that I find it rather difficult to watch the film on its own terms. With Warner's 100th anniversary celebration of 100 classic films, I had a nice chance to revisit the classic motion picture, and this time I tried my best to watch it without all of the noise that goes along with it. That wasn't easy, but I think I've now seen the film for itself more now than I ever did before. It was a groundbreaking film with an incredible cast that broke so many taboos of the time that you get the idea someone wasn't really paying attention to what was going on on the screen. It's as compelling today as it was then, and maybe more so with all of the baggage. The truth is I've never been able to watch Rebel Without A Cause the same way twice. Now I can try as often as I like with a nearly flawless print finally in UHD Blu-ray and in 4K. Warner Brothers is having a birthday, and I've been unwrapping all of the presents.