Posted in: Disc Reviews by Archive Authors on October 16th, 2005
Synopsis
One year after Ronald De Feo slaughtered his family, the Lutzes move into the creepy house. George (Ryan Reynolds) soon feels cold and starts acting cranky, and before you know it is looking like he might dish out some violence of his own. Meanwhile the youngest child is developing a troubling relationship with the ghost of a little girl. A frantic Kathy (Melissa George) is desperate to find out what is wrong with the house before it all ends in blood and tears.
Posted in: Disc Reviews by Archive Authors on October 15th, 2005
Kill! plays like something of a dark spaghetti western comedy. Honestly, how many times have you heard that line before? A warrior with no master wanders into a ghost town, tired and hungry, to find the only restaurateur in town dead. As he begins to contemplate where he will find his next meal, a farmer wonders into town under similar circumstances. The two form a loose partnership as they discover that they have placed themselves in the middle of a standoff between the local samurai and yakuza clans. As they...find out more about what is going on in the seemingly-deserted town, their loyalties shift and they begin to concentrate more on doing what is right than on their original selfish desires.
Fans of the Kill Bill films will find much to enjoy in this film, as it will give them an opportunity to see some of the history behind Tarantino's films. This piece is an unconventional take on the same book on which Akira Kurosowa's film Sanjuro was based. I always enjoy the opportunity to see different takes on a theme, and this 1965 film is quite fascinating in its disregard for traditional samurai film conventions.
Posted in: Disc Reviews by Archive Authors on October 15th, 2005
Synopsis
Two friends – Marie and Alexia– head out to the country home of the latter’s parents. In the middle of the night, a killer breaks in, slaughters the family, and makes Alexia his prisoner. Marie is locked in a battle to save her friend and not become a victim herself.
Posted in: Disc Reviews by Archive Authors on October 14th, 2005
Call me crazy, but I came away from this disc feeling like I had just watched a samurai western. On one side, the film is filled with Japanese warriors, fantastic swordfighting and talk of honor and revenge. On the other hand, a major subplot of the film revolves around panning for gold in the mountains, and fighting over the claims. This excellent 1965 film has much in common with great westerns, such as The Good, The Bad and The Ugly, including interesting plot twists and a complicated-yet-comical sidekick t... the main character that is surprisingly similar to Eli Wallach's character in the Italian epic.
Of course, there is plenty of samurai action in this film as well. It is interesting to see the rapid zooms that are such a trademark of this style of film used in a black-and-white format. These conventions are even more interesting when juxtaposed with some of the other delicately framed deep focus shots in the film. The cinematography alone is enough to elevate this film out of the category of a basic samurai film and into that of art, but the script and the wonderfully-choreographed fight scenes really put this film into a whole new level.
Posted in: Disc Reviews by Archive Authors on October 14th, 2005
Synopsis
At a gathering of all the gangs of New York City, the messianic leader proposing a unification of all the organizations is gunned down, and the Warriors are unjustly accused. They must make their way from the Bronx to Coney Island with every gang in the city out for their blood.
Posted in: Disc Reviews by Archive Authors on October 12th, 2005
Synopsis
Donald Pleasence (doing a bad Peter Lorre impression) is a university professor convinced that he can create plant/human hybrids that have the benefits of both species. He acquires unwilling human subjects thanks to erstwhile Doctor Who Tom Baker, here the deformed leader of a freak circus, who kidnaps young men and women, having been promised a cure for his condition.
Posted in: Disc Reviews by Gino Sassani on October 11th, 2005
First let me begin by admitting a bias. I have always loved this show dearly. Carl Kolchak is partly responsible for you reading these very words. When I was young and The Night Stalker first appeared I was enthralled with it. My father had already introduced me to the Universal Monsters so this was great fodder for my young and developing brain. I immediately knew I wanted to BE Kolchak. I decided I wanted to be a journalist and so began to write. Not only has that passion lasted through the decades since, but thanks to this job I often get to write about monsters and things that go bump in the night. Come to think of it, I am Kolchak, or at least I’m closer than the one ABC has put on Thursday nights this season. Enough about me and Carl.
The Night Stalker began as a TV Movie of the Week. Kolchak was a down on his luck reporter in Vegas looking for that one big story that would put him back in the game. Instead he discovered a real vampire killing women and demolishing police cars. Of course, no one believes him, and Kolchak must stalk the beast himself. The film’s success quickly led to another film, The Night Strangler. Now Kolchak’s in Seattle and this time the Boston Strangler is still alive and killing young girls to keep himself young. Once again Kolchak must take matters into his own hands, and once again he’s run out of town for his troubles.
Posted in: Disc Reviews by Archive Authors on October 11th, 2005
Synopsis
Two years after one of their number has committed suicide, a group of friends are still very much into playing Hellworld, an internet game based on the Hellraiser mythology. They score invitations to the big Hellworld party, where they meet host Lance Henriksen, and then they start being killed off one by one.
Posted in: Disc Reviews by Gino Sassani on October 11th, 2005
Kenny’s gone and most of the season the boys are auditioning a new friend. While it looks like Butter has the inside track, you’ll have to watch the season to find out. Personally I miss the “They killed Kenny” jokes and was relieved that it eventually returned. South Park appeared to regain a bit of its lost creative energy in season 6. It can also be said that the show pushed its boundaries a little bit farther. There are times even I think the show goes too far. One of my favorite episodes can be found in this collection. The boys attempt to steal the master print of Raiders of the Lost Ark to thwart Lucas and Spielberg’s evil plot to add new digital effects and create a “special edition”. For all of us movie fans out there this touched home quite a bit. Cartman’s still my favorite character. The opening episode’s jab at Jared from Subway was one of the show’s most well deserved targets. Aren’t we all sick of that guy yet?
Audio
Posted in: Disc Reviews by Archive Authors on October 8th, 2005
Synopsis
Not being too familiar of the work done by Japanese animators or anyone associated with Studio Ghibli, it was hard to know what to expect when I started watching My Neighbors the Yamadas, but as it turns out, it’s a fairly successful cartoon series from Japan. Created by Isao Takahata (Grave of the Fireflies), the cartoon focuses on a family of four and a grandmother in their day to day lives and experiences.
