Posted in: Disc Reviews by Archive Authors on September 3rd, 2005
With Six You Get Eggroll is special for one reason. Other than the politically incorrect title, the movie features the last film appearance by Doris Day. Too bad she couldn’t go out with a bang. I will admit: I like Doris Day. The Man Who Knew Too Much is a great film. And all that “Pillow Talk” stuff. C’mon, it’s fun. But let’s get to the Eggroll, shall we?
With Six… starts off as a fairly realistic romance/comedy. Day plays Abby McClure, the owner of a construction company (...). She’s also single with kids. Enter Jake, played by Brian Keith. He’s also on the lookout for a partner. But, naturally, complications arise; and one of these complications is Jake’s overly protective daughter (played by a very young Barbara Hershey). However, the obstacles that keep Day and Keith apart get increasingly “wacky”. Hippies and motorcycles come into play; it’s not a pretty sight. It’s sad when a 50’s icon tries to be “with it” in the late 60’s. But, on a happier note, George Carlin (in his first movie appearance) shows up for some fun.
Posted in: Disc Reviews by Archive Authors on August 27th, 2005
Synopsis
While some sketch shows like The Ben Stiller Show and Mr. Show have managed to touch on the Cops parody with their material, the only one that does it regularly now is a show that uses it for inspiration.
Posted in: Disc Reviews by Archive Authors on August 27th, 2005
Synopsis
Vincent Price is in definitive creepy form as a millionaire who invites an oddball group of characters to spend the night in a sinister house. If his guests survive, they will be paid $10 000. Price is at war with his wife, and it is pretty clear that each would love to see the other dead. Strange events start occurring in the house, with one young woman in particular being driven to the edge of hysteria by one monstrous apparition after another.
Posted in: Disc Reviews by Archive Authors on August 27th, 2005
Synopsis
After being the hunk of the moment on E.R., George Clooney came out of the starting blocks as a film actor in a few films, ranging the gamut from cult favorite (From Dusk ‘Til Dawn) to somewhat critically praised (The Peacemaker). He was also played the starring role in the film that put the Batman franchise on life support. One of his first smart acting choices came in Out Of Sight, directed by Steven Soderbergh, before Soderbergh became the Hollywood flavor of the mont... with Traffic and Erin Brockovich. His female co-star was Jennifer Lopez, whose most notable films at the time were Money Train and Anaconda. The pair was surrounded by an outstanding cast that included Don Cheadle (Boogie Nights), Albert Brooks (Mother), Luis Guzman (Punch Drunk Love) and Ving Rhames (Pulp Fiction), to name a few.
Posted in: Disc Reviews by Archive Authors on August 26th, 2005
Synopsis
Peter Finch plays Umberto Nobile, an Italian general and explorer who is haunted by his disastrous attempt to fly over the pole in a dirigible in 1928. In the present day, sleepless, he summons the ghosts of his crew and the people affected by the disaster to sit as judge and jury, and the film then proceeds to tell the tale in flashback. When the dirigible crashes, Nobile and his men are marooned on pack ice, while rescue attempts are met with one tragic setback after another. Among those s...arching for Nobile is Roald Amundsen (Sean Connery).
Posted in: Disc Reviews by Archive Authors on August 25th, 2005
Synopsis
This is the biopic of Irish painter and writer Christy Brown. Born with crippling cerebral palsy, he retained movement only in his left foot. His body is a cage for his mind, and at first, only his mother believes that he is an intelligent being. When, as a child, he spells “MOTHER” on the floor in chalk, this is the breakthrough moment, and we follow him through the triumphs and frustrations of his adult years.
Posted in: Disc Reviews by Archive Authors on August 24th, 2005
It sometimes becomes quite challenging to write a review of a television show release in the mid-seasons. The opening season of the show has plenty to talk about, and the final season wraps things up, but what about season six, say, of an eleven season show? What is there to say then? “Well, this season involves the same characters doing the same stuff they have been doing for years.”
Lucky for me, this is a mid-season set that has something to talk about. Something big. Something the whole nation was talking...about in the 80's. Who shot J.R.? Yep, this is the season. J.R. Ewing had established himself as a classic villain by the time this season started, and as the episodes rolled on, J.R. was successful in double-crossing nearly every character on the show, no matter how minor. At the time, characters in these kinds of shows didn't get shot, so imagine the shock when viewers sat down for the season finale of one of the top shows in primetime, and out of nowhere, “bang!” Viewers were left in shock for the entire off-season, wondering who was left holding the smoking gun as the credits rolled. This is probably the biggest cliffhanger in the history of television. Relive the fun with Dallas – The Complete Third Season.
Posted in: Disc Reviews by Archive Authors on August 23rd, 2005
Synopsis
Aspiring singer Ashanti (there’s some imaginative casting for you) and her pet Toto (Pepe the king prawn) are transported to Oz by a tornado. The story then plays out in familiar form, with the roles of the Scarecrow, Tin Man, Cowardly Lion and Wicked Witch of the West being essayed by, respectively, Kermit, Gonzo, Fozzy and Miss Piggy.
Posted in: Disc Reviews by Archive Authors on August 21st, 2005
Synopsis
When the economic boom in Japan leads to massive deforestation, the raccoons find their habitat threatened. They band together and mount a campaign to stop the destruction of their world by humans. They learn to shape change, and wreak merry havoc with construction crews. Some of their stunts simply frighten the people off, but some of the sabotage is deadly, too.
Posted in: Disc Reviews by Archive Authors on August 20th, 2005
Boudu Saved From Drowning is a style of film that is quite popular in the modern independent film scene. Tales of understanding the outcasts and what it means to fit in with the status quo have always been powerful, especially ones such as this one, where the moral is that no particular group or culture is without its drawbacks.
This film tells the story of Boudu, a homeless man who decided to commit suicide by jumping off of a bridge, but is saved by a man of “integrity”. He is then taken in to the ma...'s home, given a new suit, and expected to change his ways and become a valuable member of society. Once these cultures collide, the resulting comedy is inevitable. The truth behind the humor, however, is biting.
