Video

My earliest recollection of VCR’s was when I was just a little boy and my parents went down to the local TV shop and purchased a Zenith for about $600. At the time, it was a wondrous machine and I can still remember fondly my copies of Ghostbusters or Die Hard and how many times I would watch them. I didn’t care whether the tapes had a case or which edition of the tape I had. As long as it was the original movie and the tape wasn’t beat to heck I was a happy camper. Times change. I don’t think I own a single VHS tape that isn’t exercise related and my dvds, more than 400 of them are cataloged and cared for to the utmost degree. In truth, I sometimes miss the VHS days when things were simpler & films sold on the film alone, not on how many extras the dvd has or how fantastic the Dolby Digital 5.1 sound is. Be Kind Rewind goes back to that simpler time and gives a movie that is more about substance than the tiny snap case it comes contained in.

What is love worth? How much pain would you endure before you would murder someone you loved to end it? In The Killing Gene our serial killer seeks these answers, reducing it all down to an algebraic equation. The film is actually the American DVD release titles for the British film WAZ or W Δ Z depending on the source. This title refers to the killers equation which translates to roughly W Δ Z = COV. It’s a rather odd indy looking piece, filmed in Belfast (doubling for the streets of New York) with a mostly British cast and crew.

Can animals actually talk to humans? Can we understand each other enough to consider it communication? Heck. You don’t need to watch some show on television to answer that question. I can do it for you right here and now. I’m Athena. I’m Gino’s 13 year old Siberian Husky, and Gino’s letting me communicate with you so that I can tell you what I thought about When Animals Talk. I’m here to tell you that we can talk pretty good. We also understand a lot of your human words as well. My favorite are words like Belly Rub, and Want.

Gary Gilmore is most known not for the people he killed so much as for the way that he died. As killers go, Gilmore wasn’t even a serial killer by definition. He was responsible for two deaths, both in the commission of a crime. We remember Gilmore mostly because he fought to be executed at a time the United States Supreme Court had stricken down our nation’s death penalty laws in a landmark decision, Furman vs. Georgia.

I often have trouble believing that South Park has been around for as long as it has. It’s not just the passing of 11 years but the sheer brilliance in the face of an increasingly politically correct society. It’s like watching old episodes of All In The Family. Who believes that Archie Bunker would have any chance of survival in the 21st Century? It’s no wonder that Norman Lear has become involved in the series. It’s the last remaining vestige of a once great freedom to be ridiculous and offend.

The first season release of Dave’s World is going to upset the show’s fans a bit. Paramount has decided to change the opening theme from Billy Joel’s “You May Be Right” to some jazzy piece that doesn’t come close to saying the same thing. This wasn’t even Joel’s performance of the song we’re talking about on the original. I know that the musical rights issues can be a problem. Shows like WKRP suffered from being loaded with songs and racking up a fortune in royalties for home video release.

While nowhere does anyone actually say it, Caroline In The City is obviously inspired by/ripped off from the popular newspaper comic strip Cathy. Each episode, for a time anyway, would begin with an animated scene from one of the “Caroline” strips. The topic mostly deals with the pitfalls of being a single New York City girl. From these roots there was an often awkward attempt to create a warm and fuzzy romantic comedy that never seemed to find its own focus, let alone footing.

There's much ado on the case's copy that this was a major inspiration for Crouching Tiger, Hidden Dragon, and the similarities are hard to miss. Like Ang Lee's film, this 1966 effort is a lush period piece with gorgeous, rich colours and elaborate wire work. And, as in the later film, the central character is a female warrior, in this case an officer of the law sent to rescue a kidnapped victim from a clan of ruthless (but not always terribly bright) bandits. There’s a male aid here, too, in the form of an apparent drunken bum who is, of course, in reality a martial arts master.

"Space...The Final Frontier. These are the voyages of the Starship Enterprise. Its 5-year mission: to explore strange new worlds, to seek out new life and new civilizations, to boldly go where no man has gone before !"

Paramount was bold indeed when they undertook the remaster project of the original series. Not only did they clean up the prints, but they took the decidedly risky option of redoing most of the f/x shots from the original prints.

For as much as I might viscerally disagree with the creation of a film or its sequel, I lay much of the blame at you, the viewer and movie-going public. You created the furor around the Step Up series of films. You all went in droves to the first film when it was released in August 2006, when movies were winding down in the blockbuster season and thus helped it make $65 million domestically and more than $110 worldwide. It’s your fault that another film was inevitable, so in the down-turn of this past February, we got a second one. That one made about the same domestically, but made $30 million or so more and almost brought in $150 million worldwide. Count on the fact that another 90-minute film about teens dancing will be made and that the Step Up trilogy (I threw up in my mouth a little when writing that) will be complete.