Posted in: Disc Reviews by Gino Sassani on September 19th, 2006
The Sci-Fi Channel has certainly gotten its considerable amount of money’s worth from Ronald D. Moore’s reincarnation of Battlestar Galactica. The trouble, at least for me, is that it is still very hard for me to consider this Galactica at all. It might have been better if, as Jack Webb used to say, the names had been changed to protect the innocent. There isn’t much doubt that this version of Galactica is innovative science fiction in its own right. The cinematography is often mind-boggling, if a bit too dark. T...e stories are also quite dark in tone. Here is where Moore misses the point of the original entirely. The first Galactica and Colonial Fleet were fleeing the destruction of their worlds, but with a great deal of hope in finding their long lost brethren: Us. In Moore’s tale, Earth is an almost impossible dream. The entire atmosphere is one of dread and bleakness. Galactica survives almost just for survival’s sake. No one is really living in this fleet. Not to say that Moore’s version can’t make for some compelling drama. It does. Under a different name I think I might actually be able to somewhat embrace this series. I can’t shake the feeling of watching something dear morphed into something it was never intended to be when I see Katee Sackoff addressed as Starbuck. She’s also one of the weakest actors to grace a major science fiction series since Denise Crosby.
OK. So let’s talk about what I DO like about the show. No question it’s the f/x. Moore has a luxury that not even a million dollars an episode could buy you in 1979. With today’s CGI advances, there isn’t very much that can’t be realistically visualized anymore. The fighters are sleek and the space battles are epic. If anything, these dogfights can get entirely too busy. Edward James Olmos is a fine actor and lends a ton of credibility to what is otherwise a fairly weak cast. His earlier concerns have ceased, either by studio edict or an uncharacteristic change of heart. Remember, it was Olmos who warned fans to stay away, offering that they would not be happy with the new show. The scripts are tight and go into depths the original never even attempted.
Posted in: Disc Reviews by Archive Authors on September 16th, 2006
Synopsis
Marilyn Burns, Paul Partain, Allen Danziger, Teri McMinn, William Vail and Gunnar Hansen individually may not be that well known. Collectively, many people might confuse them with some group of lawyers or something. But film history has afforded them a higher place in memory past their initial endeavors. You see, back during the middle of a particularly oppressive heat wave in 1973 Texas, this group, directed by a then-fledging auteur in Tobe Hooper, combined to make what is widely regarded as one...of the best films in horror movie fame, The Texas Chainsaw Massacre.
Posted in: Disc Reviews by Archive Authors on September 14th, 2006
Synopsis
The best I can gather from watching Love For Rent is that there’s only one recognizable face to speak of. The problem is that the face in question is Saturday Night Live cast member Nora Dunn, who was only moderately funny on the show, but sank her career when she boycotted the appearance of Andrew Dice Clay in the early 1990s. Now that the times have changed, have the sensibilities moved closer to Dunn’s?
Posted in: Disc Reviews by Archive Authors on September 14th, 2006
Synopsis
I was never that much of a Nintendo kid growing up. I went from the Sega Genesis to the Playstation, then the PS2, before recently landing on the Xbox. I was never that accustomed to the world of Double Dragon, however I’d like to think that I was the bomb at Contra. And the only video game movie I can recall seeing when I was growing up was a film called Joysticks, which was a crude version of Animal House and Hardbodies, with Pac Man, Galaga and the like.
Posted in: Disc Reviews by Archive Authors on September 14th, 2006
Synopsis
While Some Kind of Wonderful may not feature the same kind of young spirit that Pretty in Pink may have had or the kind of older type of intelligence that Say Anything might have had, it’s still a cute, charming little romantic comedy with some recognizable faces penned by ‘80s icon John Hughes, responsible for such teen films as The Breakfast Club and Weird Science, to name a paltry few.
Posted in: Disc Reviews by Archive Authors on September 14th, 2006
Synopsis
James Marsden plays Tommy, who broke away from his mob-connected family to join the marines. Something goes wrong during the Gulf War, and he lands in the brig. He’s given a second chance by the authorities if he heads back to his old neighbourhood undercover. As he heads back to hook up with his slow brother and violent cousin (Giovanni Ribisi), we also get flashbacks to their youth in these families.
Posted in: Disc Reviews by Archive Authors on September 14th, 2006
Synopsis
James Marsden plays Tommy, who broke away from his mob-connected family to join the marines. Something goes wrong during the Gulf War, and he lands in the brig. He’s given a second chance by the authorities if he heads back to his old neighbourhood undercover. As he heads back to hook up with his slow brother and violent cousin (Giovanni Ribisi), we also get flashbacks to their youth in these families.
Posted in: Disc Reviews by Gino Sassani on September 13th, 2006
When I was young there was an armchair in the living room that had its back to the hallway leading to my bedroom. I would frequently sneak down that hall and hide behind the chair. There I could spend hours after my bedtime watching whatever my parents were watching on television. What I saw from my secret vantage point in 1975 was the scariest thing I have ever seen. All my life I have been a horror fan. From the silent classics of Lon Chaney, through the Universal masterpieces of the 30’s and 40’s, all the way to...the slasherfests of modern times, nothing has affected me more than Trilogy of Terror.
Trilogy of Terror was the mastermind of two of the genre’s greatest. From the imagination that brought us Dark Shadows and Kolchak: The Night Stalker we find Dan Curtis at his very best. His partner in Terror is the man who brought us so many Twilight Zones, Richard Matheson. Matheson also created some of the best horror novels of our time. I Am Legend gave us both the Vincent Price “Last Man On Earth” and Charlton Heston’s “The Omega Man”. Will Smith is currently taking a crack at the same story. Here the two teamed up for 3 half-hour tales, all staring Karen Black.
Posted in: Disc Reviews by Gino Sassani on September 13th, 2006
It’s time to say goodbye to that lovable furry alien from Melmac. After 4 years the network unceremoniously pulled the plug. Unfortunately it was in the middle of a cliffhanger. While a TV movie tried to wrap things up, I was never completely satisfied. The final season of ALF offers up pretty much more of the same. ALF’s go as a day trader is one of the better episodes. In case you haven’t noticed, all of the episode titles are song tittles. This season offers such hits and near misses as: Live and Let Die, Happy ...ogether, and the finale, Consider Me Gone.
Video
Posted in: Disc Reviews by Archive Authors on September 13th, 2006
Synopsis
Andy Garcia plays Rick... er... I mean Fico, who runs a lavish nightclub in Batista-era Havana. The revolution is brewing, and two of his brothers are drawn to the cause. Fico is apolitical, putting family above all, but the revolution will transform his life whether he wants it or not, and then there’s the problem of falling in love with his brother’s wife.
