Posted in: Disc Reviews by Gino Sassani on June 11th, 2008
What time is it? That’s right, Home Improvement fans, it’s once again Tool Time. Unfortunately for the show’s followers, Season 8 would be its last outing. It’s always nice to see shows go out on their own terms and in their own time. Home Improvement is one of those series. It leaves a void. This was one of those rare shows that didn’t rely on sex and innuendo for cheap laughs. Don’t get me wrong, who can forget Debbe Dunning as Tool Time girl Heidi, but there was never any attempt to debase the character. We all knew she was there mainly for her looks, but it fit the theme of the cable tool show. No, most of the laughs came from Tim’s over the top manly man humor. As much as we were laughing at Tim, we were really laughing at ourselves.
Posted in: Disc Reviews by David Annandale on June 10th, 2008
Tang Wei plays a student who is a member of a radical theatre troupe during the Sino-Japanese War. She and her cohorts determine to assassinate a prominent collaborator (Tony Leung). In order to get create the opportunity for the killing, our heroine must infiltrate Leung's household. She is on the threshold of becoming his mistress when he leaves Hong Kong for Shanghai. Three years later, now backed by the Resistance, she makes a new attempt. But she hasn't counted on the entanglements of passion in the affair she has embarked on.
Ang Lee's film was widely seen as both sumptuously beautiful but too leisurely for its own good, and there is something to that position. The story takes its sweet time, and the affair itself, along with its transgressive (by mainstream standards) sex scenes, doesn’t properly begin until over 90 minutes into the film. On the other hand, so much of the film is unspoken, left for the viewer to read between the lines (and Tony Leung is a master of conveying deeply repressed pain) that there is a lot going on, even when the images are still. And when the paroxysms of violence and sex do come, they are explosive.
Posted in: Disc Reviews by Gino Sassani on June 10th, 2008
Felix and Oscar return for a fourth year of laughs in The Odd Couple. Not much has changed in the world of Oscar and Felix, but isn’t that what you were hoping to hear? What I found interesting in this somewhat weaker season is that even when the actors were beginning to realize that the show was slipping, the pair never missed a beat in their own chemistry. Often it seems they lacked interest in the material when their characters were apart, but something always happened when they were together. I get the impression they genuinely enjoyed each other’s company. It’s the saving grace in season four.
Posted in: Disc Reviews by Gino Sassani on June 10th, 2008
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Posted in: Disc Reviews by Gino Sassani on June 10th, 2008
Charlie Sheen is an unlikely actor to star in a television sit-com. Even after watching the show, I’m not sure how anyone came up with the idea in the first place. He has little to no comedic timing and he’s about as funny as a funeral. The thing that works here, however, is that he really doesn’t need to be all that funny to make this show work. Sheen pretty much deadpans his entire performance, which generously enough works rather well teamed with the more manic comedy of Jon Cryer. Throw into the mix a rather extraordinary young child actor in Angus T. Jones, and suddenly a show that looks terrible on paper turns out to be pretty dang funny. We’re not talking Fred Sanford funny, but I caught myself laughing far more often than I expected to. I had only caught the show before in bits and pieces and was never all that fond of what I saw. Watching these DVD episodes from the third season shed some new light on the show for me.
Posted in: Disc Reviews by Archive Authors on June 9th, 2008
When the Learners are driving home from their son Josh’s recital, they stop off at a gas station where he is struck and killed by Dwight Arno (Mark Ruffalo) who is heading home from a Boston Red Sox game with his son Lucas. Dwight flees the scene while Ethan (Joaquin Phoenix) and Grace (Jennifer Connelly) mourn the death of their son. In the following weeks, Ethan becomes obsessed with finding the hit and run driver while Dwight deals with his guilt and tries to bond with his son against the backdrop of the 2004 Boston Red Sox historic World Series run.
Reservation Road had a lot going for it on paper. Phoenix, Connelly, and Ruffalo are all talented actors and Terry George (Hotel Rawanda) is an acclaimed up-and-coming director. However, Reservation Road fails to hit the emotional high notes that come with the territory. None of the actors are given much to do with the material, and the film’s pace is drearily slow. Connelly and Mira Sorvino are severely underused while Phoenix and Ruffalo don’t explore the depths of their characters. Everything is paint by numbers and the end result is a film that never lives up to its potential.
Posted in: Disc Reviews by Archive Authors on June 9th, 2008
When last we left the fine folks of Weeds, Nancy Botwin (Mary-Louise Parker, Saved!) and her herb-growing buddy Conrad (Romany Malco, Blades of Glory) were being held at the mercy of two rival drug groups, both of which were very interested in Nancy’s stash and her cash, but it was taken by her son Silas (Hunter Parrish, Freedom Writers), who was arrested by Nancy’s friend Celia (Elizabeth Perkins, 28 Days). I’m not even close to discussing how things got to this point, and needless to say, the twists and turns sound a little soap operatic at times, but when you’re invested into the characters’ fates as you are, they provide for some memorable experiences.
One of the things that Weeds does is push things to the edge of the envelope, and I‘m fine with that. What I’m not fine with, and what my wife and I get into debates about from time to time, is that in Season Three, Nancy’s transformation from widowed mother in a upper/middle class suburban neighborhood to full-fledged marijuana dealer becomes full and complete. In the previous two seasons, Nancy mixed her Caucasian naivete rather well with her cold and precise drug dealing livelihood. In Season Three, she becomes much more cold and precise, particularly around people she knows and calls friends. She takes care of her feelings first, particularly in one episode where she sleeps with her boss (played by Matthew Modine of Vision Quest lore), despite Celia’s urge to be with him. Her rendezvous with Conrad, one the show had been waiting for for almost three seasons, was more for her convenience than anyone else’s. She becomes much more distasteful than in previous seasons, and all the sweetness of sucking on an iced coffee straw isn’t going to help things.
Posted in: Disc Reviews by Archive Authors on June 9th, 2008
Honestly, I don’t know what the bigger tragedy is, the fact that John C. Reilly has been a funny performer for years, or the fact that it’s taken guys like Judd Apatow and Adam McKay a chance to show off his comedic talent. For those who don’t know, Reilly was in a hilarious ten-minute blooper reel in Boogie Nights which showed that he could improvise with the best of them. The guy also played Bigfoot in an episode of the Tenacious D show that aired on HBO in the mid ‘90s. But sure, put him in Chicago where he was nominated for an Oscar or in ensemble films directed by some of film’s greatest voices. His true love, that which gives him much joy and pleasure, appears to be when he’s goofing around, like he does in Walk Hard: The Dewey Cox Story.
Walk Hard was co-written by Judd Apatow, whom you might have heard of. Any R-rated comedy that has been released in the last 18 months to any sort of popular appeal has had some sort of involvement by the writer-producer-director. Jake Kasdan (Orange County) was the other writer and directed the film, where Reilly plays Dewey. He grew up in the shadow of his brother, who died after a tragic machete incident. Dewey grew up and had a hit early in his life, but then went through the usual period of drugs and substance abuse before his career went through a rebirth of sorts. If it sounds like the usual biopic treatment of a musical icon, that’s what it is, and what Apatow and Kasdan manage to do is stick a thumb in the collective eye of films like Ray and Walk the Line, as those films possess a slight precociousness that deserves lampooning of some sort. Reilly plays Dewey as a fifteen-year-old. The guy is over 40, OK? So yeah, that’s funny. When Dewey’s drummer Sam (Tim Meadows, Semi-Pro) shows him what drugs are like, it’s done with tongue firmly planted in cheek. Dewey’s various relationship issues are shown, starting from his first wife Edith (Kristen Wiig, Saturday Night Live) who seems to be pregnant in every scene as she puts down Dewey, to his second wife Edith (Jenna Fischer, The Office), who is a born-again Christian and hopes to get Dewey the same way. Every girl, boy, rock and stick in between is shown too.
Posted in: Disc Reviews by Archive Authors on June 6th, 2008
It’s ironic that 28 Days Later and the Dawn of the Dead remake (which was originally a George Romero film), have jump-started Romero’s long-running “Dead” series that started in 1968 with Night of the Living Dead.
Since 28 Days Later and the Dawn remake were released, Romero has released two new installments: Land of the Dead in 2005, and now Diary of the Dead in 2007.
Posted in: Disc Reviews by Gino Sassani on June 4th, 2008
It sounds like nothing new. Hard boiled detective uses computers and other forms of technology to solve cases. It isn’t anything new, except the detective in question is Joe Mannix and the series aired in 1967. The computer that Mannix used took up an entire room and was queried using cardboard punchcards. This wasn’t science fiction. We’re not talking some newly discovered Irwin Allen series. Mannix didn’t go after aliens or robots. This was a down to earth gritty detective show. Mike Connors played the tough as nails detective. He was perfect for the part and blended into the role seamlessly for 8 years.
