Posted in: Disc Reviews by Gino Sassani on October 31st, 2003
Not since the height of the American Western has there been a film genre where we find ourselves rooting for the bad guys and booing the good guys. Yesterday’s Jesse James and Billy The Kid have become Michael Corleone and Tony Soprano. Add to the mix that The Sopranos have totally revolutionized the face of the television drama. It’s no fluke that this show dominates nearly every Emmy category there is. The cinematography is feature film quality. The cast is high end and the writing is gutsy and tight. Make no mistake about it. Season Four was not the best Sopranos by any measure. Still, even at its weakest, the show delivers what most shows can’t at their best.
Audio
Posted in: Disc Reviews by Archive Authors on October 30th, 2003
dc Talk is a bit of an anomaly in the growing Christian music scene. While not necessarily a group that crosses over into the mainstream, they have grown into about as big of a Christian music act as they can become. The group is made up of three members, each one unique in their musical style and talents. The rock, rap and pop influences they bring together blend to create something new and unique. Backed by a full band, dc Talk has created a live show that rivals most major mainstream acts.
Welcome to th... FreakShow is a concert video, shot during the support tour for the group’s “Jesus Freak” album. Footage from the show is intercut with backstage footage, interview segments, and scenes from different stops on the European leg of the tour. These bonus segments help to break up the show into something that is more enjoyable for home viewing than just a standard concert performance.
Posted in: Disc Reviews by Archive Authors on October 29th, 2003
In his directorial debut, Matt Dillon gives us a character driven story with fantastic cinematography and numerous plot twists. Matt Dillon, better known for his role in teen flicks and his over the top performance in “There’s Something about Mary” definitely can add another credential to his Hollywood portfolio – actor and director. It just seems funny that in his directorial debut he features himself as the main character.
Dillon plays Jimmy Cremmins, a New York con artist, whom in the wake of a huge in...urance scam finds the FBI looking for him. He escapes America and goes to Cambodia to search for his con artist mentor Marvin (James Cann). In his journey he meets many interesting people including Kaspar – one of Marvin’s henchmen (well played by Stellan Skarsgard), the sleazy hotel owner (Gerard Depardieu) and the beautiful English art restorer (Natascha McElhone). Jimmy learns that his associates have kidnapped Marvin and held for ransom, he must try to find him.
Posted in: Disc Reviews by Gino Sassani on October 27th, 2003
Harrison Ford is the top selling actor in Hollywood these days. He owes this distinction in no small part to a couple of trilogies he did early in his career. While Star Wars might have been a chance for Ford to break out, Raiders of the Lost Ark and its sequels defined his abilities. Indiana Jones is the perfect hero. He’s strong, intelligent, and above all moral. Unlike the stereotypical hero Jones is also vulnerable and at times flawed. Credit Steven Spielberg for the iconic stature Indy occupies today. Left to his own devices, George Lucas would have given us Tom Selleck as the cigarette-smoking morally bankrupt Indiana Smith.
Raiders of the Lost Ark brought back the cinematic tradition of the 2-reel serials. These shorts would combine with a newsreel, a cartoon, and a feature film to provide a splendid moviegoing event in the early days of talkies. To those of us too young to remember them, the Indiana Jones saga is a time machine to a much simpler day of good guys and bad guys. While even Spielberg himself admits that Indiana Jones and The Temple of Doom was inferior to the rest of the trilogy, even this weaker film provided a historic filmmaking moment. Because of its dark nature and gore elements the film did not fit neatly into the PG rating. The filmmakers did not want this “family” adventure labeled with R, so the ensuing conflict brought us PG-13, now the most widely used rating on films. Indiana Jones and The Last Crusade dared to show us a much more vulnerable hero with the addition of his father. The relationship is a complicated one, but a relationship every father and son can instantly recognize and relate to. Right Dad?
Posted in: Disc Reviews by David Annandale on October 27th, 2003
Synopsis
Posted in: Disc Reviews by David Annandale on October 27th, 2003
Synopsis
Posted in: Disc Reviews by Archive Authors on October 26th, 2003
At a time when the women’s liberation movement was picking up steam, Hollywood was changing the kinds of stories they told, and some of films most beloved personalities were aging and leaving the spotlight, the stars aligned perfectly for Stanley Donen to make the incredibly charming “Charade”. Both a send-up of James Bond films and a genuinely engaging mystery, “Charade” was the perfect film at the perfect time.
The story revolves around a young woman (played by the graceful and immensely likeable Audre... Hepburn) who finds that her husband has been murdered, and that the people who are responsible now want something from her… only she doesn’t know what it is. One man (played by the dashing Cary Grant) emerges to help her, but even he may not be who he appears. The whole mismatched crew rambles along together, in an attempt to discover what, and where, this elusive mystery item is... before it’s too late.
Posted in: Disc Reviews by Archive Authors on October 26th, 2003
Revenge is the theme of what many people consider H.G. Clouzot’s finest film, the 1955 thriller “Diabolique”. This is the story of two women who want to kill the same man. One is his kind and gentle wife, and the other is his attractive but hard-hearted mistress. The two work together to end his life, devising a plan that comes to fruition surprisingly early in the film. What initially appears to be a film about the plotting of a murder turns into a film about something else… something more sinister and unexpected. A... the two realize that the man they mean to kill may not be dead after all, their dread and terror escalates, as does the tension on the screen.
Clouzot’s real life spouse, Vera Clouzot, plays the part of the mild mannered wife, and she does so superbly. I really cannot say enough about her performance in this film. She is reason enough to watch the film, but the engaging plot and thrilling finale make it even better. Criterion brings us a true classic of early French cinema, with “Diabolique”.
Posted in: Disc Reviews by Archive Authors on October 25th, 2003
You don’t necessarily have to be a fan of Big Beat or Electronica music to enjoy this DVD, but it probably helps. Luckily for me, I’m a fan of the genre, and I’m an especially avid fan of Norman Cook, A.K.A. Fatboy Slim. He is an artist that has an uncanny appeal to young and (hip) old alike. Even still, I had my doubts about just how interesting it could be to watch other people dancing and having a good time, while a DJ spins records.
Lucky for me, this DVD follows the same “just have fun” attitude that ...ook’s music does, providing a truly entertaining disc. It’s one thing to think about a large number of people going to a free concert on the beach, it’s another to hear that there were about 250,000 people there. It’s still another thing to see it yourself, and actually try to wrap your brain around the scene. A quarter of a million people, on an average day, meet at the beach at sunset for no reason at all, except to dance and be happy. Wow. This is really cool stuff.
Posted in: Disc Reviews by Gino Sassani on October 25th, 2003
Forever Knight was a CBS attempt to provide original drama broadcasting in the late night slot. This was, of course, before Letterman came along. After two seasons it was jettisoned and the USA network picked it up. USA retooled the show and ran it for just one more year for a total of three: Thus the Forever Knight Trilogy. The concept was quite intriguing. Knight would strongly emulate the popular Ann Rice universe of vampires, combining these gothic images and stories with a modern police drama. Each episode had a trademark dual storyline. One story would involve Knight’s seedy vampire past, while the second story would involve the current police case. The stories would blend on some common element like loyalty or Father’s Day. Filmed almost totally at night in Canada, the series had a distinct atmosphere assisted in no small part by the wonderful time-lapse photography and the cello-rich score of Fred Molin
Synopsis
