Posted in: Disc Reviews by Gino Sassani on February 1st, 2006
The opening titles of this film are a bit misleading. The font is a colorful, comical display played against animation more suitable for the opening of a Pink Panther film. Instead of a comedy, we are presented with a film likely to appeal to a very limited audience. To the film’s credit, it doesn’t abandon the themes and style it intends to portray in an effort to gain more mass appeal.
Antonio is a young man living in Mexico. His dreams are filled with playing music. Like most young ambitious music...ans he longs for the “big time”. When his mother dies, Antonio travels to America where his uncle has painted a picture of a golden field of dreams which turn out to be a rundown taco stand. We’re not really told if the move to America was under legal circumstances or not. Still, Antonio uses every spare moment to capture his musical career. The chance comes in a Latino band competition. The prize is $10,000 and a chance to perform with a big “mystery musician”. Suddenly we have a film with an abundance of clichés. Throw into the mix a mistaken romantic triangle and the stage is complete. It’s no real surprise how any of this turns out.
Posted in: Disc Reviews by Archive Authors on February 1st, 2006
I will be honest and inform you that I have yet to like a video game based film since 1995’s Mortal Kombat. It seems that no matter how closely they try to follow the story based on the game, the director always fails. One of the more famous director’s in the video-game to movie based series is director Uwe Boll, who has brought us The House of the Dead and the recent Bloodrayne, These movies, as the popular consensus agrees, were extremely awful. They lacked anything redeeming, despite the orig...nal source material being pretty good. When I heard of a film being made on the game series Doom, I began to worry as I figured it would follow the typical trend of terrible video-game based movies. Can Doom reverse the horrible trend of terrible video-game based movies? Read on to find out
Doom begins with a fly in shot over the red planet Mars. We move in more and see the Olduvai Research Station, which is a remote scientific facility on Mars. And that is the last scene we see of the planet Mars. For a movie based on a game that takes place on the red planet Mars, we never fully see the planet except for the opening scene. Maybe this is me wanting what I saw in the game series. But every film director has to take a few creative liberties right? Well, I am very disappointed to report to that director Andrzej Bartkowiak and Universal seem to have taken a few too many creative liberties when making this film as the film is nothing like the game at all.
Posted in: Disc Reviews by Archive Authors on February 1st, 2006
If you aren’t familiar with what Roll Bounce is, you will be pleasantly surprised by some of the tricks this small coming-of-age film pulls out of its hat. I expected horrendous acting, a poorly written script, and a story that cared more about racially motivated laughs than honesty. What I got was just the opposite. First of all, the film’s success begins and ends with a top-drawer screenplay that perfectly captures teen angst as well as the fears and traumas of growing up. Not something one would expect abou... a young boy and his wisecracking friends, who seem to care about nothing more than boogie-oogie-oogie’n down at their local roller rink. Admittedly, the device of roller-skating does get a bit silly, but the interpersonal relationships draw the material away from farce.
Other strong points are the performances of virtually everyone with a speaking role – also not expected for a film whose two major stars are Bow-Wow and Nick Cannon. The relationship of Xavier (Bow-Wow) and his father (Chi McBride) skyrocket every other aspect of this feature, turning Roll Bounce into a much better effort than anyone could have ever expected. And the laughs – while not taking center stage – are certainly present, thanks in large part to the interplay among Xavier and his friends and the scene-stealing performances of Mike Epps and Charlie Murphy as the smart-mouthed garbage men. Last but not least, the story more often than not takes the road less traveled, and that keeps everything fresh and interesting. While competition films simply cannot end in a non-cliché method, this one avoids predictability up to the conclusion.
Posted in: Disc Reviews by Archive Authors on January 31st, 2006
Yesterday is a powerful tale of the title character’s struggle to survive AIDS long enough to see her young daughter Beauty start school. Yesterday – named by her father because, in his opinion, yesterday was much better than today – lives for her young daughter. Her husband works in the mines of Johannesburg and carries a deadly secret, which, by the start of the film, has already entered his wife’s bloodstream. Through it all, Yesterday keeps bright spirits and a smile across her face. She only loses it when...she has to, and it’s through her powerful attitude the audience connects with the central plight, and pulls for her to in some way find peace out of turmoil.
The story is often heartbreaking, and never focuses too tightly on the behavioral causes of the disease, thus illustrating the horror of what AIDS is in a manner that everyone can connect with and feel sympathy for. The point of Yesterday is to illustrate that a disease with so many heavily attacked stigmas attached to it claims plenty of victims, who are complete Innocents, and should be fought to the fullest extent of our capabilities. It is without doubt a horrible disease and claims as many victims like Yesterday as it does the junkies with their dirty needles or the chronically promiscuous with their alley-cat morality and lack of regard for others’ feelings. It affects flesh-and-blood people of all kinds, and Yesterday personalizes the disease in such a way you have to care, so long as a heart beats in your chest. You can’t look away, and the film is so touching you won’t want to.
Posted in: Disc Reviews by David Annandale on January 31st, 2006
Synopsis
Sarah Miles is the spoiled young daughter of Leo McKern. In the troubled Ireland of 1916, she falls in love with, and marries, middle-aged schoolteacher Robert Mitchum. Their marriage hits troubled waters when she begins a passionate affair with a young English officer, which is a politically delicate move, to say the least.
Posted in: Disc Reviews by Archive Authors on January 30th, 2006
Honestly, I wasn't expecting too much from The Virgin Spring. I know that it's Bergman, but it's based on an ancient Swedish medieval ballad. If your source material is hundreds of years old and only two pages long, surely there can't be much to see from the film, can there?
I could not have been more wrong. Though this may be just under an hour-and-a-half in length, the film is filled with subtext, imagery and several powerful messages. Spring tells the story of a fair maiden who is brutally ...aped and murdered on her way to church, and her father's revenge on those responsible. Bergman has managed to make his morality tale into a complex commentary on both human nature and the nature of Christian faith. By setting his story in the period in Swedish history between paganism and Christianity, he is able to masterfully illustrate the struggle of both the first Christians and Christians today between denying basic impulses and focusing on the will of God.
Posted in: Disc Reviews by David Annandale on January 30th, 2006
Synopsis
Summarizing this puppy is a bit of a challenge. But here goes: a nameless young woman (Samara Golden) moves into a dingy apartment located in the middle of an urban hellscape. The place is a mess, with the previous owner’s possessions scattered everywhere. There are plenty of messages on this guy’s answering machine, too, some plenty aggressive (and these messages are the only dialogue in the film). Is the man still alive, and watching her from the ventilation duct? Has she killed him? How m...ny of the nightmarish things that happen are real, and how many are her hallucinations.
Posted in: Disc Reviews by Archive Authors on January 30th, 2006
Disney’s Timeless Tales is a collection of six classic cartoons, each running about ten minutes long. It’s a lightweight release with not much to speak of, but it will please the kids, and includes some annoyingly catchy little tunes that are hard to shake. The most famous inclusion here is that of “Casey at the Bat.” One nice add-on worth noting is the small insert which includes the short “Casey” tale in its entirety, so you can follow along as you watch. The classic tale of Casey, which deals with overconfi...ence and its repercussions, could have been executed at a better pace, and, believe it or not, is not the best short featured, despite having one of the most memorable stories.
I would give “best” nods to “The Wise Little Hen,” which features the first appearance of Donald Duck, and carries a message of its own. Donald and Peter Pig play a couple of freeloading friends, who refuse to help with the corn harvest for the Hen, whom they live with. She is forced to harvest the corn by herself with only her baby chicks to help, and remembers Donald and Pig’s refusal come mealtime. Other shorts include the following: “The Golden Touch,” “Morris the Midget Moose,” “Brave Little Hiawatha,” and “Ben and Me.”
Posted in: Disc Reviews by Archive Authors on January 30th, 2006
American Women is a difficult film to write about because it evokes such little passion from its viewer. By no standards is it a good film, but pinpointing its frailties becomes quite the daunting task. Set in a small Irish village, the story centers on a group of sexist men, who want to import girls from America because the ones accessible to them do not meet up to the appropriate standards. The plot is farfetched, even as goofball comedies go, and none of the male characters are likeable. Also, with so many ...torylines going at once, the scope of American Women wanders aimlessly, like a small child with ADD roaming about the countryside.
It’s the worst kind of comedy – the kind that, while well-made, never manages a single chuckle from its viewers, and presents us with a cast of characters that have no arc. When the happy endings do come, they do not feel deserved, and the concept of everyone falling in love at once feels too forced, like the filmmakers are trying to resolve as much as possible at one time with no eye for plot or character development. It does not even succeed at being bad, and thus becomes the cinematic equivalent to the buzzing fly that won’t go away, despite its short running time. Though not an incompetent travesty of filmmaking and acting, I can’t help but feel American Women would have been more entertaining if it were.
Posted in: Disc Reviews by Archive Authors on January 29th, 2006
It's great to see Scorsese return to his love and respect of music in documentary form. Of course, the first time he did a music documentary, the result was what many consider to be the best musical performance film of all time; The Last Waltz. He has always paid special attention to rock and roll music in his films, from using Cream in a gangster film (Goodfellas) to The Moody Blues in a film about old Las Vegas (Casino). Music has played an interesting and important role in all of Scorsese's fi...ms, no matter the theme.
No Direction Home is more than just a documentary about Bob Dylan. It approaches The Beatles Anthology in both its superior style and its importance as a historical record. This is not just a film about a rock musician, this is a film about the consummate rock musician. Uncle Bob is an entire generation all wrapped up into one man. In the Southern part of the United States, the importance of getting the stories of the eldest generation onto tape is often discussed, as so much of their lives are still passed down today through the oral tradition. This 2-disc documentary is a very similar idea, as so much of it is made up of Dylan discussing his childhood, his early days in music and on into his career. The result is a record of a life that is both important and utterly captivating.
