Posted in: Disc Reviews by Archive Authors on July 26th, 2010
In 2007, nineteen years after a similar uprising was crushed by Burma’s military junta, frustrated citizens once again took to the streets. Led by troops of monks in peaceful demonstrations, they made their voices heard by the generals, demanding freedom and democracy. The reaction was swift and violent. Men with riot gear and guns descended on the demonstrators and after many clouds of tear gas, numerous beatings, and even some shootings, the government quickly broke the spirit of its people again.
These incidents, and the actions that led to them, were chronicled by a courageous group of video journalists called Democratic Voice of Burma. These men and women captured hours of footage, risking imprisonment and worse, and got that footage out to the world over the internet and through trusted couriers. The images they captured allowed the people of the world and, even more importantly, the people of Burma (to whom the footage was also broadcast), to see the truth behind the lies of the Burmese government.
Posted in: Disc Reviews by Gino Sassani on July 26th, 2010
USA Network has certainly found a little niche for themselves, milking their "characters wanted" run of television shows. It all started with Monk and has progressed through several successful reincarnations of the quirky character-driven shows. In some cases the quirky nature of the characters gets pretty out of control, and while I liked Monk a ton, his OCD was significantly over the top at times. This tends to draw too much attention and minimize whatever might be happening in the episode itself. That's not the case with White Collar. This series has a ton of potential to be the next big breakaway hit for the cable network. There's just enough style to the main character to make him incredibly interesting, but not so much that the exceptional stories don't get your full attention. I don't get to watch that many television shows these days. I'm too busy keeping you guys from making bad DVD or Blu-ray choices. It's a tough job, but somebody's got to do it. I'm not complaining, really. It just stands to reason that I will miss the occasionally solid new show to hit the airwaves. Such is the case for me and White Collar. Fortunately for both of us, I get the chance to catch up when the shows inevitably reach the home theater market. Fortunate for me because I do eventually get to see them. Fortunate for you because I can let you know when there's something you might have missed that you need to see. This is one of those times.
Neal Caffrey (Bomer) is an elite thief and con artist. He's an expert forger and is doing four years after finally getting caught by FBI agent Peter Burke (DeKay). With just three months remaining on his 4-year stint, Neal breaks out of prison. Now, what would make a guy escape when he's almost finished doing his time? The answer, of course, is a woman. In this case it's Kate (Daddario) who broke up with Neal on her last prison visit. But, Neal is convinced there is more to the story, so he takes a powder from prison, only to be caught again by Peter. Now Neal is facing another four years behind bars. Fortunately, however, Peter is trying to catch one of his most elusive criminals. He calls him The Dutchman because he's like a ghost. Neal offers his arch-rival a deal. Peter releases him into his own custody, and Neal will help him track down the Dutchman. If the case goes well, the deal can be made permanent for the rest of Neal's prison time. So, ala 48 Hours, the duo track down the crook. Neal ends up talking his way into a multi-million-dollar mansion suite for his new digs. While he helps Peter, he is secretly trying to track down Kate, who is mixed up with a mysterious stranger. Neal only knows him by a pinky ring he's seen in a photograph. The stranger wants something he believes Neal stole and has stashed away somewhere. Neal's investigation hits several snags, not the least of which is an ankle bracelet that only allows him to traverse a 2-mile radius of his home when he's not with Peter. To help out with some of the legwork, he has Mozzie (Garson), an old friend and fellow con artist.
Posted in: Disc Reviews by Gino Sassani on July 26th, 2010
There was a time when racial stereotypes on television and in the movies could be very funny. Shows like All In The Family and Sanford And Son brought an entire generation to their knees with laughter. Today audiences are a little more timid when it comes to that kind of humor. This is the kind of movie you end up looking both ways before you think about letting out even the slightest giggle to make sure no one is watching, or worse, training their cell phone camera on you. I don't know about you, but I don't want to feel like my reactions to my entertainment are under a microscope. Our Family Wedding will make you feel exactly that way. It's a combination of the Sydney Poitier and Spencer Tracy classic Guess Who's Coming To Dinner (which happened to also feature Louise Jefferson herself, Isabel Sanford) and the original Peter Falk and Alan Arkin The In-Laws. Both of those films are superior to Our Family Wedding in every way imaginable.
Marcus (Gross) and Lucia (Ferrera) are a young couple who presumably met in college. In spite of their cultural difference (he's black, she's Mexican) they have decided to get married and move to Laos as volunteers. They are coming back home to L.A. to tell their parents of the impending nuptials. Before they can even make the announcement, the two fathers inadvertently meet. Lucia's father Miguel (Mencia) runs a towing company and he ends up towing the car of Boyd, Marcus's father. Of course, at that moment they are unaware that they will meet under entirely different circumstances, namely the dinner engagement announcement of their children. It doesn't take long for the clashes to begin. The families are separated by race and economic circumstances. Boyd is a divorcee who raised his son on his own, while Lucia was raised by a large extended family. The film quickly settles into all of the wedding-comedy clichés. There are the father clashes, the arguments over wedding plans, the police station scene, the dysfunctional family dynamic and, of course, the "let's call the whole thing off" moment. Finally, there is the expected disruption at the ceremony itself, in this case mostly caused by a goat on Viagra. Don't ask.
Posted in: Disc Reviews by Gino Sassani on July 26th, 2010
"Would you give up 20 years to prove a stranger's innocence?"
That's the question that is asked and answered, at least for one person, in the docudrama The Wronged Man. The film is a made-for-television movie that appeared originally, and still does from time to time, on Lifetime.
Posted in: Disc Reviews by Michael Durr on July 26th, 2010
The Cartoon Network Hall of Fame seems to be expanding. Some of you might remember my review of Johnny Bravo Season One which was one of the first titles under this distinction. Courage the Cowardly Dog seems to be the most recent entry in this series and we can only hope that it is as good as ole JB, the king of people who sound like Elvis and excessive machoism.
Courage is a very special dog. He was abandoned as a puppy after his parents were sent into outer space. He was later found by Muriel Bagge, an elderly woman and taken into her home in Nowhere, Kansas. Courage’s personality is totally unlike his namesake. He is unfortunately a coward in every sense of the word. However, this lack of “courage” is what probably keeps him alive.
Posted in: Disc Reviews by David Annandale on July 26th, 2010
As the name suggests, this is a collection of ten movies on LGBT themes. In chronological order, here's what we have:
The Children's Hour (1961): Shirley MacLaine and Audrey Hepburn are the headmistresses of a girl's school, and their lives are turned upside down when one ghastly little child accuses them of being romantically involved. It is clear, though, the MacLaine would very much like to be. This was director William Wyler's second stab at adapting Lilllian Hellman's play, and this time was able actually to deal with the play's central issue, rather than disguise it as he had to
Posted in: Disc Reviews by William O'Donnell on July 23rd, 2010
Several years ago comedian Doug Benson made a joke about wanting to parody the film Super Size Me, after watching it while high, by smoking pot continuously for 30 days. A filmmaker heard that joke and decided to make it a reality. Upon making the film, there was an added catch to Benson's plan of 30 days being “Super High,” as he would have to be stone sober for the 30 days leading up to it.
Posted in: Disc Reviews by Gino Sassani on July 23rd, 2010
Let's see if you can follow any of this. Jesse Warren is a wannabe actor/director/gofer. He's taking acting classes like a million other Hollywood hopefuls. During his classes he begins to write the "way cool" story about a character named Neil Bannen. As luck would have it, he runs into another aspiring star in Mark Gantt. Gantt appears to be exactly like the character in Warren's fledgling script. So, he approaches his classmate and both agree that the story is "way cool". They know someone at a major studio with more development money than good sense, a guy likely parking cars at The Hollywood Bowl these days. The script gets greenlit, and before you know it the a couple of B list actors along with other film students gather for what is described as an internet series that will also be cobbled together to form a feature film, direct to video, of course. Cut to a hapless reviewer who, as luck would have it, is not an aspiring Hollywood actor. He's given an advance copy of that "way cool" film and sits down in his home theater to watch the movie. As the curtain falls, we find the reviewer sitting down to his computer terminal as he begins to type. He begins his review: "Let's see if you can follow any of this. Jesse Warren is a ..."
Sounds like it might be the plot of the new Sony direct to video release The Bannen Way. No such luck. That might have at least made an interesting comedy. Instead, the above isn't quite the plot of the film. It isn't exactly based on a true story. It IS a true story.
Posted in: Disc Reviews by Archive Authors on July 22nd, 2010
American Pickers revolves around two “gifted” pickers: Mike Wolfe and Frank Fritz. The thesis of the show is that these two men comb the back roads of the Midwest searching for hidden treasures and collectible items. The people they encounter along the way are far from garden variety with the majority of them having stacks upon stacks of junk cascading out of their property. These two men barter and haggle over pricing on many different things with each item earning them a considerable profit. The question arises through these exchanges, does morality come into play?
The two leads are relatively uncharismatic; Mike is slightly more comfortable on camera than Frank. However, the majority of their conversations in their van are cringe-worthy. The typical episode involves Frank and Mike going “freestyling” or going to leads that their secretary sets up for them. “Freestyling” is when Frank and Mike drive around areas until they see a house that catches their eye. After they proposition the owner of the property, they begin the picking and deal making. Once they obtain the pieces that they are seeking, audiences are given a breakdown of the cost of the piece and what they value it at.
Posted in: Disc Reviews by Gino Sassani on July 21st, 2010
"Don't act like the hypocrite, who thinks he can conceal his wiles, while loudly quoting the Koran." - Hafez (14th Century Iranian Poet)
The Stoning Of Soraya M is based upon a book written by Freidoune Sahebjam. The book is currently banned in Iran as well as other countries. It is based on a true story. The book and now the film have caused quite a bit of controversy over the years. Director Cyrus Nowrasteh is no stranger to controversial topics. He appears to have a flair for significant historical events, and his work has shown some insight into the actual significance of his subjects. His acclaimed Path to 9/11 stood out from the rather large crowd of films on that subject. He brought many of the more subtle observations to the surface. Other films like The Day Reagan Was Shot and 10,000 Black Men Named George explore quite opposite subjects with equal intensity. So it should come as no surprise that he would tackle a subject that has been out there for 30 years when no one else was willing to touch it. It might seem somewhat opportunistic that The Stoning Of Soraya M comes when a planned actual stoning in Iran has made international headlines. And as the international community has expressed outrage to such an extent that said stoning has, for now, been cancelled. Such is not the case. This movie has been in some form of development or another with Nowrasteh and his wife since the 1990's. The film itself was released almost two years ago. The fact that this movie is coming out on home video now is not a matter of exploitation. It can best be described as: It's about time.
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