Posted in: Disc Reviews by Gino Sassani on May 22nd, 2005
A cast that included Martin Sheen and Marlee Matlin made Hear No Evil appear promising. Sheen is too little used to be very effective, and Matlin’s acting is often overshadowed by a director too eager for use to experience her deafness. I always found that her strength was the power of her performance in spite of the handicap. This film goes to excessive lengths to remind us she is deaf, just in case we happen to miss the point. Often the soundtrack goes silent, apparently to portray the action from Matlin’s point of view. Instead, the technique is overused to the point of distraction.
The story is thin and the running time too long. The plot never really develops into anything more than a drawn-out cat and mouse game. It’s sad, but the best thing I got from the film was learning how to say asshole in sign. Too bad the director wasn’t around for me to practice my new skill.
Posted in: Disc Reviews by Archive Authors on May 21st, 2005
Kinsey, starring Liam Neeson, is a film that seems more relevant today. Albert Kinsey, known to his students as Prok, had to fight societal conservatism to get his work published and recognized. The movie is part biography/part sociological study. The director/writer Bill Condon traces Kinsey’s life from early childhood to older age. The flaws of the film are a matter of narrative clarity: in two hours, Condon tries to pack too much in. However, Kinsey sports a strong cast, which makes the two hou...s fly by. This is one of best films of 2004.
Liam Neeson is perfectly cast as the complex “Prok”. Neeson seems so natural in these “important roles” (think Oscar Schindler). He has the detachment of a scientist, but we know the heart is raging underneath. He is seduced by a male colleague (played by the stellar Peter Sarrsgard), and the scene is electric. There is also a scene later in the film where Kinsey feels the guilt for opening up this “Pandora’s Box”. Neeson has a breakdown that is perfectly believable. Laura Linney (in her Oscar Nominated role) is equally as watchable as Kinsey’s wife “Mac”. Linney captures the complexities of this character as well; she’s torn between unconventional morality and her love for “Prok”. In the film’s final touching scene, Prok and Mac emerge as a couple that really does need each other. There is a depth and subtlety to their relationship that words cannot express. Kudos to Condon for bringing such a modern, mature relationship to the screen. Rounding out the cast is Peter Sarrsgard, Timothy Hutton, and an excellent John Lithgow (as Kinsey’s father). In a nice bit of type casting, Lithgow plays a conservative preacher (Footlose anyone?), but his final scene with Kinsey is a heartbreaker; one is reminded that Mr. Lithgow needs to leave the 3rd Rock more often.
Posted in: Disc Reviews by Archive Authors on May 21st, 2005
There’s nothing like a big Hollywood epic. And Martin Scorsese is the man to deliver. The Aviator is a tantalizing blend of Old Hollywood and modern filmmaking panache. The movie tells the story of Howard Hughes. He rose to fame as a Hollywood producer and aviator extraordinaire. Eventually, Hughes descended into a crippling OCD affliction. The movie gives us a taste of the tragedy to come, but doesn’t dwell on it. The Aviator is a thrilling ride into the world of a complicated man.
The...movie is backed by an extremely solid cast. Leonardo DiCaprio plays Hughes. I had my doubts, but Leo delivers the goods. He’s got movie star looks, but Leo’s descent in psychological hell is quite convincing. I was reminded that, yeah, he can be one of our finest actors (Gilbert Grape comes instantly to mind). Cate Blanchett (in her Oscar winning role) is a dead ringer for Kate Hepburn. And it’s a performance that’s not just mimicry either. Memorable performances also include Alan Alda (in a nice turn), Alec Baldwin (always fun to watch), and John C. Reilly (class act all the way). Kate Beckinsale is an okay Ava Gardner, and Gwen Stefani’s much talked about role (as Jean Harlow) is really just a glorified cameo. The real deal is DiCaprio as Hughes. Leo is pitch perfect.
Posted in: Disc Reviews by Archive Authors on May 21st, 2005
Pocahontas is Disney’s animated version of the Pocahontas myth. This movie is not history, but a Disney-fied version of it. European settlers came to North America and disrupted the Native American way of life. John Smith (voiced by Mel Gibson) and his British plunderers attempt to rob the “New World” of its riches. Chief Powhatan, and his daughter Pocahontas (voiced by Irene Bedard), might have something to say about this. In the end, in typical Disney fashion, a moral emerges: both cultures have a lot...to learn from eachother.
Pocahontas hits all the right Disney animated film notes, but not as strongly as other films. The villain, the scheming leader of the expedition Ratcliffe (voiced by David Ogden Stiers), is no one to be scared of, really. He comes off more like a goofball. Ratcliffe is not in the tradition of the great Disney villains we’re used to. The cute cuddly comic relief characters (a raccoon, a hummingbird, and a dog) are not as funny or endearing in comparison to, say, Poombaa or Scuttle (from Little Mermaid). And the romance between Pocahontas and John Smith isn’t as charged as Belle and the Beast, for example. It seems a little forced here. So without a great villain, funny comic relief characters, or a believable romance, what does Pocahontas have? It has scope. The “New World” is a wonder to behold. The animators have done an amazing job. And the “Colors of the Wind” song (an Oscar winner) is quite lovely.
Posted in: Disc Reviews by Archive Authors on May 19th, 2005
Some sequels should not be made. I mean, was there any reason to have another Caddyshack? So who thought having a sequel to The Mask was a good idea. And not have Jim Carrey. Son of the Mask goes into the category of unnecessary sequels.
The premise is simple: the missing mask (which can give the wearer powers) is found floating in a stream by Otis, a dog. The dog takes it back to the Avery family. Tim Avery, a cartoonist, is played by Jamie Kennedy. The new mask gives him new powers,...and the baby he creates with his wife becomes a mask baby. The baby's face contorts and he can jump around (the baby is basically a cartoon). Meanwhile, the god of mischief Loki (played by the usually solid Alan Cumming) is sent by his father Odin (Bob Hoskins desperate for a paycheck?)on the trail of this mask.
Posted in: Disc Reviews by Archive Authors on May 18th, 2005
This is a review based on a screener copy.
Kelly Clarkson - Behind Hazel Eyes is a behind the scenes look at the former American Idol winner. The documentary format suits the work well. We get to see Kelly revisiting her old high school haunts, in the studio, and going camping with her girl friends (among other things). The portrait that emerges, or the portrait Kelly wants to have emerge (a slightly more cynical opinion), is of a young woman who hasn't lost touch with her "roots".
Posted in: Disc Reviews by Archive Authors on May 16th, 2005
posted by Kim Lee
Orange County Choppers (OCC) is a legendary custom motorcycle shop run by a father & son team. The Teutel family business consists of Paul Sr., Paul Jr., and Mikey featuring Vince DiMartino, Rick Petko, and Cody Connelley. Paul Sr. runs the show at OCC and Paul Jr. is the artistic genius behind custom bike fabrications while Mikey is the untalented son that’s there to bring humor and motivation to the shop. The cast of American Chopper is what makes everything interesting as each character brings a different level o... attraction to the show. The complete first season of American Chopper brings humor, sarcasm, and tension to every episode as these geniuses fight deadlines, delays, and sometimes each other to build the coolest choppers on this planet.
Posted in: Disc Reviews by Archive Authors on May 16th, 2005
The Bodyguard is silly. Whitney Houston and Kevin Costner star this decade old thriller/romance. Houston plays Rachel Marron, a pop singer. Not much of stretch back then, these days...not so much. Costner plays Frank Farmer, bodyguard to the stars. It seems as though Marron is receiving death threats. Enter Frank Farmer. A romance eventually develops. This is this the stuff of high camp. Instead, we get low camp. The Bodyguard is not quite bad enough to be Showgirls, and not quite good ...nough to be Basic Instinct. The Brit director, Mick Jackson, tries to add some intelligence to the precedings. But why bother. It's The Bodyguard.
Audio
Posted in: Disc Reviews by Archive Authors on May 15th, 2005
Season five of Cheers is a major turning point for this show which ran an impressive 11 seasons. This season marks the end of Shelly Long’s (who plays Diane) tenure, and frees up a key opening in the cast – eventually filled by Kirstie Alley in season six. All of the regulars are back, including Sam, Woody, Carla, Frasier, Lilith, Norm, Cliff, and the aforementioned Diane. The laughs are contagious in each episode, and make you realize why this show was so popular for its entire eleven year run.
...eason five has lots of sub-plots, some of which are described in this brief season five synopsis provided by Paramount… “In Cheers: The Complete Fifth Season, Sam (Ted Danson) and Diane (Shelley Long) make on-again, off-again wedding plans - including a marriage proposal that ends in an assault and battery charge! Not to be outdone, Frasier (Kelsey Grammer) and Lilith (Bebe Neuwirth) move in together; Woody (Woody Harrelson) finds himself abruptly engaged; Carla (Rhea Perlman) falls for a hockey goalie; and Cliff (John Ratzenberger) gets bitten by a dog ... and becomes smitten with the dog's owner. Will Norm's (George Wendt) new job pan out? Will Carla get "birdzilla" cooked in time for Thanksgiving dinner? Will wedding bells finally chime for Sam and Diane? You'll find all the answers - and unending laughs - in all 26 hilarious episodes of the season that marks the farewell appearance of Shelley Long as Cheers regular Diane Chambers.“
Posted in: Disc Reviews by Archive Authors on May 15th, 2005
It is 1994, and both ER and Chicago Hope premier in hopes to win the battle for Hospital drama supremacy on primetime TV. Fast forward to today, and the winner of this battle has been clearly decided; Chicago Hope had six successful seasons before getting cancelled after the 2000 season, while ER has become the most successful Hospital drama in TV history. While ER is currently in its 11th season, we now rewind to 1997, to the shows third season.
So what is this show about? Here is a...brief series synopsis from Warner Brothers… “Combining the extraordinary talents of multiple award-winning producer John Wells, best-selling author Michael Crichton and Steven Spielberg, "ER" follows the lives of the emergency room staff and doctors at Chicago's County General Hospital, where the difference between life and death rests on split-second decisions--and the pressure, joy and guilt are often overwhelming.”
