Posted in: Disc Reviews by Gino Sassani on June 2nd, 2005
I didn’t think that Scarlet Johansson had an active eye or ear for drama films, that she does different stuff and has generally been incredibly lucky. Apparently, she’s got a good knack for appearing in films that have good stories also, as she had been attached to this film for quite some time.
Based on the novel by Ronald Everett Capps, A Love Song for Bobby Long tells the story of Pursy (Johansson), who has recently found out her mother died, so she travels back to New Orleans and meets Bobby Long...(John Travolta, Michael), a former college professor who, along with his teaching assistant Lawson (Gabriel Macht, The Recruit), have left their college lives in Alabama and decided to come to New Orleans, and have stayed for years in the house that Pursy’s mother, Lorraine, owned. In the midst of it all, Pursy is a kid barely out of high school (who actually dropped out in 10th grade) and sees her mother’s former friends as scumbag alcoholics. Lawson has been trying to write a novel for several years, and Bobby seems to be slowly pickling himself to death.
Posted in: Disc Reviews by David Annandale on June 2nd, 2005
Synopsis
Steve McQueen is Doc McCoy, master thief. Having just been denied parole, he asks wife Ali McGraw to make a bargain with political fixer Ben Johnson to get him out. This she does, but what McQueen doesn’t realize is that the deal not only involved McQueen’s participation in a bank job, but also McGraw sleeping with Johnson. In short order, the robbery goes wrong, and husband and wife are on the run.
Posted in: Disc Reviews by Gino Sassani on June 2nd, 2005
National Lampoon was still around? I didn’t think so. But sure enough, there is a staff, they still produce movies occasionally (the cinematic tour de force Van Wilder being among their recent contributions to cinema), and in order to satirize some of the absolute sheet on TV nowadays, came up with the Lost Reality series of discs.
With introduction from (who I’m assuming are) members of the Lampoon staff, the clips are a bit hit or miss. Some of the funnier bits are OK, and could have turned ...nto decent sketches with some polishing. For instance, “Scare Me” is basically a few kids that scare the crap out of people in various locations. The concept is OK, but using actors that see it coming takes the fun out of it. “Payback” is set up a la Punk’d, and at first seeing two parents that terrorize their 8 year old is funny, then it just goes downhill from there. Even some of the bits that you would think be funny just aren’t. Using the American Gladiator TV show from the ‘80s and putting midgets in as Gladiators dragged.
Posted in: Disc Reviews by Archive Authors on June 2nd, 2005
Man on Fire is a stylish thriller with excellent performances at the heart. Denzel Washington plays Creasey, an ex CIA/assassin who is too tired of the killing. Now out of the game, Creasey sticks to drinking in Mexico City. Enter Rayburn, an old buddy (played by the wonderful Christopher Walken). He has a potential job for the down and out Creasey. A string of abductions and kidnappings in the city (Mexico City is the real life kidnap capital of the world) forces a young industrialist (Marc Anthony)and h...s wife (Radha Mitchell)to hire Creasy as a bodyguard for their 10 year old daughter Pita (played by Dakota Fanning). Well...let's just say...the bodyguarding doesn't go too well. And Creasey needs to find Pita before it's too late.
Man on Fire is directed by Tony Scott. Scott is a stylist, and the movie definitely has stylistic excess. But this is the man who invented stylistic excess with Top Gun. But Scott is more successful when he has great actors to inhabit his stylish canvas, True Romance and Crimson Tide are great examples. Scott has become more "modern" with his use of jump cuts and freaky camera angles. It's a dizzying experience, but thankfully this over the top effort is fleshed out by the excellent performances of Denzel and Dakota Fanning (she will be a star one day). The movie is way too long (2 and a half hours for a genre thriller??). But the peformances and the script (by Mystic River's Brian Helgeland) hold Scott's over direction in check.
Posted in: Disc Reviews by Gino Sassani on June 2nd, 2005
Synopsis
The only thing I really remembered about Murder, She Wrote was that as a young American child, I used to see it being advertised after 60 Minutes and before a TV movie starring Tori Spelling or something. It would bother me even more because these ads were being announced by a semi-drunk pro football announcer, and put a damper on whatever football game I was watching. Enough with the plugs and get back to the action!
Posted in: Disc Reviews by Gino Sassani on June 2nd, 2005
Synopsis
Aaron Jacob Estes’ film Mean Creek has been favorably compared to films like River’s Edge and in a sense, Lord of the Flies, for obvious reasons, and that’s not a bad thing. Written and directed by Estes, the film begins with Sam (Rory Culkin, Signs), who “borrows” a camcorder owned by George (Josh Peck, Spun), and gets beaten up for it. Sam’s brother Rocky (Trevor Morgan, The Patriot) steps in as the protective, bigger brother and does a little scheming.>
Posted in: Disc Reviews by Gino Sassani on June 1st, 2005
Season Eight of MASH was most notable as the year one of the most beloved characters left the series. Radar, that down-home country boy, was perhaps the most reality based character in the run of the series. I’ve spoken to many G.I.’s who have informed me that the company clerk really runs any Army outfit. Radar had an element of innocence and sincerity that was skillfully portrayed by Gary Burghoff. Burghoff was the only cast member from the original film to reprise his role for the series. Year Eight would feature the first of a few appearances by Alan Alda’s real life father and 1950’s film star Robert Alda.
As miraculous as an 8 year run might be for any sitcom, MASH still had 3 additional seasons to go before leaving while still artistically on the ball. MASH set the stage for multiple cast changes long before Dick Wolf would claim the practice as his own invention with Law and Order. By the time the series ended, only three actors from that first episode remained: Alan Alda, Jamie Farr, and Loretta Switt. (While the character of Father Mulcahy appeared in the pilot, a different actor portrayed him.)
Posted in: Disc Reviews by David Annandale on May 31st, 2005
Synopsis
Posted in: Disc Reviews by Archive Authors on May 31st, 2005
We now have the full I, Robot experience with this new “All Access Collector’s Edition”. We have more a lot more supplements but, unfortunately, the movie is not improved. It’s still a fun couple of hours though. I, Robot follows the story of Will Smith (and his character name, if that matters, is Detective Spooner) as he tries to solve the murder of a robotics scientist (James Cromwell). Smith must overcome his prejudice against robots, as he tries to solve the case.
There are a lot of “c...ol” scenes, and I really enjoyed the universe created by Alex Proyas. One of Proyas’ previous films, Dark City, is a startling work of imagination. The special effects are very modern, but the story is as creaky as an old rocking chair. We’ve seen all this before: the chases, the one note characterizations, the one-liners, the Will Smith-ism. This is ain’t Bad Boys. The movie is caught between an intelligent futuristic tale and a Will Smith vehicle. The two cancel each other out. What’s left is a watered down film that’s only “suggested” by Isaac Asimov’s original work. Fans didn’t seem to mind though. The excellent box office summer receipts proved that Will Smith is still a force to be reckoned with. I enjoyed I, Robot, but I took it for what it was…and not as it should be.
Posted in: Disc Reviews by David Annandale on May 30th, 2005
Synopsis
