Posted in: Disc Reviews by Archive Authors on December 11th, 2005
Synopsis
Sometimes studios will hit big on a film, and other times, they’ll be so far off the mark as to miss the boat completely. Take the case of Frostbite. Summarized, as one cast member puts it, as “part Caddyshack meets part American Pie meets part Dude, Where’s My Car? in the snow.” You know, I remember a movie kinda like that, and I rented it back in 1984, when t was called Hot Dog..The Movie.
To their credit, the producers did try to create a link to the ...
Posted in: Disc Reviews by Archive Authors on December 10th, 2005
Ben Cross (D.L. Hughley) is a former teacher with a dark past and some anger issues. He still sleeps with his ex-wife, but she’d rather be elsewhere. When Ben gets a call from an old colleague who asks him to teach at a juvenile prison facility, Ben figures it’s a good stepping stone to get back into teaching.
After meeting his unruly class, Ben realizes that a good way to get the kids focused is for them to express themselves through rap and poetry. One student named Gabriel (Jose Pablo Cantillo), with who...
Posted in: Disc Reviews by Archive Authors on December 10th, 2005
Every now and then, a film comes along that I really think is something special, but for whatever reason, the movie-going public doesn't agree. For me, The Truman Show is one of those films. Maybe it was because this was Jim Carrey's first serious role. Maybe it was because it felt too gimmicky with the popularity of The Real World at the time, and being released around the same time as the similarly-themed film EdTV. Maybe it was because the premise was just a little too far outside of the norma...
Posted in: Disc Reviews by Archive Authors on December 9th, 2005
Synopsis
We all know the story, even if we haven’t seen the film. Risk-taking (and potentially criminally irresponsible) documentary maker Carl Denham (Robert Armstrong) charters a ship and sets off for an uncharted island. On board are first mate Jack Driscoll (Bruce Cabot) and Ann Darrow (Fay Wray), the woman Denham has tapped for the lead in his film. They arrive at Skull Island, and before long, Ann is kidnapped and offered as a sacrifice to Kong. The giant ape falls for Ann, and a romantic trian...
Posted in: Disc Reviews by Archive Authors on December 8th, 2005
Film
“This is not a trend. This is us. This is who we are.”
After the 1992 Rodney King riots in Los Angeles, a new dance form was created out of the oppression, frustration and fear that blanketed the city. It’s called “clowning” or “krumping” and it’s a way of life for thousands of urbanites, keeping them off of the dangerous gang-infested streets of L.A.
As Rize begins, we’re introduced to Tommy, “The Hip-Hop Clown”, who is the self-proclaimed inventor of the dance...
Posted in: Disc Reviews by Archive Authors on December 8th, 2005
Sometime during the 1990’s, big-budget blockbusters stopped getting by on special effects alone. Even though Independence Day, Godzilla, and Armageddon showed us that ground-breaking special effects don’t translate into quality films, Hollywood kept making them -- and people kept spending their hard-earned money to see them.
Stealth is the newest movie in that mold. Heavy on great visuals and special effects, it fails to deliver any character development, emotion or common sense, result...
Posted in: Disc Reviews by Gino Sassani on December 7th, 2005
I started my review of season four by remarking how little CSI had changed over its first four years. In its fifth year the powers that be decided to muck up the works a bit. The team is split between day and night shifts and Catherine is given the supervisor position on days. This actually leads to probably the show’s largest continuity flaw. It seems that the shifts overlap not just once in a while but almost all the time. I found myself really confused about this whole shift deal. Mostly I think the change takes away from the character interactions that I have come to love so much about this show.
Posted in: Disc Reviews by Archive Authors on December 7th, 2005
Synopsis
Three of E.T.A. Hoffmann’s fantastic tales were made into an opera by Jacques Offenbach, and that opera was in turn transformed into this 1951 film by Michael Powell and Emeric Pressburger. Robert Rounseville takes the lead as a fictional version of Hoffmann himself. While pining after a ballerina, whose love is being stolen from him by an evil aristocrat, he spins three tales of unrequited and doomed love, where in he falls in love first with an automaton, then a soul-stealing (literally) c...
Posted in: Disc Reviews by Archive Authors on December 7th, 2005
Written by Clayton Self
Legends of the Fall is one of those movies that sets its own standards for greatness and actually achieves them. That is very rare in cinema. Legends has a great Director, Edward Zwick, who brought the recent hit The Last Samurai. The performances are amazing, and the cinematography superb. This is a movie that has aged very well since its release in December of 1994. So, here we are eleven years later, with a movie that still captures the heart.
Legends of the Fall follows ...
Posted in: Disc Reviews by Archive Authors on December 7th, 2005
Scientist Reed Richards (Ioan Gruffudd) wants to study the effects of cosmic rays, but he needs a lot of money to do. After searching for the money practically everywhere, he turns to his old college rival Victor Von Doom (Julian McMahon). Naturally we need to have some type of love triangle going on. Enter Sue Storm (Jessica Alba) and the equation is complete.
Victor needs to make money off of this because he doesn’t seem to have enough despite being a billionaire. He agrees to finance the project only if ...
