Posted in: Disc Reviews by Archive Authors on August 28th, 2004
Duel was the first “ made for television” movie directed by Steven Spielberg. This thriller could best be described as a cross between the Rutger Hauer classic, “ The Hitcher,” and the Steven King inspired “Maximum Overdrive.” Dennis Weaver plays David Mann, a salesman on his way home from a cross state trip. During his return, he passes a rusted out old gasoline truck on the highway without giving it much thought. As the film unfolds, the truck begins to pursue him and initially just appears to annoy him on the r...ad, however, by the end of the first thirty minutes of the film, the truck driver has made an attempt on Mann’s life.
The pace and intensity of the film increases as it moves on with a total of 3 serious attempts on Mann’s life. Dennis Weaver does a fantastic job portraying a normal guy who comes to the startling realization that his survival can only come at the cost of his pursuer’s life. The anxiety and paranoia are visceral in his performance, particularly the scene in the lounge where he tries to identify his pursuer. Spielberg does a masterful job of increasing the intensity using very basic techniques – lots of first person perspective and quick cuts during the chase scenes. The most effective tool used in the film was the fact that he never reveals the identity of the truck driver – the truck itself is the bad guy (very reminiscent of “Maximum Overdrive” without the cool Green Goblin face on the front).
Posted in: Disc Reviews by David Annandale on August 27th, 2004
Synopsis
Posted in: Disc Reviews by David Annandale on August 27th, 2004
Synopsis
Posted in: Disc Reviews by David Annandale on August 27th, 2004
Synopsis
Posted in: Disc Reviews by David Annandale on August 27th, 2004
Synopsis
Posted in: Disc Reviews by David Annandale on August 27th, 2004
Synopsis
Posted in: Disc Reviews by David Annandale on August 27th, 2004
Synopsis
Posted in: Disc Reviews by David Annandale on August 26th, 2004
Synopsis
Posted in: Disc Reviews by Archive Authors on August 25th, 2004
Sometimes, the craziest ideas are the best ones. In the world of television (and movies as well), there seems to be a constant struggle between playing it safe and gambling on a big return. For instance, when it comes to sitcoms, stories about a family plus one or two outside characters are sure-fire hits. Just look at Family Matters, The King of Queens, The George Lopez Show, Cosby, Frasier and My Wife and Kids. Shows about work, such as Newsradio, Suddenly Susan, Veronica’s Closet, Scrubs and < ...>Working are quite popular as well. As is the case with most things in this world, moderate success can be obtained by sticking with what has worked in the past.
Occasionally, however, the networks will let a show that goes against the formula slip onto the air. Often times, these experiments end in disaster (does anyone remember Cop Rock?), but occasionally the risk pays off, and we get extraordinary shows like Seinfeld, Northern Exposure, Friends, The Soprano’s… and Soap.
Posted in: Disc Reviews by David Annandale on August 25th, 2004
Synopsis