Posted in: Disc Reviews by Archive Authors on January 8th, 2006
It seems that every action movie that is being released out of Hollywood nowadays always has to feature out of this world stunts that no real human could ever do. Now this is not necessarily bad if the action is done in correspondence to the film in a skillful manner. When the original Transporter was released onto DVD, it quickly gained a reputation through many action fans that caused the film’s sales to skyrocket. The sales skyrocketed so high that Twentieth Century Fox quickly greenlit the sequel to a film...they had no interest in making a sequel to after the rather poor theatrical performance.
Quickly recapping the first film for those of you have not seen it. The Transporter starred actor Jason Statham (Cellular) as Frank Martin a.k.a The Transporter, a man who would transport anything at a price. He had three rules if you wanted to hire him. 1. Never change the deal. 2. No Names. 3. Never look in the package. Martin is hired to deliver a large duffel bag. The bag tends to complain and squirm. The bag contains a Chinese woman named Lai. Martin cuts a hole in the tape over her mouth, thus violating his third rule of never looking in the bag. What occurs next is a movie that tends to have too much action at some point that it brings the film to a near dead standstill.
Posted in: Disc Reviews by Archive Authors on January 8th, 2006
Bad News Bears is not necessarily a fine film, but it is a lot better than the host of other remakes Hollywood has thrown at us as of late. Billy Bob Thorton stars in the film, and I quote, “as a drunk who makes a living killing rats to live in a trailers.” The film seems to take his character from Bad Santa and the football coach in Friday Night Lights and seems to merge the two. However, neither of his tactics in either film are used in the film. This results in the audience liking his characte... more than he probably likes himself.
The original 1976 film starred the late Walter Matthau. Thorton’s performance in the film seems to be holding a candle to Matthau’s. Thorton just seems to find more of a sad tone in his character of Morris Buttermaker than Matthau did. His team is called the Bears, which is only around due to a lawsuit that feels the Little League discriminates. The attorney Liz Whitewood (Marcia Gay Harden) demands that the league except all players. This results in the typical sport film’s cliché. His team gets ALL of the terrible players including a black kid, two Spanish speakers, an Indian, a kid who seems to be too little to even hold the bat, and one kid who is in a motorized wheelchair. As you can possible assume from this cliché, is that NONE of these players can play the game.
Posted in: Disc Reviews by Archive Authors on January 7th, 2006
Synopsis
I think the only thing I remember about Ronin initially was that Robert DeNiro (Heat) was involved in some scandal involving a French "house of ill-repute" or something along those lines. But when Ronin was released, people quickly forgot about that mess, as what came from it was an action film that put a little more effort into the characters than other action films. But that’s not to say the action scenes were neglected; the car chase scenes that negotiate through winding French cou...try roads, and through city sidestreets so narrow you couldn’t open either car door to get out of the car, are some of the most nail biting in recent memory. Based on J.D. Zeik’s story and rewritten by Richard Weisz, a.k.a. David Mamet, Ronin’s introduction is a title card about a Japanese samurai without a master, who are mission-less assassins. As a US operative named Sam, DeNiro is introduced almost immediately to the group, who include Frenchman Vincent (Jean Reno, Leon), the Russian, Gregor (Stellan Skarsgard, Dogville) and the Brit, Spence (Sean Bean, Lord of the Rings). Their liaison between their employer and them is the Irish lass Deirdre (Natascha McElhone, Solaris), and their object is a briefcase whose contents are mysterious.
Posted in: Disc Reviews by Archive Authors on January 7th, 2006
Synopsis
Well with this particular incarnation of reality shows, beautiful people show us common folk how tough it is to look pretty. The wonders of being paid thousands of dollars to get up and dress in clothes that you won’t wear because they’re either ugly or too expensive. People like Heidi Klum and Tyra Banks trying to illustrate that fashion and glamour is tough, demanding work is simply silly. Now bear in mind, this point of view is from a bitter, bald and dumpy looking guy whose idea of fashion is m...king sure that he wears comfortable socks before getting into sandals.
Posted in: Disc Reviews by Archive Authors on January 7th, 2006
The Bad Sleep Well reminded me a lot of The Godfather. Both films begin with a large wedding, where the story behind the wedding is more fascinating than the event itself. Both films are also about corruption, what it means to be loyal, and what happens if you do favors for the wrong people. The Bad Sleep Well is particularly meaningful to our modern society, as instead of the subject of the film being gangsters, the focus is on the new heavies on the block... corrupt corporate heads. In the wake of the scandals at Tyco, Worldcom, Enron and others, this 1963 film carries new weight for American audiences.
Kurosowa was famous for his samurai films, and this modern film still carries some of those same themes. The Lords have moved from the countryside to the boardroom, but the pressure to perform and protect the organization at all costs remains. Those warriors in the support roles are compelled to defend the actions of the corporation even with their own lives, if it comes to that. This film is part film noir, part corporate drama, and yes, part samurai film.
Posted in: Disc Reviews by Archive Authors on January 6th, 2006
Synopsis
Welcome to Vince Lombardi High School, where new principal Mary Woronov (coming on like a cross between Miss Jean Brodie and Ilsa) is determined to stomp the student body into submission. In order to do this, she wants to banish rock music. Her chief antagonist is PJ Soles, a huge fan of the Ramones, and she eventually enlists the band itself to help defeat Woronov and her fascistic hall monitors.
Posted in: Disc Reviews by Archive Authors on January 6th, 2006
Peter Weir’s Gallipoli is a remarkable film. Starring an inexperienced model, who was only intended to be used for a photo shoot to promote the picture and shot on a small budget, this film's longevity and frequently attained levels of excellence could have never been predicted. That doesn't mean Gallipoli will be turning up on any all-time best lists any time soon, as the first half has a tendency to drag its feet. However, a solid hour two punctuated by one of the most haunting images I have seen in a...war film elevates the material from slow-paced and dragging to something that actually works, and is certainly worthy of recommendation. Mark Lee, the model-turned-actor mentioned above, stars opposite Mel Gibson, and delivers a performance of such credibility that no one could have ever guessed he didn't know the first thing about acting. In fact, he holds his own with the already seasoned Gibson, and the two make a believable pairing as a couple of naive young men hungry for adventure, who make the mistake of seeking it during the First World War. Their paths lead them to the disastrous real-life battle of Gallipoli, where strategic incompetence led to the senseless slaughter of a great many Australian soldiers.
The sense of pride in one's country is always there, and the movie seems to endorse such a feeling. However, the anti-war message is never far from the surface, and it wells up prominently in the third act like blood from a liver wound that reappears as quickly as it’s washed. Still, it's anti-war without being partisan, and remains true to all the soldiers, who gave their lives for their country, their beliefs, and most importantly, their mates. Weir's directorial style also provides the film with two strong legs, and has since been imitated in every great modern war film, especially Spielberg's Saving Private Ryan. The underwater shrapnel scene of Gallipoli is recreated with equal skill and effectiveness by Spielberg, but let's remember: Weir did it first. And Weir's constant use of exterior locations, while nearly achieving overkill status from time-to-time, demonstrates the director's expert sense of landscape and scope. It's a beautiful picture to watch, but not always one to entertain. However, hang with it through the first hour, and you'll be blown away by the crescendo of fear and violence Weir's film has reached.
Posted in: Disc Reviews by Archive Authors on January 5th, 2006
Synopsis
Sometimes, you’ve gotta watch something because you’re waiting for a new satellite dish to be installed, plus your better half wants to see a Bond movie. Then I pulled out Never Say Never Again. Call it an "unofficial" Bond movie I guess. And I’ve always watched this pretty much before when I’ve seen it on TV. But I watched it this weekend, and it just seemed really dated to me. Or maybe dated isn’t the word. But for someone who’s watched the Austin Powers movies numerous times, boy oh boy d...es this seem like a bad parody!
Posted in: Disc Reviews by Archive Authors on January 5th, 2006
Synopsis
Can someone stop the multimedia empire that Oprah Winfrey imparts on the rest of the world? I mean really, you’ve got the TV show, you’ve got the books, and you’ve done the movies, what else is there to do? Oh, provide reading and watching lists of material you enjoy? Um, OK. But why?
Posted in: Disc Reviews by Archive Authors on January 4th, 2006
Synopsis
Diane Lane has been divorced for eight months and still isn’t in a new relationship, which, according to everyone around her, is a situation on par with lymphoma. At any rate, her sister posts her profile on an Internet match-making site, and a date with the recently divorced and incurably romantic John Cusack ensues. Things get off to a rocky start, though, and there’s the hunky divorced father of one of her preschool students who also catches her interest. What road will lead to true love?.../p>
