Posted in: Disc Reviews by David Annandale on February 16th, 2005
Synopsis
Posted in: Disc Reviews by Gino Sassani on February 16th, 2005
Many seem to rule surfing out of hand as some sort of pastime for burnouts, potheads, or life’s free spirits. But Bruce Brown helped shine a light onto the sport with his release of 1966’s The Endless Summer, a landmark release that still is highly revered by people to this day for the revolutionary photography and its ability to capture the awesome feats of nature. And where some studios put out near-annual sequels, Brown waited 28 years to get his done, appropriately titled The Endless Summer II, repr...sing many more of the stunning visuals and amazing camera shots from the first. Bruce’s son Dana picks up from that film, and produces another film similar in style and substance to the first, although with a more hippie-ish title in Step Into Liquid.
The movie is about, well, surfing. There’s not too much more than that. Both in the Endless Summer II and Step Into Liquid films, Bruce and Dana combine the trademark Brown visuals with the usual “betcha didn’t know they surfed here” locations ranging from Galveston, Texas to Vietnam, shooting holes of truth through Robert Duvall’s immortal quote in Apocalypse Now, that Charlie does surf after all. The movie also shows you some of the current names of surfing, from ex-Baywatch actor (and multiple World surfing champ) Kelly Slater, to longtime big wave seeker Laird Hamilton. And the other main parts of substance have to do with the simple passion that some surfers have (like Dale Webster, who have caught waves once a day for over 10,000 days) or the joy that new people have when introduced to surfing for the first time (such as a group of Catholic and Protestant children who were united for a lesson). The movie culminates with a desire to catch waves in the Pacific, some of them reaching over 60 feet in height. At the end of the day though, the movie is about surfing, plain and simple, and the fascinating pictures nature can give us.
Posted in: Disc Reviews by David Annandale on February 15th, 2005
Synopsis
Posted in: Disc Reviews by David Annandale on February 15th, 2005
Synopsis
Posted in: Disc Reviews by Archive Authors on February 15th, 2005
Kwai Chang Caine is back for another season of mayhem and mistaken-accusations on the second season of Kung Fu. How is it that trouble never ceases to track this guy down? It seems that every episode begins with Caine walking along, minding his own business, and the next thing you know, he is accused of murder. It would be ridiculous, if it wasn’t so fun to watch!
The themes of these episodes have evolved from the basics covered in season one. In the first season, racism was a dominant theme of the s...ow. In season two, religion seems to have taken the top spot, as we get to see the Shaolin Priest spend time interacting with various other religions. These themes add a new philosophical depth to the show not previously encountered. In addition to the expansion of the mental boundaries, the physical realm becomes more active as well, as Cane seems to be less reluctant to hold back the power of his physical skills from well-deserving foes.
Posted in: Disc Reviews by Archive Authors on February 13th, 2005
I may have been late to the rapidly growing bandwagon of admirers of the TV comedy Arrested Development, though it was kinda cool to see David Cross (Mr. Show) get onto a network show that would have appeared to been lucky to stay around for a whole season, in a sitcom where the main character was played by Jason Bateman. I mean, Jason Bateman! A guy who was known as Justine’s brother who bounced around from sitcom to sitcom and was virtually off the radar, playing bit parts in other harmless comedies. ...nd as it turns out, the product of a great ensemble cast, including Jeffrey Tambor (The Larry Sanders Show) and a very underrated Will Arnett, Arrested Development has grown into appointment television.
Bateman plays Michael Bluth, son of George (Tambor), the head of a company thrown in jail for stealing money from the company he started, and maybe committing some “light treason.” Michael is the responsible one, who works to try and get his father out of jail, for his mother (Walter) to produce some of the secrets of the company, for his older brother George Oscar Bluth (or GOB for short) to regain good standing in a magician’s alliance he founded, and for his twin sister Lindsay (Portia De Rossi, Ally McBeal) to stop spending so much money, and be a wife to her husband Tobias (Cross) and her daughter Maeby. What makes things ironic is that for all of Michael’s positioning on making himself the rock of the family while George is in prison, he also screws up pretty significantly from time to time when running the business, and he looks to his jailed dad for help.
Posted in: Disc Reviews by Gino Sassani on February 13th, 2005
The Ring was an almost overnight success. Based on a Japanese horror film, it was “Americanized” and captured audiences with its creepy cinematography and wickedly sinister story. It was inevitable that the formula would be tried again.
You would think that The Grudge has everything necessary to continue that successful story. The Grudge is based on not one but a well known series of haunted house films in Japan. Spider Man’s own Sam Raimi teams up with Buffy herself, Sarah Michelle Ge...lar, and the result is a bit short of mediocre. The first problem I had with this film is how difficult it is to follow. Shifting timelines and choppy editing make you work hard to keep up. Now, I don’t mind putting in a little effort in a movie from time to time. The serious flaw here is it simply isn’t worth it. I never really end up caring for the characters who were in danger. What is perhaps worse, I find no sympathy or interest in what or why things are happening. When the payoff finally comes, it seems like years of your life have been wasted, and frankly I was too weary for there to be any effect.
Posted in: Disc Reviews by Gino Sassani on February 12th, 2005
After the Quentin Tarantino ode to kung fu chophouse films in Kill Bill Volume 1, Volume 2 shows us the substance behind the style. You see why a Hattori Hanzo sword is as prestigious as it is, you see how and why Elle Driver (Daryl Hannah) lost her right eye, you even find out what the Bride’s (Uma Thurman) name is. But at the end of the day, this movie is about killing Bill, so you see Bill (David Carradine), in all his splendor and glory, and you see the relationship that the Bride and Bill share, both befo...e and after the massacre in the remote church.
OK, so for those geeks like me who have done the unadulterated Kill Bill film festival (using the uncut, gorier version of Volume 1 thank you very much), here’s my take on things:
Posted in: Disc Reviews by Gino Sassani on February 12th, 2005
Uma Thurman (Gattaca) plays the Bride, whose bloody and battered face we see at the beginning of the movie. She is pregnant, but is shot in the head and left for dead. She actually is comatose, and stays that way for four years, before waking up one night from a mosquito buzzing in her ear. The Bride’s name is inconsequential, as any mention of her name draws a loud beeping sound during the movie, and her rehabilitation is also fairly hard to believe also, as she “focuses” in order to use her legs again. Then ...gain, the main attribute driving the story is revenge.
The Bride was an assassin before her coma, part of the Deadly Viper Assassination Squad (DiVAS for short) headed by Bill, who we find out later is David Carradine (from Kung-Fu, a more appropriate (and maybe better?) choice than the initial one of Warren Beatty, considering Tarantino’s penchant for casting 70s acting icons. The Bride wants to kill Bill, along with everyone in with the Squad, Vernita Green (Vivica A. Fox, Juwanna Man), Elle Driver (Daryl Hannah, Splash), O-Ren Ishii (Lucy Liu, Charlie’s Angels) and Budd (Michael Madsen, Reservoir Dogs). She will do anything to accomplish her goals, even wiping out a group of fighters named the Crazy 88.
Posted in: Disc Reviews by Gino Sassani on February 12th, 2005
Arguably the last funny member of Saturday Night Live has picked some strange movies to be in since leaving the sketch comedy show. Appearing first as a co-star in Old School and then later in the kid-friendly (but cute) Elf, Will Ferrell took his time in getting to what fans wanted, a good PG-13 or better comedy for him to stretch his comedic talent.
By and large, Anchorman does deliver on that, though occasionally Ferrell himself isn’t the one causing the laughs. As 1970s San ...iego newsman Ron Burgundy, Ferrell is the one everyone in town trusts, along with his newsteam. The chemistry is broken when female newscaster Veronica Corningstone (Christina Applegate, Married With Children) is hired. Ron has to resolve the conflicts between himself, his team and his new interest in Veronica…
