Posted in: Disc Reviews by David Annandale on September 23rd, 2004
Synopsis
This is a tale of two adopted brothers. One (Paul Sampson) stayed home in Jersey, becominga hit man for the Mob. The other (Patrick Muldoon) tried to escape that life, and became anassassin for the CIA. When computer nerd Judge Reinhold discovers a crooked deal arrangedby a rogue CIA officer, a contract is taken out on his life, and Sampson gets the job. Reinholdruns to Muldoon for help, thus reuniting the brothers, who realize the Agency goon has beenmanipulating them. Now they fi...ht back.
Posted in: Disc Reviews by David Annandale on September 22nd, 2004
Synopsis
An art-museum heist leads to the discovery of a map pointing the way to a treasure hiddenby Christopher Columbus. Two groups wind up on a remote island, racing each other and aferocious storm for the treasure. One group is a collection of criminals and crooked cops, eagerto kill our heroes in the second group (Stephen Baldwin, Nicolette Sheridan, and assorted comicrelief).
Posted in: Disc Reviews by David Annandale on September 21st, 2004
Synopsis
Posted in: Disc Reviews by David Annandale on September 21st, 2004
Synopsis
Katie Wright is an English art student studying in San Francisco. She is a bit of an odd duck,and after being disturbed by her inability to see a first date through, she avoids the boy who askedher out. She is having problems in class too, as she keeps sculpting not the model before her, butthe faces of the man we know is her neighbour: insane actor Jeff Fahey. Things get even worsewhen Wright winds up sculpting one of Fahey’s victims.
Posted in: Disc Reviews by Archive Authors on September 21st, 2004
This box set has restored my faith in television. I actually don’t have cable or satellite or anything, and if you ask anyone that knows me, they’ll tell you that I’m a steadfast refusenik when it comes to watching TV. Law & Order, however, is intelligent, well-cast, and has very high production values – all the ingredients of a winning series, as its ridiculously long run (14+ years) is testament to. Each episode has a well thought-out plot, usually with some sort of twist – and generally without any glaring plot ho...es. The interplay between characters is fantastic too – the division between the police on the street and the prosecuting attorneys makes for great characterizations, and interesting interactions when the two halves are bought together. The other thing that struck me about the series was relevance - issues in each episode coincide with events actually taking place in the real-world (SARS, for instance, in the episode “Patient Zero”), which lends the entire series credibility and ratchets the interest level up one notch higher.
One thing that struck me while watching a few episodes was how different shows can have an impact on society, or not. Consider the original Star Trek for instance – a three year run with horrible production values that somehow spawned a subculture, many movies, and however many spin off series. Law & Order, despite all of its general greatness (11 Emmy nominations and one win) hasn’t quite penetrated society to the same degree – no one attends Law & Order conventions, and there aren’t any Law & Order fanzines. Perhaps is the day-to-day nature of the subject matter (culled from newspaper headlines) doesn’t lend itself to cult followings, or perhaps the fact that there isn’t much soap-opera to the show keeps the characters at arms length – hard to say. Or maybe I’m just off-base here – if you’re a member of a Law & Order fan club, by all means post a comment and correct me.
Posted in: Disc Reviews by Archive Authors on September 21st, 2004
This box set has restored my faith in television. I actually don’t have cable or satellite or anything, and if you ask anyone that knows me, they’ll tell you that I’m a steadfast refusenik when it comes to watching TV. Law & Order, however, is intelligent, well-cast, and has very high production values – all the ingredients of a winning series, as its ridiculously long run (14+ years) is testament to. Each episode has a well thought-out plot, usually with some sort of twist – and generally without any glaring plot ho...es. The interplay between characters is fantastic too – the division between the police on the street and the prosecuting attorneys makes for great characterizations, and interesting interactions when the two halves are bought together. The other thing that struck me about the series was relevance - issues in each episode coincide with events actually taking place in the real-world (SARS, for instance, in the episode “Patient Zero”), which lends the entire series credibility and ratchets the interest level up one notch higher.
One thing that struck me while watching a few episodes was how different shows can have an impact on society, or not. Consider the original Star Trek for instance – a three year run with horrible production values that somehow spawned a subculture, many movies, and however many spin off series. Law & Order, despite all of its general greatness (11 Emmy nominations and one win) hasn’t quite penetrated society to the same degree – no one attends Law & Order conventions, and there aren’t any Law & Order fanzines. Perhaps is the day-to-day nature of the subject matter (culled from newspaper headlines) doesn’t lend itself to cult followings, or perhaps the fact that there isn’t much soap-opera to the show keeps the characters at arms length – hard to say. Or maybe I’m just off-base here – if you’re a member of a Law & Order fan club, by all means post a comment and correct me.
Posted in: Disc Reviews by Gino Sassani on September 20th, 2004
With the success of Star Trek as both a television and film franchise, it made perfect sense to eventually pass the baton from the Kirk era to the Next Generation. Generations had promise, but could and should have been a far better film. The f/x were for the most part inferior to previous Trek films. The destruction of the Enterprise D is the notable exception. Perhaps it was unwise to attempt to blend the established film environment with the too recently completed television series.
The film might have ...een better served by taking more time to create a better film version of the Enterprise D. It’s obvious that the ship’s destruction was written into this film to allow for the necessary redesign of the Enterprise for future films. A greater participation by the rest of the original cast, while costly, would have gone further to portray the changing of the Star Trek guard. I have heard Nimoy speak several times on the issue. He declined the role not because of money as many speculate, but because Spock’s role was too insignificant and out of character. How I would have loved to see Picard, Data, Spock, and Kirk work together toward the film’s climax. Still, Generations did bridge the two generations of Star Trek in an emotional if unsatisfying fashion.
Posted in: Disc Reviews by Archive Authors on September 20th, 2004
Many fans of the series would agree that during Angel’s five-year run, season four was it’s strongest. It was the first, and only, time that the series made a drastic change in format. Nearly all episodes, 22 in total, ran along a single continuous plot. Not that different compared to Fox’s other hit series "24." Beginning at around the episode "The House Always Wins", each episode essentially hangs with a major cliffhanger and immediately continues at the beginning of the next. This was much more engaging than the s...andard "monster of the week" formula that was used prior.
If you’ve never watched season four when it aired on television than be prepared to have your social life vanish as you can’t help but watch every episode as quickly as possible. With a show that involves one major cliffhanger after another, you can’t help but be drawn to watching just "one" more episode. Next thing you know 3 hours have passed and you’ve watched 4 episodes back to back.
Posted in: Disc Reviews by Gino Sassani on September 20th, 2004
The Whole Nine Yards was a pretty funny film. It wasn’t outstanding. It wasn’t classic cinema. It certainly didn’t cry out for a sequel. The Whole Ten Yards goes one yard too far. Most of the original cast is back, but the film has no life. Even the laughs are forced. By now the novelty of the characters has long since worn thin. Bruce Willis seems to be acting for acting’s sake. The mood swings and unnecessary facial exaggerations seem to provide Willis with some distraction from how empty the rest of the film is. I...think he watched DeNiro in Analyze This or Analyze That too long. Amanda Peet’s assassin wannabe whining is no longer cute. It’s just annoying. Matthew Perry might be soon yearning for his Friends days if this is anywhere near his best film attempt.
Synopsis
Posted in: Disc Reviews by David Annandale on September 20th, 2004
Synopsis
