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Two things you should know about me before reading this review: I'll watch anything involving John Goodman, and I've never seen the animated classic this live-action version of The Year Without a Santa Claus is based on. So unlike when I watched the horrendous Jim Carrey-Ron Howard take on Dr. Seuss' How the Grinch Stole Christmas, in this case I hold no special place for an original.

The times are changing. Toys are becoming more complicated and violent, people are becoming more and more materialistic, and the "true" meaning of Christmas is being lost. Santa (John Goodman), now just "a toy delivery division of Santa Co.", can't keep up, and he's becoming disillusioned about the whole thing. What he needs is just one kid who really cares about Christmas for the right reasons. Otherwise, he's skipping the whole Christmas Eve present thing.

On its surface, The Promise seems to have a good pedigree backing it up. You've got the guy who directed Farewell, My Concubine and the cinematographer of Crouching Tiger, Hidden Dragon, combining forces for a Chinese film that is epic in scope, similar to the Zhang Yimou films Hero and House of Flying Daggers.

The problem with The Promise is that the story rambles a bit, and the characters are ones that you don't care about. The stunts aren't even breathtaking either, as the visual effects are apparently done with wires and green screens, and can be made out so obviously, they lack the magic and wonder of the Yimou films, or even other films like Shaolin Soccer and Kung Fu Hustle.

Let�s face it people. Martin Scorsese, for most part, is a god amongst filmmakers. The man can�t do anything wrong in the filmmaking. Film after film he continues to amaze me with his sheer ability to tell a story bundled together with fantastic acting. Even though many don�t name Casino as one of his best works (rightfully so), the film is still excellent as it shows the gritty 1980s Las Vegas mob world.

One cursory glance at the plot of Casino would make the smallest Scorsese fan think that the film should be called Goodfellas 2. Both have to do with the mob world, both star Robert De Niro and Joe Pesci and both are about men who think they�re on top of the world. Sure, this is myself trying to connect the two films, but damn it if this film didn�t feel like a sequel. Don�t get me wrong though that isn�t necessarily a bad thing, just it takes away some (key word some) of the shine that the film had.

Comments on the supplemental material on this edition have been ported over from Ryan Erb's excellent (and recent) review of the HD DVD, which also can be enjoyed on this site.  Now onto this review...

Remember when it was announced that far-left conspiracy theorist (and resident Castro admirer) Oliver Stone would be making a film about the September 11 attacks? Of course you do. In fact, the collective pucker of the nation tightened in horror and trepidation when the notion was first thrown around, and later grew in suspicion as the film's realization became closer and closer.

Truth be told, when I first heard of the idea of a new Mummy film, I became excited. The first two in the series were surely not examples of Oscar material, but were damn entertaining films. Then news slipped out that the next film would be based on WWE Superstar The Rock�s character The Scorpion King, which seemed like an odd idea on paper. Was The Scorpion King that much of an awesome character that he needed his own film? Well, success continues as The Scorpion King isn�t excellent film making, but sure is pretty entertaining.

The basic plot of the film goes a little something like this� Mathayus (The Rock) is hired by a band of evil thugs to kill Memnon�s () sorcerer Cassandra (Kelly Hu). What Mathayus doesn�t realize is that there�s always more underneath the sand than on the surface as he soon learns that these men have more sinister plans.

I'd never seen, nor heard of, Harvey Birdman, Attorney at Law before I received my review copy of this second volume of the series, which aired as part of Adult Swim. What a bizarre show! Not since Ren and Stimpy have I seen such a strange, adult-oriented cartoon.

Harvey Birdman was a shoddy superhero who has become a substandard Attorney. His firm handles cases for well-known animated Hanna-Barbara characters like The Jetsons, with each of the 13 episodes in this second volume presenting a new case. The episodes run about 11 minutes each, and they're all very odd and pretty darn funny. Since the episodes are so short, I'm not going to spoil any of the storylines here. If you're not familiar with the show or the adult-oriented cartoon genre, I suggest renting a disc from Harvey Birdman volume one to get a taste. If you enjoy that, you'll eat up this volume two release.

Hilary Duff vehicle Material Girls hit theatres in August 2006, and failed miserably. That fact was my only comfort while I wasted 98-minutes of my life watching this movie.

I fully expected to dislike this teeny-bop flick, but I was actually surprised by just how bad it actually was. Hilary Duff and sister Haylie probably wish they'd never made this movie, though I imagine the paycheck would make up for this blotch on their filmography. I'm hoping the same is true for Angelica Huston (The Royal Tenenbaums) and Brent Spiner (Star Trek's Data), who play cringe-worthy supporting roles.

Based on a true story, Jet Li�s Fearless takes place just after the turn of the 20th century. Huo�s father is challenged and beaten by the leader of the Zhao Clan leading to sheer embarrassment for everyone involved. Soon Huo Yuanija, his son, suffers a similar fate. Only Huo swears to never let a beating like this occur again. Huo wants nothing more in the world than for his father to teach him the way of the wushu, which is the way of fighting. The problem is that Huo doesn�t tend to put his heart in the right places. He hates studying his medicine and doing his calligraphy leaving his mother to tell him that wushu is not all about winning, but rather about patience and self-discipline.

The film flashes forward a few years reveling to us that Huo is grown with a daughter. His mother insists he be married once more but getting the Huo Clan�s respect and power back is far too important for him to ever consider marriage. Being the champion of Tianjin is the single most important aspect of Huo�s life. Huo eventually defeats his childhood enemy gaining not only respect for himself and his family but also the entire city. Master Yuanjia is back and here to stay. Master Huo soon develops an intense following as nearly every citizen begs to either be taught Wushu or begs to join him.

Jet Li's Fearless is reportedly the star's final martial arts epic. Since we're talking about the guy who did Once Upon a Time in China, Twin Warriors and Hero, that fact alone makes this is a significant film for martial arts fans.

Fearless tells the story of Huo Yuanjia, who in 1910 helped found the Jin Wu Sports Federation (Chin Woo Athletic Association), the first civil Kung Fu organization in China. Li plays Yuanjia, who is a Chinese folk hero. The film follows Yuanjia's life from early childhood until his last days, showing his journey from a weak, little boy to a cocky, selfish bully, and finally to a respected martial arts master and Chinese patriot.

Synopsis

I must be crazy, but I kinda liked Hulk! Although, this is coming from the kid who faithfully watched the old CBS show and loved every damn minute of it. When Universal decided they were going to make a big-screen adaptation, with a computer created green machine, so be it. I fell for the trailers, and everything else. So when it came out to theaters, it seemed like the consensus result was: �Blah!� in large part to said CG leading man/monster. But at the end of the day, it doesn�t seem like he takes up much of the movie, and the action scenes aren�t hurt by his presence, some of them look very good. Ang Lee (of Crouching Tiger, Hidden Dragon lore) took the $100+ million production and made it a watchable film. Some scenes have comic-book paneling to them, either in a new scene altogether or a different angle of the same scene. Despite what some have said about this, I didn�t think it was so bad, and since it was done on mostly the action, they escape your eye quite a bit.