Posted in: Disc Reviews by Archive Authors on March 12th, 2005
No, this is not the NBC series from the mid-90’s starring Rob Schneider. This is the original UK show. All 12 episodes from the first two seasons are available here on 2 discs. In fact, it’s not just a two disc set, but two completely separate releases packaged together.
At first, I was a little surprised that this mediocre show lasted for six full seasons. I changed my mind, however, when I thought about such American staples as Family Matters and Boy Meets World. They are not great monuments...to television excellence, but they are not horrible either. They are earmarked by middle-of-the-road humor, average plot lines and nothing too offensive.
Posted in: Disc Reviews by David Annandale on March 12th, 2005
Synopsis
Posted in: Disc Reviews by Gino Sassani on March 11th, 2005
It’s hard to imagine that just 10 years ago Steven Bochco stirred up a hornet’s nest with the introduction of NYPD Blue. I say hard to imagine because after just three seasons The Shield has taken commercial TV to heights unimagined by anyone 10 years ago. Vic Mackey doesn’t just rough up suspects. He controls the streets he patrols. He’s not even above killing another cop to keep his thumb on crime in the Barrio district of L.A. Michael Chiklis, once known as the fatherly kind cop on The Commish, has t...tally sold us on this almost irredeemable renegade.
While F/X is a cable network, it still relies on the same advertising spots that the other networks depend on as their lifeblood. Unlike HBO or Showtime, F/X must also comply with stricter guidelines for decency. The Shield pushes that envelope to the very edge. Cinematography is gritty and often documentary in style. The music is harsh. The stories are extremely tight. Not a minute is wasted on superfluous trivia. This show grabs you in the first minute and reluctantly lets you go in the closing credits, only to lie in wait with another compelling episode to begin the cycle again.
Posted in: Disc Reviews by Archive Authors on March 11th, 2005
I don’t remember hearing anything about Heat when it was coming out, but once I saw who was in it, I was hooked. With Al Pacino’s 8 Oscar nominations (with 1 award) and Robert DeNiro’s 6 nominations (and 2 awards), the two have had quintessential acting performances over the past 30 years, and the impact they have had on cinema speaks for itself.
The names of the characters are hardly consequential, as they are used to further storylines more than develop character. But Pacino plays a cop who is tr...cking a group of robbers, among them Val Kilmer (Wonderland) and Tom Sizemore (Saving Private Ryan), a group headed by DeNiro. The group receives offers for work from Jon Voight (Runaway Train), and they rob anything from gold, to coins to bearer bonds. They are all ex-cons, and know all the ropes. They are a highly professional crew, which you see in the opening moments of the movie, despite the addition of a new man to the crew. What also helps to differentiate this from a usual cops and robbers movie are the secondary plotlines of the families involved. Pacino’s is clearly distant and breaking (played by Diane Venora and Natalie Portman), while DeNiro doesn’t have one to speak of, despite an emerging romance with Edy (Amy Brenneman, Judging Amy). At 3 hours, there are some unnecessary scenes involving a banker (played by William Fichtner), but the underlying message is that almost all of the actions in the movie do not involve just the primary characters, but also friends and loved ones of those characters. Kilmer’s wife in the film, played by Ashley Judd, desperately wants to get him out of his line of work, as she wants to start a new life for her family. An ex-con (Dennis Haysbert, 24) is stumbled upon working in a greasy spoon, and offered a chance to work by DeNiro. Haysbert’s character wants to be right, but runs into so many obstacles from it that he takes the job, only to wind up perishing in what results in a massive gunfight in the heart of Los Angeles while a bank robbery is being pulled.
Posted in: Disc Reviews by David Annandale on March 10th, 2005
Synopsis
Posted in: Disc Reviews by David Annandale on March 9th, 2005
Synopsis
Posted in: Disc Reviews by Archive Authors on March 9th, 2005
Alice Through the Looking Glass is a 1998 television version of the Lewis Carroll classic. Now this is NOT Alice's Adventures in Wonderland. Looking Glassis Carroll's lesser known follow up. There's no mad hatter or chasing white rabbits. But there are white queens, talking insects, and discussions of the Jabberwocky. This is a fairly faithful adaptation.
The story is simple. Alice, through her magic mirror, enters Carroll's world of dream logic and nonsense. Kate Beckinsale (re...ently seen in The Aviator) makes a wonderful Alice. Obviously, Beckinsale is considerably older than Carroll's literary heroine, but she pulls off the role handily with a mix of charm and curiousity. There are also notable supporting performances, Ian Holm is great in anything. The story is told almost entirely through dialogue, and the surreal, nonsensical language might make for a tough sitting with kids. However, sooner or later, every child must come into contact with Lewis Carroll's classic story. This DVD might be a good introduction, but the Walt Disney Alicemight be more of a sure bet.
Posted in: Disc Reviews by David Annandale on March 8th, 2005
Synopsis
Posted in: Disc Reviews by David Annandale on March 8th, 2005
Synopsis
Posted in: Disc Reviews by David Annandale on March 8th, 2005
Paul Giamatti, in typically depressed form, is an aspiring writer (his unpublished manuscript looks twice the size of War and Peace) and wine connoisseur who heads out with best friend Thomas Haden Church for a road trip through wine country before the latter’s wedding.Church is far more interesting in getting laid than in tasting wine, however, while Giamatti is still agonizing over his failed marriage (not to mention his perception of a failed life). He allows himself to be dragged by Church into all sorts of misadventures, but one particular entanglement,with Virginia Madsen, might perhaps turn out to be something special.
You know the screenwriter is male when the idea of Virginia Madsen putting the moves on Paul Giamatti isn’t supposed to raise an eyebrow. But let that be. As a portrait of two men unwilling to grow up, this is marvellous stuff. No small part of the film’s accomplishment is that it takes two patently unlovable characters and makes us care very deeply for them. With its gentle pace and expertly realized characters, this has the feel of an early 70s road movie. Amazing that it was made at all in this day and age.
