Posted in: Disc Reviews by Archive Authors on December 6th, 2004
Despite season two's unquestionable quality, Smallville's third season is probably its best -- and with Buffy the Vampire Slayer and Angel now completely off of television, it's pretty much the only thing around that can fill the whole supernatural Scooby gang void.
Of course, one of the big reasons that Smallville helps fill that spot so well is because it has a lot of the same ingredients that powered Whedon's universe along in its prime: that is, it has a ton of supernatural special effects, and a heal...hy but intimate cast of likeable heroes.
Posted in: Disc Reviews by David Annandale on December 5th, 2004
Synopsis
Posted in: Disc Reviews by David Annandale on December 5th, 2004
Synopsis
The McGuffin here is the titular Blood Orchid, a plant that blooms only once every sevenyears, and which seems to hold the secret to eternal youth. A team is dispatched by amultinational drug company, but the expedition arrives in Borneo (where, as numerous reviewshave already pointed out, anacondas do not exist) at the height of the rainy season, andeverything goes wrong very quickly. Soon our heroes are slogging through the jungle, beset bypoisonous spiders, treachery from within... and giant, hungry, CG snakes.
Posted in: Disc Reviews by David Annandale on December 4th, 2004
Synopsis
Posted in: Disc Reviews by David Annandale on December 4th, 2004
Synopsis
Chris L. McKenna plays Sean, who seems, at first, to be a typical slacker, working nothingjobs. He is hired by Daniel Baldwin (doing a very fine dissolute turn) first to watch atroublesome city hall accountant (whose wife -- Kari Wuhrer -- McKenna falls for), then to killhim. McKenna agrees with surprisingly little reluctance. He has a falling out with Baldwin andhis associates (including a brutal George Wendt), and they beat him to within an inch of the life,the idea being to indu...e such brain damage that he won’t remember them. The planbackfires.
Posted in: Disc Reviews by David Annandale on December 3rd, 2004
Synopsis
Jean-Hugues Anglade plays Zorg (yup, that’s his name), a handyman living in a beach-front house, scribbling away quietly in his spare time. Not so quiet is his tempestuous affair with Betty (Beatrice Dalle), whose passions overwhelm both of them. First she moves in on him with no warning. Then, when she discovers his writing, she decides that they must move to Paris so he can have a career as a writer. To make sure Zorg complies, she burns his house to the ground. Once in Paris, her plans fo... him fall apart, and so, bit by bit, does she.
Posted in: Disc Reviews by David Annandale on December 3rd, 2004
Synopsis
This is the life story of Howard Hughes, as told by the man himself. Literally. Sort of. Michael Ferreri is the voice of Hughes, and he narrates his life from birth to death. This narration is intercut with interviews with Hughes’ surviving friends and widow. The visuals are a lively mix of footage and animated stills. Though the case boasts a running time of almost three hours, this is when all the extras are factored in. The actual feature is only 56 minutes long. Though the effort is alwa...s interesting, the decision to go with the fiction of Hughes telling his story is a very odd one, and one that I, personally, found very off-putting.
Posted in: Disc Reviews by Archive Authors on December 2nd, 2004
Venus Risingis a laughably bad movie advertised as “in the tradition of Johnny Mnemonic”. Maybe the two movies are in the same ballpark, theme-wise, but quality-wise they’re not even the same sport. Audie England and Costas Manylor play two fugitives who escape from a desert Island. Eve and Vegas, however, are still controlled by drugs from the Pacifica Corporation. The drugs also enable the characters to achieve a “virtual reality” state of mind. Fantasy sequences occur, flashbacks etc. It’s just an exc...se to kill time in this lame piece of celluloid.
Morgan Fairchild is advertised as one of the movie’s “stars”. She barely has 30 seconds of screen time. Oscar winner Joel Grey also makes a cameo. Can’t the host of the Kit Kat Club get better work? Venus Rising moves at such a slow pace too. It’s only 90 minutes, but it seems like 90 days. The acting is wooden, the dialogue is inane, and the plot is ridiculous.
Posted in: Disc Reviews by Archive Authors on December 2nd, 2004
Smooth Talk is a “coming of age” story that won the Grand Jury Prize at the Sundance Film Festival. It stars Laura Dern as Connie, a teenage girl from a small southern town. She’s at that rebellious age. In the words of Britney Spears, “she’s still a girl, not quite a woman”. Connie is curious about the opposite sex and a world outside the town. She’s searching for something, but what she finds, she might not want.
Treat Williams plays Arnold Friend. Friend, as it turns out, is nobody’s frien.... I won’t spoil the ending of the movie, but let’s just say he’s the villain of the piece. The ominous music helps you figure that out. Another performance of note is Levon Helm (drummer for “The Band”) who plays Connie’s remote, sensitive father; a standout piece of acting. He’s probably the best drummer/actor I’ve ever seen. Sorry Ringo.
Posted in: Disc Reviews by Archive Authors on December 2nd, 2004
Rob (Benjamin Ratner) and Melanie (Angela Vint) are a couple that think they’ve found the key to solving all relationship problems - simply break up after 19 months. By then, all the romance, lust, and excitement of a relationship has worn off and both people involved are ready to test the dating waters. So, they agree to do just that, only they’ll remain friends with benefits until they each find someone else. To prove that their theory is correct, Rob and Melanie even allow a film crew to follow them around and ma...e a documentary about their last few weeks together. While Melanie instantly finds another man, Rob either A) tries to get Melanie back (including a hilarious scene where he steals all of Amy’s paintings) or B) tries to score with less attractive women.
19 Months does score, and the result is a surprisingly funny and endearing look into the life of the common couple. Although the documentary style of the film ultimately wears thin, and the movie would have perhaps been better off being straight forward, some good moments arise out of what is expected to be a bland low-budget romantic comedy. All the actors involved are more than competent, especially Ratner’s neurotic Rob and Vint’s mature and charming Melanie. In an age where the romantic comedy usually relies heavily on slapstick, the film-makers actually create well-rounded characters and supply them with good lines.
