Posted in: Disc Reviews by Gino Sassani on November 7th, 2023
"It's called the Impossible Mission Force for a reason."
I imagine this is how it happened. It's January of 2019, and Tom Cruise has just popped into the bathroom to shave. He opens up that can of Barbasol just to make sure there isn't any dinosaur DNA left in the can, but as he takes off the cap, an authoritative voice begins to speak: “Good morning, Mr. Cruise. Your mission, should you decide to accept it, is to make a two part film of the Mission Impossible franchise. It won't be easy. That's why only the IMF team can be counted on to complete this task. There are agents out to stop you before you even get started. In China there is a virus code-name COVID, and this virus will spread to pandemic levels just as you're starting to get your production crew together. Elements within our own government will take measures to shut you down. Delays will cost an extra $100 million and necessitate crucial cast changes. They'll be serious injuries, and your release date will be July of 2021 ... I mean November of 2021 ... Would you believe May of 2022? ... Let's shoot for July 14, 2023. You will have to deal with nefarious crew members who will attempt to sabotage the project by standing closer than two meters apart. You may use over-the-top rants to attempt to intimidate these factions into compliance. Beware that said rants don't end up released by the press to the world. Somehow through all of these challenges you must create a Mission Impossible film that will be bigger and better than anything that came before. And remember, Tom, if your film fails to bring in a billion or more, the studio will disavow your team, and your movie will go straight to streaming ... or worse, get shelved as a tax write-off. Good luck, Tom. This message will self-destruct in 10 seconds.” There's a swoosh of fog, and Tom Cruise is sitting in his bathroom with no shaving cream to complete his original task. I figure that's how it must have gone.
Posted in: Disc Reviews by Gino Sassani on November 3rd, 2023
"Batman's a fascist!"
Let's address the elephant in the room, shall we? Hello there, big guy. How ya doing? There now, let's continue. I have to tell you, it was hard to get motivated to watch Blue Beetle. I didn't want to like it, and I wanted to try to watch it without letting myself get too involved in the whole thing. This had nothing to do with the character. I know little about him and have only read a few comics featuring the character, mostly the Ted Kord character along with his buddy Booster Gold. But none of this had anything to do with my reluctance on the part of the film. It's Warner Brothers/DC and James Gunn. All we've been hearing lately is how this new regime is going to change EVERYTHING. It all starts with the upcoming Superman film, and everything we see before then is merely filler, I guess. Yes, the Snyderverse had a ton of issues, and I'm frankly glad to see it go away. But the franchise had some solid moments and pretty strong characters and actors starting with Gal Gadot as a powerfully compelling Wonder Woman. Yeah, the second movie sucked, but that had nothing to do with the actress or the character. I should be looking forward to Jason Momoa in the next Aquaman film. I'm currently watching old Stargate: Atlantis episodes and just can't believe how far the actor has come. And I guess the final straw was the dismissal of Henry Cavill as Superman. He's the best Superman since Christopher Reeve, and Gunn is throwing the baby out with all of that bath water. So why should I care about anything Blue Beetle has to offer? Yes, he hinted the character will likely return and even with the same actor, but none of this story will likely make it to the other side. I ask again, why should I care about anything Blue Beetle has to offer? The short answer is because there's actually a lot of heart here, and I now kind of feel bad for all of these guys. So let's just pretend that Gunn isn't even here, and try to enjoy a pretty good film just for what it is.
Posted in: Disc Reviews by Jeremy Butler on October 26th, 2023
“Since the beginning of time, since the first little girl ever existed, there have been dolls. But the dolls were always and forever baby dolls, until ...”
Let me preface this by saying that I am in no way the target audience for this film. That said, this film is in no way for the target audience that you may imagine it is for. Initially, I suspected the film was intended for the age bracket that actually plays with Barbies. However, after watching, I’d have to argue that the themes of the film are geared more towards the young adult / early adulthood crowd. Bearing all that in mind, it should go without saying that Barbie was a film that I endured rather than enjoyed until one key moment which I will describe later. To my mind the film was an amalgamation of films that came before it. And while I appreciate the film’s diversity in encompassing a wide range of actors to represent variations of the Barbie and Ken characters, at times it felt as though the film’s agenda was literally punching me in the face.
Posted in: No Huddle Reviews by Michael Durr on October 23rd, 2023
Full disclaimer: I tend to watch probably too much true crime television. I've watched about every episode of Homicide Hunter (Joe Kenda), Forensic Files, and plenty of other detective shows based on real cases. I find them fascinating, and my wife would seriously like to know what else is on our television. As a result, I tend to also gravitate towards real cases depicted in movies and documentaries as well. Today's film, The Night of the 12th, deals with a real case based in France. However, this one has a hook. Whereas almost every case that we tend to see on television is solved and the murderer goes away to jail, this one has a very different ending. Let's take a look and see if we can still enjoy this experience.
Yohan Vives (played by Bastien Bouillon) is cycling around a track alone lap after lap. Since he is doing this at night, he can zone in on his thoughts as his body continues to wrap around the circle of movement.
Posted in: Disc Reviews by Brent Lorentson on October 19th, 2023
“Where the hell did you come from?”
When you consider just how many films have been made about Bram Stoker’s novel Dracula, I’m surprised it has taken this long to get a film like The Last Voyage of the Demeter. I’m not a huge fan of the novel, but the chapter that centers around Dracula’s voyage from Carpathia to London is a section that I always enjoyed. It’s a chapter told through journal entries from the captain of the ship and how the crew is killed one by one by a mysterious menace aboard the ship. In the movies that have come before, this moment of the film is usually mentioned as an afterthought or simply gets a couple of minutes of screen time. So is this the fresh take on the beloved horror icon that cinema goers have been waiting for, or is this just a lame attempt to revive the vampire genre?
Posted in: Disc Reviews by Michael Durr on October 16th, 2023
In 1995, I remember very vividly going to see Mortal Kombat on the big screen during my summer off from college (when very often I had nothing else to do). I was instantly wowed by all of the characters that I had played with in the first two video games and seeing them brought to screen. The music was absolutely fantastic (and still one of the best soundtracks I have ever heard). However, what I have carried with me most from that experience is my utter love of one character. Johnny Cage. Fast forward nearly thirty years, and we finally have a film where he is the main character and no longer some sort of side gag by all those involved. Let's go to the Cage Match! Join me, won't you?
We start off with a jazz tune in the subway played by Santa Claus. A thief decides to steal from Santa Claus. How dare that guy! The criminal then runs to the closest subway car with nobody willing to stand in his way since he has a gun. Nervous, he gets to the top of subway car to get away from everyone else. But someone is following this cutpurse, and that looks to be a mime?! The mime attacks the thief, who soon demands that the performer say something, anything. But all the mime says is "Mime the Gap." Shortly after that, we hear "CUT!" It would appear that was the wrong line in the script.
Posted in: Disc Reviews by Michael Durr on October 16th, 2023
It's a genuinely rewarding experience when you find a new director that you find intriguing. Mostly because as the consumer, it's then a research project to find everything that person has ever done and then dissect which films you can go find to watch immediately. When I watched Wheel of Fortune and Fantasy, I had that experience instantly. I wanted to see more of Rysuke Hamaguchi's films. So I bought a Criterion Blu-ray copy of Drive My Car back in July. Shortly after that, I saw that his student film, Passion, was going to be released by Film Movement on Blu-ray, and I was eager to get a copy. Luckily, I didn't have to wait too long, because the opportunity to review presented itself even before the release date. Let's dive into this film and see the early workings of a true master of the conversation.
Note: I apologize in advance that I'm unable to identify several of the actresses (the roles of Sanae, Marie, and Hana) in this film. Usually I'm spot-on about these things (but there is no information on the internet as to who these women are real-name-wise). If someone knows, please contact me or leave a comment.
Posted in: Disc Reviews by Gino Sassani on October 11th, 2023
"Jack, we have done our jobs and done them well. This fight was passed down to us and will continue with or without us. But we will always be better than the institutions we serve, and that is what matters when it matters most. There are no heroes in our profession. But occasionally there are good men. Men who act on what is right, not simply doing what they are told to do. I have not always lived my life with honor. But perhaps I have done enough to die with it. I hope the same for you."
Witness the birth of -- actually make that rebirth of --one of the most popular action heroes in literature. Tom Clancy’s Jack Ryan has been a character of many jobs and many faces over the years. Baldwin, Ford, Pine, and Affleck have all stepped into the role of the man who has been a soldier, an analyst, an operative, and a president. What might appear as a clear advantage for this Amazon Prime streaming television show can be just as much a liability. When you throw in the Tom Clancy novels, comic books, and fan fiction, there is a ton of Jack Ryan history that pretty much gives us a story arc from his humble beginnings to extraordinary exploits, and wearing the faces of a few good performers. It's a tall order for the series and perhaps an even taller order for actor John Krasinski, who has created a nice little horror franchise with wife Emily Blunt on the side. I don't really have the time or energy to watch streaming shows and films. There's always a backlog here of discs that need to be watched and reviewed, and I've created a rather comfortable viewing experience with my home theatre I call The Reel World. Our motto: Here there be monsters. So a couple of years ago I had my first experience with this series when Paramount sent the first season on Blu-ray. It was far more of a captivating and compelling series than I expected. Then the second season reached the Blu-ray home platform format, and while I certainly detected a sophomore slump there, there's still enough interesting drama to keep a fan engaged for another year. And what a year it has been. You can find out for yourself with Paramount's release of Tom Clancy's Jack Ryan Season Three on Blu-ray.
Posted in: Disc Reviews by Gino Sassani on October 11th, 2023
"I met him fifteen years ago. I was told there was nothing left. No reason, no conscience, no understanding, even the most rudimentary sense of life or death, good or evil, right or wrong. I met this six-year-old child, with this blank, pale, emotionless face and the blackest eyes ... the devil's eyes. I spent eight years trying to reach him, and then another seven trying to keep him locked up because I realized that what was living behind that boy's eyes was purely and simply ... evil."
Blumhouse and David Gordon Green recently finished a sequel/reboot of John Carpenter's Halloween with mixed results. He got Jamie Lee Curtis to return for all three films in the trilogy. Most of the various sequels and reboots did not include the original film's star, but Green was not the first one to get her to return to the role of Laurie Strode. To celebrate the 20th anniversary of the first film, Curtis returned to the role in the somewhat neglected. It was the seventh overall film in the franchise, and like the recent trilogy, it erased all of the various sequels and claimed to be a continuation of the original film. It produced a respectable $55 million on a $17 million budget and was the next final film in the series before Rob Zombie did his own reboot of the franchise that lasted for two films and finally led up to the David Gordon Green attempt to revisit and pretty much conclude the franchise with three more films. Curtis returned for Halloween Resurrections, which was a kind of meta/reality show take on the material, but Rob Zombie took it back to the beginning. Is that really the end of Michael Myers and company? I doubt it. There's still bank to be made from the franchise, and after a respectable few years, someone else will tackle the tale. Where they will start from is anyone's guess, but they could do worse than look at Halloween H2O: Twenty Years Later as a jumping-off point. I doubt anything like that is going to happen, but the franchise could certainly do worse,... and it has.
Posted in: Disc Reviews by Gino Sassani on October 6th, 2023
"My Mamma told me to pick the right one."
In 1982, Cheers first broke on the network sitcom circuit. It was a small Boston bar owned by a has-been baseball player living on the glory years he didn't really have. It was the bar where everyone knows your name. Behind the bar there was Woody. Woody was pretty much a kid who looked up to the owner in an almost hero-like way. He was naive and was easily and often taken for a rube. But he was kind, and no matter how out of it he might be, there wasn't an evil bone in that character's body. It was all an act. Of course, it was a television show where Woody was played by Woody Harrelson. For crying out loud, even their first names were the same. It wasn't hard for us to believe the two Woodys were one and the same. I know I did. It was an act, sure, but I didn't know it was that good an act. We all found out just how good of an actor Woody Harrelson was when he stripped away kind, innocent Woody the bartender and took on the vicious role of Mickey Knox in in Oliver Stone's brutal film Natural Born Killers. Later we found out that the actor's father was a convicted hitman for the mob and was busted trying to take out a judge. Today Harrelson has proven his awesome range over and over again in dozens of impressive performances. But in 1994, I wasn't prepared for Natural Born Killers or Mickey Knox, and so it's a film that has remained seared in my brain since that day.
