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Larry Hagman and Barbara Eden return for more hokiness in the complete second season of I Dream of Jeannie, which features 31 not-so-fantastic episodes with the most juvenile humor and situations. I suppose the possibilities for fun are there, but none are fully realized, perhaps because censors just wouldn't let the series be all it could be. For goodness sake, they wouldn't even allow the display of the lovely Eden's belly button in her mid-riff outfit. Leave it to censors to find sex in the most ludicrous o...

Tyrone Power has been plying his trade as a pirate in the waters near Jamaica. When his former captain becomes the governor of Jamaica, Power goes straight. He has his eye on Maureen O'Hara, who is engaged to a duplicitous aristocrat who is feeding information to unreformed pirate George Sanders (utterly unrecognizable in shaggy red hair and beard). There will be many complications before Power can claim the resisting O'Hara as his own.Compared to the Errol Flynn pirate movies Captain Blood and The Sea Hawk, this one is a bit light on the action, really only getting down to the buckling of swashes in the final act.

Bravo had an idea. On the surface it was actually a pretty good idea. They realized that of all the well known and critically acclaimed show runners out there with their hugely successful shows, there must have been some flops along the way. After all, no one hits a home run all the time. They also correctly assumed that some of these shows might have been pretty fair efforts that for some reason or another just didn’t last long enough to catch on. Furthermore, it was a rather clever marketing decision that there were folks out there who would like to see some of this stuff again.

Not having much appreciation for (or just being an aficionado of) the film noir genre, I could probably do one better and say that even if noir was induced on me subliminally, there may be a good chance that I wouldn't even recognize it. So I don't know how cool things like The Blackboard Jungle or some other films are and I can't really rule them out of hand. So when I got House of Strangers to review, I had to give it a try.

This is the first Woody Allen film I’ve ever seen.

Something always put me off about the guy. Maybe his infamous personal life plays a part in my not wanting to explore Allen’s cinematic offerings, but I would chalk up my ignorance to Allen’s physical appearance. Shallow, I know. But he’s a little nub of a man who has self-indulgently cast himself as the romantic lead in most of his films. But whatever, he’s a respected filmmaker and the responsibility of being a film buff requires me to keep an open mind -...

OK, so I've gotta admit that I'm a little bit of an uncultured boob who is not that familiar with the writings of Russian Anton Chekhov. In fact I know a little bit more about Andrei Tarkovsky (Solaris) then anything else, and that Chekhov was (and still is) an influential force in dramatic works today. Well, he has to be if his work "The Three Sisters" gets adapted into a play by Richard Alfieri, then into a film starring a capable and recognizable cast, right?

There is no shortage of vampire stories out there. There’s certainly no shortage of kick butt chicks dressed as sparsely as possible running around in depressed future populated worlds. Underworld, without a doubt, does the combination better than anyone. Ultraviolet makes a grand attempt that really ends up being more of a ride than anything else. Now, I can usually follow the most convoluted storylines, but this one gave me some trouble. It seems that while trying to create a super soldier (where is Mulder and Scully when you need them) the government made a big oops and created something akin to a vampire.

Synopsis

Paul Gross plays Geoffrey Tennant, a once celebrated actor who had a meltdown during a performance of Hamlet. Now he’s trying to mount The Tempest at the head of a broke company about to be evicted from its premises. Meanwhile, his former mentor, Oliver Welles, has just mounted a dispiriting version of A Midsummer Night’s Dream at the New Burbage Theatre, and very shortly thereafter dies. Tennant is brought in as the new artistic director, and his attempts to stage Ha...

Synopsis

Anthony Michael Hall steps into Christopher Walken’s considerable shoes as Johnny Smith, a man who wakes up after years in a coma to discover that not only has life moved on without him, but he has psychic powers, and with them comes visions of politician Greg Stillson (Sean Patrick Flanery, taking on the role essayed by Martin Sheen in the Cronenberg film) bringing about some kind of apocalypse. Smith’s struggle against Stillson makes up the central arc of the series, and this season...

Synopsis

Paul Gross plays Geoffrey Tennant, a once celebrated actor who had a meltdown during a performance of Hamlet. Now he’s trying to mount The Tempest at the head of a broke company about to be evicted from its premises. Meanwhile, his former mentor, Oliver Welles, has just mounted a dispiriting version of A Midsummer Night’s Dream at the New Burbage Theatre, and very shortly thereafter dies. Tennant is brought in as the new artistic director, and his attempts to stage Ha...

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