Posted in: Disc Reviews by David Annandale on November 16th, 2005
Viva La Merte (1970) was surrealist playwright and all-around provocateur Fernando Arrabal's feature film debut. Set during the aftermath of the Spanish Civil War, this is the deeply autobiographical (no matter how bizarrely presented) story of the a young boy whose father was betrayed by his mother to the security forces of the Fascist General Franco. Oedipal nightmares, extreme violence and brutal eroticism are present in force.These elements are present in the other two films as well. I Will Walk Like a Crazy Horse (1973) has a man suspected of killing his mother flee into the desert, where he falls in love with a holy man, and when the two return to society, our hero is disgusted by what he finds.
The Guernica Tree (1975) is arguably the most brutal of the three films, which should come as no surprise, given the subject matter. We are back in Spain again, during the Civil War, and the action shifts from a backwards provincial town to the doomed Gernica.
Posted in: Disc Reviews by Archive Authors on November 14th, 2005
Written by Clayton Self
Kingdom of Heaven is a handsome epic by Gladiator director Ridley Scott. It is an underrated film due to a less than successful theatrical release, but at closer examination, this film is a deeply important tale of courage, faith and self-sacrifice. It focuses on a relatively lesser-known period of the crusades, when peace was trying to be made between Christian and Muslim.
Posted in: Disc Reviews by Archive Authors on November 14th, 2005
Synopsis
And Now for Something Completely Different (1971) was Monty Python’s first theatrical release, and consists of remounted, often more elaborately staged versions of many of their most beloved TV skits. You want your Dead Parrot, it’s here. So is the Lumberjack Song, How Not to Be Seen, and so on. As a one-stop intro to Python, it’s hard to beat.
Posted in: Disc Reviews by Archive Authors on November 14th, 2005
Virgin geek Virgil (Jay Michael Ferguson) sticks up for hot girl Kellie (Allison Lange) when a teacher rips into her for cheating on her history exam. Thankful for his bravery, Kellie invites Virgil over to her house to thank him.
If you haven’t guessed it by now, Sex and the Teenage Mind is a complete rehash of just about every teenage sex comedy ever made in the last 25 years. Even the red bikini featured on the DVD cover will have you screaming Fast Times at Ridgemont High.
Posted in: Disc Reviews by Archive Authors on November 14th, 2005
Written by Clayton Self
The cult classic "Office Space" from creator Mike Judge (Bevis and Butthead) found a huge following on its initial release on DVD. The movie stars Ron Livingston as Peter Gibbons, a software analyst for the computer giant Initech. Fed up with his condescending boss (Gary Cole) and the frustrations of his job in general, he visits a hypno therapist who puts him in a state of well being and relaxation. The therapist dies of a heart attack before the procedure is complete, leaving Peter permanately care free. Peter ...ses his new confidence to ask out a local waitress (Jennifer Aniston) and to plot with his co-workers to install a virus that will take fractions of a cent from Initech's money transactions and place them into an account for them. Also of mention is the paranoid nuerotic Milton (Stephen Root).
Posted in: Disc Reviews by Archive Authors on November 14th, 2005
In this, the third Bionicle film, the Toa return to Metru Nui to find their land overrun by the evil dictator Sidorak, his soon to be queen, Roodaka and the Visorak, a spider-like army. Roodaka, who plans to take over Metru Nui for herself, tries to lure Toa leader Vakama over to the dark side to lead the Visorak army when Vakama feels disrespected as the leader of the Toa.
While Vakama is seduced by the forces of evil, the remaining Toa meet up with the friendly Rahaga to find Ketongu, a powerful Buddha li...e figure who can help the Toa bring Vakama back from evil and defeat Sidorak, Roodaka and the Visorak army.
Posted in: Disc Reviews by Gino Sassani on November 13th, 2005
A long time ago in a galaxy far far away...
It was really 1977 and as close as your neighborhood theatre. Luke Skywalker, Han Solo, Darth Vader, and Princess Leia captured our imaginations and have never let go. Star Wars has become nothing less than a modern mythology. No one can deny that George Lucas changed how we see films forever. It doesn’t matter if you’re a Star Wars fan or even watch science fiction as a whole. Movie making changed in 1977. Lucas continues to shape the industry with the f/x empire he built on Star Wars.
Posted in: Disc Reviews by Archive Authors on November 13th, 2005
In the event you had to move under a rock in 1997 and just crawled out from under it last week, James Cameron’s TITANIC – winner of 11 Academy Awards - recounts the tragic sinking of the supposedly indestructible ship seen through the eyes of two young lovers on board. Though the romance is fictional, it serves as a guide that will walk us through one of the most memorable events of the twentieth century.
There isn’t much to be said about this film that hasn’t been said a thousand times over in the ...ast few years. If you’re looking for some master thespians, you won’t find them here although the supporting cast, with the likes of Frances Fisher, Bernard Hill, Jonathan Hyde, Victor Garber and more is quite rich. While Winslet was more than capable as Rose, a young, passionate woman betrothed to a rich asshole (Billy Zane), DiCaprio, in the main role of Jack Dawson, teetered on horrendous at times although in his defense, some of the dialogue he was given was cheese worthy of George Lucas’ best work. Both however, proved more than apt at giving us a fantastic point of view at the very real events depicted in the movie. That realism is precisely what propels Cameron’s film into the stratosphere of “historical epics”. Yes, there may be a few inaccuracies that were modified for dramatic purposes but heck, even documentaries have those. The realism was in the success Cameron had in bringing the ship and the people on it back to life for a few precious hours in order to put their story in perspective. The Kate and Leo show took up most of the screen time but in the end, it paled in comparison to what was happening to the ship itself.
Posted in: Disc Reviews by Archive Authors on November 13th, 2005
Synopsis
Lee Van Cleef, often a villain, incarnates a sneering hero in Sabata (1969). He uncovers skullduggery at the highest levels in a small town, and proceeds to blackmail the crooked, sadistic, and rather effeminate Colonel at the head of the criminal racket. Plenty of gadgety gun battles are involved.
Posted in: Disc Reviews by Gino Sassani on November 10th, 2005
It is tragic that the fourth year of Enterprise would be its last. More tragic is the fact that in the fall of 2005 for the first time in almost 20 years there would be no new Star Trek on the air. By far the worst tragedy, however, was the fact that year four of Enterprise was the year it all came together. This is by far the best overall season of Star Trek since The Next Generation. The addition of writer Many Cuto was the spark this fledgling franchise needed. With the exception of the final episode, these 2-4 eposode arcs were for the most part quite fresh and inspired. Brent Spiner’s portrayal of an early Dr. Soong is perhaps his best Trek role to date. Finally, elements of several Trek incarnations come together in a way that doesn’t rip the continuity to shreds. The Mirror double episode was brilliant. I sat down to watch it for the first time with a friend recently and was struck by the creativity it brought to the series. This is the season to get even if you haven’t really followed Enterprise at all. You will be impressed.
Synopsis
