Posted in: Disc Reviews by David Annandale on December 21st, 2006
What we have here are three films from Hollywood’s days before the Production Code kicked in, which show just how much the envelope was being pushed when it came to sexual subject matters. The recurring theme here is sex as a commodity, whether the situations beinig dealt with involve outright prostitution or not.
Outright prostitution is very much the issue in Waterloo Bridge (1931), director James Whale’s effort just prior to making Frankenstein. Mae Clarke (who would play Elizabeth in Frankenstein) is an out-of-work chorus girl during WWI, not a prostitute trolling for men on the titular bridge. During an air raid she runs into a young private from a good family (Kent Douglass). He falls in love with her, and she with him, and so she tries to push him away. This is a romance that is anything but glamorous, despite some scenes in the upper class household (with a young Bette Davis as Douglass’ sister), and the resolution is brutally downbeat.
Posted in: Disc Reviews by Gino Sassani on December 20th, 2006
A twisted twist on the zombie genre. Dellamorte (Everett) is a watchman of sorts over a small village cemetery. The problem is not so much with folks breaking in as with the dead breaking out. In this neck of the woods the dead arise within 7 days of their death. A simple shot in the head solves the rather pesky problem; however, it requires a certain amount of vigilance. Now so far none of this is terribly original at all. Things begin to change when Dellamorte becomes infatuated with a mourning widow. Their escapades at her husband’s grave literally wake the dead. Her deceased hubby’s attack leaves her apparently dead, and of course needing to be placed in a more permanent position by Dellamorte and his revolver. That might be that, as they say. It appears you can’t keep a good gal down, and the woman begins to reappear in many guises throughout the film. Here things get quite confusing, and it’s hard to determine how much of this is actually taking place. The film’s climax further complicates the question.
The film’s original title is Dellamorte Dellamore. If you are at all squeamish about in your face necrophilia, this one will make you quite antsy. Apparently you can really have a blast if you can keep your head about you. Francois Hadji – Lazaro steals the show in his role of Gnaghi, the Curley Howard-like mute but faithful sidekick with a head for romance. Anna Falchi plays the object of desire with skills more physical than not. The film utilizes a narrative style which never really captures the action. Perhaps the translation from Italian leaves holes not originally intended. While the film is originally an Italian film, many of the actors are obviously talking in English. It isn’t hard to conceive that Cemetery Man might have been some inspiration for Tim Burton’s Corpse Bride. Many of the visuals are starkly familiar. The theme is certainly rather similar. The zombie effects themselves are not terribly original, but many of the images are fresh takes on an old theme. With the help of clever set design, the atmosphere of the film is accomplished throughout. The film manages to be a black comedy while still satisfying the horror fan as well.
Posted in: Disc Reviews by Archive Authors on December 20th, 2006
Some films never achieve greatness, but still manage to leave their viewers with a wry smile, and a “that wasn’t so bad, I’m glad I watched it” mentality. Lonesome Jim from IFC Films is one such motion picture. Starring Casey Affleck and Liv Tyler and directed by Steve Buscemi, this is one mood-swinging comedy that will lull you into complacency, then occasionally drop large hilarious bombs into the experience when least expected. Centered on a depressing, tight-lipped, tell-it-like-it-is, loner, who is for...ed back into the misery of his parents’ house when he runs out of money, Lonesome Jim dramatizes a dreary journey from stark hopelessness to undying optimism. The laughs don’t come easy, but hang around, and you’ll reap the rewards.
Affleck and Tyler are familiar with one another, albeit in a six-degrees-of-Kevin Bacon sort of way, as Tyler previously played opposite the other Affleck in two films - Armageddon and Jersey Girl. Now she’s changing out for the younger brother, and I think the result is a better romance than Jersey Girl, but a lesser film than Armageddon. Holding it all together is Buscemi’s increasingly competent direction. (If you’ve seen his previous effort Trees’ Lounge you’ll know the kind of quirky comedy to expect here.) It’s a refreshing film, but not an uproarious one. Mary Kay Place, Seymour Cassel, and Mark Boone Junior, also star.
Posted in: Disc Reviews by Gino Sassani on December 20th, 2006
Dr. Katz is Frasier on LSD. This cartoon is based on stand-up Jonathan Katz and is psychobabble routine. Most of each episode centers on Dr. Katz and usually a couple of sessions with patients played by fellow stand-ups or other celebrities. While there is some humor here, none of it jumps out as rip-roaring funny. Then there’s the infamous “Squigglevision”. To me this makes the darn thing near impossible to watch. The gyrating animation gives me a headache. To review this set, I couldn’t watch more than one episode per sitting. I’m told the show was much better in season one, which I’ve never seen. Too bad, really, but there isn’t anything worthwhile about this cartoon.
Video
Posted in: Disc Reviews by Gino Sassani on December 20th, 2006
It started as “the show about nothing”, but we really know better. While some say it’s much ado about nothing, they’ve missed the point, haven’t they. Ask some folks, and they’ve got nothing to say. Well. If you can’t say something nice…
Jerry Seinfeld did what so many comics have failed to do well. It seems just about every stand-up out there thinks the stuff will work on television. Some of it does. Those that got the chance owe much to the success of Seinfeld. Like few sit-coms before it, the series was the hot topic at work water coolers. If you can measure a show by its contributions to the pop culture, then Seinfeld must be one of the best. Terms like “Yada Yada Yada”, “No soup for you”, and “Not that there’s anything wrong with that” have invaded the lexicon and endured. What made this show work, however, was no mystery at all. It was a smart cast put in situations that were character chemistry magic. So many shows attempt to create bizarre complicated scenarios, when it turns out the mundane is funny after all. What makes these guys funny isn’t the situations they are placed in, but their reactions to them. This show proved you can take characters like this and put them anywhere and they’ll be funny.
Posted in: Disc Reviews by Archive Authors on December 19th, 2006
Spike TV has really picked up steam in recent years, and this momentum is nowhere more apparent than in their staple show MXC – Most Extreme Elimination Challenge. Now on DVD with the complete first season, fans of the show and adventurous new viewers are sure to enjoy the antics and wisecracks of hosts “Kenny” and “Vic,” who provide commentary on each episode of insane Asian people sacrificing their bodies for the thrill of being on television. Of course, the American voiceovers of MXC are all added ...ost-facto. But the original show – “Takeshi’s Castle” – is not short on the crazies itself, as we see from this collection’s bonus materials.
I’m not sure how necessary owning these 13 episodes on DVD is, but to each his own. I am content to watch on Spike TV late night, but I will admit, some of Kenny’s most painful eliminations are worth multiple viewings. If you like to see people in pain but not to the point of death, then this What’s Up, Tiger Lily game-show knock off is for you. Just be careful, and, above all, “Don’t Get Eliminated!”
Posted in: Disc Reviews by David Annandale on December 19th, 2006
Nicolas Cage is a highway cop haunted by a gruesome accident. He receives a mysterious letter from his ex-fiancee, begging him to come to the remote colony where she lives and help find her daughter. Cage arrives there to find a grim matriarchy, uncooperative locals, and sinister hints of something nasty going to happen to the child.
I wrote about this film when it was in the theatres, and rather than repeat myself through paraphrase, I repeat myself verbatim. Note there are some spoilers below.
Posted in: Disc Reviews by Archive Authors on December 18th, 2006
A Fish Called Wanda returns to DVD, this time in a stunning 2-disc collector’s edition that finally gives adequate treatment to one of the funniest surprises of the eighties. John Cleese stars as an English barrister, whose life is so dull and – well, British – that a seductress/jewel thief named Wanda comes along and steals his heart in record time. But Wanda carries a lot of baggage with her, the heaviest piece being a Nietzche-quoting moron, who just so happens to be her psychotic boyfriend. Add an anima...-loving hitman with one of the world’s worst stuttering problems, and Wanda quickly turns into an outrageous farce – but one that works with the efficiency of a well-oiled machine.
This kind of film, without doubt, is Cleese’s strong suit. An alumnus of Monty Python, Cleese actually tones down the farcical elements, and I think his film benefits from the downgrade. While Cleese is a very funny actor, most of the good stuff goes to Kline, who can’t stand to be called stupid, though he is mostly incapable of proving such accusations wrong. But he is a formidable opponent once he gets his hands on you, a fact Cleese draws many laughs from in his scenes with the nemesis. If it’s been a while since you’ve seen A Fish Called Wanda, and you’re worried it’s lost something, don’t be. The film stands up well, though some of its humor has since been copied in more unflattering films. No doubt this reality will hurt some of the laughs, but there is still plenty of Kline, Cleese, and Michael Palin, to go around for everyone, so you shouldn’t be disappointed.
Posted in: Disc Reviews by Archive Authors on December 17th, 2006
Little Miss Sunshine is a gem. With a quirky script, a great cast and interesting cinematography, there's plenty to appreciate as this ultimately uplifting film unfolds.
To make a great movie, they say you have to start with a great script. From there, your goal is just to not screw it up. Little Miss Sunshine's script laid just such a foundation for this film, as it's unique, funny and surprisingly heartwarming. The story is about a dysfunctional family. They've got a crude, drug-addicted grandpa; a suicidal, gay uncle; a mother "this close" to divorcing her husband, the struggling, aspiring motivational speaker; a son who has taken a vow of silence and only communicates via scribbling on a little notebook; and a slightly chubby little daughter who's working toward a goal of being a prepubescent beauty queen.
Posted in: Disc Reviews by Archive Authors on December 16th, 2006
If there's something that bothers me about the wave of digital films for children's entertainment nowadays, it's that anyone who has a Mac and good enough software feels compelled to make a movie, no matter how much it sucks. And Disney (or Dreamworks) or another studio will put enough marketing money behind it to make anyone want to watch it.
How can you tell how good or bad it will be? Well, if it's not a Pixar film, you can generally tell by the cast that is brought in to do voice work for it. In the case of The Wild, Samson the Lion (Kiefer Sutherland, 24) lives in the New York zoo with his son Ryan (hey, that's me! But really it's Greg Cipes, John Tucker Must Die). Ryan is a little bit shy because he hasn't gotten his roar yet, and Samson is a legend among his zoo friends for the stories he tells. His friends include a giraffe named Bridget (Janeane Garofalo, The Truth About Cats and Dogs), a squirrel named Benny (Jim Belushi, According to Jim) and a snake named Larry (Richard Kind, Spin City). And Ryan leaves the zoo and accidentally gets on a ship bound for Africa, so Samson and friends follow the ship that lands'in the wild!
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