Posted in: Disc Reviews by Archive Authors on January 31st, 2004
Synopsis
Once Upon a Time in Mexico (OUTM) is the third film in the conceptual trilogy of El Mariachi, Desperado, and OUTM. Its not a direct sequel, but you’ll recognize a lot of characters and imagery from the prior movies.
Posted in: Disc Reviews by Archive Authors on January 31st, 2004
I am just old enough to remember when my favorite childhood television channel, Nickelodeon, took on a new evening persona called Nick at Night. “What were they doing to my beloved cartoons?”, I pondered. I still remember those first few weeks of the new format, tuning in during the evening hours after my father had returned home from a long day at work. I was amazed to see that not only were my parents interested in what I was watching, but they actually knew what it was before I did! How was this possible!?
...p>Of course, I came to love the new nighttime format, and I began to pick out my favorites of these classic shows, just as my parents had done a generation before. One of the best new programs, I felt, was Mister Ed, the story of a man and his talking horse. Every child enjoys silliness and fantasy, and this show had both.
Posted in: Disc Reviews by Archive Authors on January 31st, 2004
Synopsis
Well, Vanishing Point is definitely a movie of the seventies. Don’t be deceived by the DVD case, which proclaims this to be “the Ultimate Car Chase Movie” – yes, there is certainly car chases, but this film is more art gallery than speed shop. To contextualize the film, it was originally released in 1971 – the Vietnam war was crawling towards defeat for the U.S., the summer of love had come and gone, and disaffection and disillusionment had become the twin staples of the America.
Posted in: Disc Reviews by Gino Sassani on January 31st, 2004
I have had the pleasure of reviewing better films than Home Room; and I’ve certainly suffered through worse. But I am not sure I’ve reviewed a more important film. I’ve been a public high school teacher for over 8 years. Ask any educator and you’ll find that Columbine changed things for everyone, so I wasn’t sure how I would find this study of that kind of violence. The subject is handled with extreme care in Home Room. In a wise decision, the shooting occurs to a black screen. We don’t really pick up the story until after the event.
The film has two basic themes. The most obvious is the budding relationship between two teenage girls who are dramatically unalike but forced together to deal with their tragedy. The second theme is blame. Our society seems to possess a powerful need to blame someone when disaster strikes. We don’t deal well when evil has no recognizable face. This film examines that theme like no other I’ve seen before. The acting is incredibly on target. Victor Garber is excellent as the detective who is haunted by the tasks before him. Busy Phillips and Erika Christiansen nail the characters of Alicia and Deeana, our two troubled teens.
Posted in: Disc Reviews by David Annandale on January 30th, 2004
Synopsis
Posted in: Disc Reviews by Archive Authors on January 30th, 2004
Timothy Olyphant, in the movie Go, refers to the comic strip The Family Circus in this manner: “it’s always there, in the lower right hand corner, just waiting to suck.” This is one of my all-time favorite movie quotes, and it applies quite nicely when discussing Marci X. Completed in 2000, this is the film that the studio put on the shelf, all the while knowing that eventually they would have to do something with it, because there it was, looming in the corner, waiting to suck.
Finally... the studio decided to drop it into theaters in the middle of the summer blockbuster season of 2003, where it would get lost in the shuffle of bigger films, yet still make as much money as possible, despite its paltry promotion budget. The plan worked, the film recouped some of its costs (albeit less than half), and Paramount got on with their lives.
Posted in: Disc Reviews by Archive Authors on January 30th, 2004
This is a great idea for a children’s video. Our Friend Martin is an animated film that follows the Dickens Christmas Carol format to tell the story of the life of Dr. Martin Luther King Jr. When two boys (an underachieving African-American and his slacker white counterpart) visit the birthplace of Dr. King on a school field trip, they are magically transported back in time to experience monumental events in the civil rights movement. Along their journey, they learn of the legacy of Dr. King, and of his...importance to our modern American way of life.
Many A-list actors have provided their voice talent for the production, including Ed Asner, Susan Sarandon, Whoopi Goldberg, Samuel A. Jackson, Angela Bassett and John Travolta. Part of the fun of watching the film was trying to pick out which actor was voicing what character. Surprisingly, however, much of the voice talent is weak, and only a few actors (such as James Earl Jones and the aforementioned Sarandon) really grasp the intricacies of providing a voice for an animated character. Particularly bad is the “surfer hick” accent of the white main character.
Posted in: Disc Reviews by David Annandale on January 29th, 2004
Synopsis
Posted in: Disc Reviews by David Annandale on January 29th, 2004
Synopsis
Posted in: Disc Reviews by Archive Authors on January 29th, 2004
Angels and demons and monsters, oh my!
Not even the death of Buffy could stop this popular show from coming back for a third season. This time around, Angel must find melodrama in new and interesting places, and luckily for fans of the show, he succeeds admirably. In fact, I feel that the death of Buffy was a good thing, as it forced the writers to push this show into its own territory, and helped to give the whole production a voice and an identity all its own.
