Posted in: Disc Reviews by Archive Authors on November 24th, 2006
Synopsis
John Steinbeck, looking and sounding remarkably like James Ellroy, and coming across as surprisingly two-fisted given the overall tone of the movie, introduces a quintet of stories by O. Henry. “The Cop and the Anthem” features Charles Laughton as a dignified bum trying unsuccessfully to get himself arrested so he can spend the winter in a nice, warm prison (Marilyn Monroe is one of the top-billed, but she has only one brief scene here). “The Clarion Call” has Dale Robertson as a detective w...o realizes that a wanted murderer is, in fact, a childhood friend to whom he owes a huge debt. The friend is played by Richard Widmark, who shamelessly recycles his psycho act from Kiss of Death, right down to the hyena laugh. In “The Last Leaf,” Anne Baxter struggles to convince her pneumonic sister (Jean Peters) that life is worth living. “The Ransom of Red Chief” is the tale of two con-men (Fred Allen and Oscar Levant) who kidnap a young boy and very quickly wish they’d never clapped eyes on the holy terror. And “The Gift of the Magi,” the most famous story of the bunch, is the Christmas tale of a young couple (Jeanne Crain and Farley Granger) who give up their most treasured possessions in order to buy each other a special gift.
Posted in: Disc Reviews by Gino Sassani on November 24th, 2006
No monster movie is bigger than King Kong. AFI members recently considered King Kong to be the most influential film ever. The original King Kong has inspired more filmmakers, actors, and technicians than any film in Hollywood’s history. The score is considered the first modern film score. For the first time the music is timed to accent certain aspects of the action. Willis O’Brien practically invented movie special f/x with his revolutionary stop motion technique seen earlier on The Lost World. One of those filmma...ers so inspired was director Peter Jackson. It seems none of the wonderful journey that was Lord of the Rings would exist on celluloid if not for King Kong. At 12 years old, Jackson set out (unsuccessfully) to create his own version of the iconic film and has apparently dreamed of remaking it ever since. After a hopeful but aborted start in 1996, Peter Jackson finally brought his childhood fantasy to life, and was it ever worth the wait.
The first question you might ask is how does this film compare with the original or the 1976 Kong? This film simply blows away the 1976 debacle. As for the original? Obviously the 70 years of f/x progress means that Kong himself shows the greatest improvement. No question the stop motion Kong was the most spectacular thing 1933 audiences had ever seen. Today we live in a computer age where if you can imagine it someone can bring it to life. Jackson’s WETA Digital is very much like George Lucas and ILM. In New Zealand they are movie f/x. Unlike Lucas, Jackson integrates his f/x so intimately into the action that we cease to think of them as movie magic. Lucas tends to overload each scene with a “look ma what I can do” overindulgence. Andy Serkis plays the Kong character as he did with Gollum so that the other actors have something real to act against. His emotional range gives Kong a façade of realism that sucks us into the story without really thinking about the f/x. So, like the original, Kong is a real character to us, capable of feelings and deserving of our empathy When he finally slips from the tower of the Empire State Building, we share an emotional moment with Ann (Watts) that can only be possible for a real being. The film is far longer than the original. In this extended version Jackson’s Kong is about double the original’s running time. Jackson’s Skull Island, while richly detailed and far more elaborate than the original, maintains the illusion that we are in that same place. The creatures are purely magic, rivaling the best we’ve seen from Jurassic Park.
Posted in: Disc Reviews by Archive Authors on November 23rd, 2006
Synopsis
This is another film one feels a little silly summarising, given that it must be an exercise in redundancy. At any rate, Macy’s department store gets a new Santa, and this one (a marvellous Edmund Gwenn) insists that he is the real thing. He sets about restoring the sense of wonder in hard-nosed Maureen O’Hara and her skeptical daughter (Natalie Wood), and John Payne winds up having to prove that our boy is who he says he is in a memorable court case.
Posted in: Disc Reviews by Archive Authors on November 23rd, 2006
Synopsis
Michael Caine is a down-on-his-luck PI in LA. He’s hired to find the long-lost daughter of a man who is now wealthy, though being hunted by goons. Caine heads off to house of the presumed daughter’s adoptive parents. There are two women the right age here. Which one is he looking for? Could it be Natalie Wood?
Posted in: Disc Reviews by Gino Sassani on November 22nd, 2006
Few science fiction films of the 1950’s left as much of an impact as Forbidden Planet. Gene Roddenberry often cited the film as the birth of Star Trek. It is in this film that he took away the interactions of an interstellar craft’s bridge crew. Even the United Planets organization in Forbidden Planet heralds Trek’s United Federation of Planets. Robby the Robot would become a science fiction icon and lead to a great number of copycats, most notably the Lost In Space robot. Robby even made a cameo on that show. MGM ...ulled out all the stops on what must have appeared to be a risky proposition. Certainly science fiction films were popular, particularly as drive-in fare, but most were created on shoestring budgets. Forbidden Planet was an honest to goodness blockbuster budget film long before the steady stream of big budget genre films were popular. MGM launched one of its largest promotional campaigns. For one of the first times in Hollywood history, there were product tie-ins and cross promotion on other MGM properties. Many of the images from Forbidden Planet were already familiar to the movie-going public before the film’s actual release. If anything else, this film would provide a model that huge budget films of today still follow when they hit the market. More than just science fiction cinema changed with this milestone release.
The cast of Forbidden Planet was another trend setter. Walter Pidgeon was already quite an established name outside of science fiction circles. Until this time, most of these films featured no name actors or contract players obligated to participate in whatever was tossed their way. Some prestige was bestowed upon the genre with that kind of a cast decision. Anne Francis, of course, steals the show whenever she is present on screen. Unlike the roles for women often provided on these kinds of things, Francis was given a chance to show true acting skills instead of simply being eye candy for the male audience. That’s not to say she wasn’t quite attractive, but the part required a great deal of emoting that this young actress was able to pull off nearly perfectly. Leslie Nielsen, now more renowned for his deadpan comedy, plays the ship’s commander. It’s not hard to see where Kirk got his flair for the feminine charms while watching Commander Adams working on Altaira. Future Six Million Dollar Man’s Oscar Goldman, Richard Anderson is also a pleasant casting gem.
Posted in: Disc Reviews by Archive Authors on November 22nd, 2006
I thought Pen & Teller were magician-comedians. When did they get a T.V. show? Call me out of touch, but I hadn�t heard of Pen & Teller: Bullsh*t! until this third season set was sent my way to review.
Obviously, I�m in no position to make comments like, �season three of Bullsh*t! (for short) is by far the best yet.� I can say it�s the finest season of Bullsh*t! I�ve ever seen in my entire life, but that means jack-all since I�ve already explained that it�s the only season of Bullsh*t! I�ve watched.
Posted in: Disc Reviews by Archive Authors on November 22nd, 2006
I thought Pen & Teller were magician-comedians. When did they get a T.V. show? Call me out of touch, but I hadn�t heard of Pen & Teller: Bullsh*t! until this third season set was sent my way to review.
Obviously, I�m in no position to make comments like, �season three of Bullsh*t! (for short) is by far the best yet.� I can say it�s the finest season of Bullsh*t! I�ve ever seen in my entire life, but that means jack-all since I�ve already explained that it�s the only season of Bullsh*t! I�ve watched.
Posted in: Disc Reviews by Archive Authors on November 21st, 2006
Humphrey Bogart, screen legend. Before I got my hands on this collection, I�d never seen a Bogart picture in its entirety. And yet, I knew his name as well as anyone, and was aware of his status as one of classic Hollywood�s biggest stars.
Humphrey Bogart � The Signature Collection, Volume 1 presents four Bogart films: Casablanca � 2-disc Special Edition, The Treasure of the Sierra Madre � 2-disc Special Edition, High Sierra and They Drive By Night. I�d always meant to wat...h these films, but I just never got around to it, partly because I can barely keep up with all of the new ones released every year, and partly because of � I admit it � a slight prejudice toward �old� movies. I have no idea why I avoid the classics, especially since each time I do sit down to experience one I�m always pleasantly surprised.
Posted in: Disc Reviews by Gino Sassani on November 17th, 2006
The more things change, the more they stay the same. Season 5 of CSI saw really the first shake-up of any kind on this CBS anchor series. While there weren’t any serious cast changes, the team was split up. It’s apparent that idea didn’t work out very well. Modest ratings decline and vocal dissatisfaction from the internet fans and even many of the cast members were heard loud and clear. Now Season 6 brings the team back together again. It doesn’t take long for the old team chemistry to remix, and CSI returns to th...t comfort zone it has ridden for so many years. That comfort zone doesn’t necessarily mean same old stuff. The two-parter Bullets In Motion is one of the most action packed episodes of CSI ever. With an opening like Saving Private Ryan, the bullets are flying and the sirens are wailing. In the aftermath of this gang shootout with the cops, we have a dead cop and a lot of evidence to sift through. Fortunately for them, and us, the old crew’s back together and on the case.
There are some very nice moments in Season 6 to look for. Faye Dunaway stars as the corpse of the week in Kiss Kiss Bye Bye. This is also a good episode for the often underused Greg character. Werewolves is an amusing episode with some great moments for another underused character: David Berman’s Dr. Phillips. Even your Thanksgiving dinner will never look the same again after Dog Eat Dog. Fortunately you don’t need to use your imagination to figure this one out.
Posted in: Disc Reviews by Archive Authors on November 17th, 2006
Synopsis
I’m not even going to try to summarize this, as that would mean pretending I had the faintest idea what was going on, and who was who. I know, I know, I’m revealing my cultural deprivation – I haven’t been following the series. What I will say, though, is that even with that ignorance, the quality of this chronicle of the ups and downs of a New Jersey mob’s lives, loves and deaths, is undeniable. But then, you knew that, or you wouldn’t be reading this. Do note, of course, that this is only ...art 1 of the season, so you’ll be looking at the best part of 200 smackers for the whole thing when it becomes available. Ouch. But what superb work.
