Posted in: Disc Reviews by Archive Authors on July 2nd, 2003
Film
To film fans, the clause “Directed by Alfred Hitchcock” has almost become an adjective in and of itself. It has come to mean suspense created by using the viewer’s imagination and mind as a part of the film, first and foremost. These films didn’t have the freedom of CG, and consequently had to invent ways to achieve visual effects (Watch the documentary on Birds or Rear Window for example). Besides the lack of freedom of creation that digital filmmaking now provides, the filmmak...
Posted in: Disc Reviews by David Annandale on July 2nd, 2003
Like The Brady Bunch Movie, this effort combines several incidents from the TV series and strings them together with a loose central premise, and the result is actually funnier than the first film. This premise is that Tim Matheson shows up pretending to be Carol Brady’s long-lost husband. He is after a priceless horse sculpture in the Bradys’ living room. The innocent/rude tone of the first film is carried through here, and given extra impetus by the addition of an is-it-incest-or-not?
Posted in: Disc Reviews by David Annandale on July 1st, 2003
The plot, such as it is, is a pastiche of several episodes of the TV series, all twisted just enough to send them into a sunny version of the Twilight Zone. So the Bradys are going to lose their house if they don’t raise $20,000.00 by the end of the week, and Marcia’s nose is flattened by a football before the school dance, and Jan is jealous of the attention her big sister receives, and so on. The Brady's are just as oblivious to how the rest of the world perceives themas they are to the (sometimes very funny) innuendos and double-entendres they constantly (and inadvertently) utter.
Posted in: Disc Reviews by Archive Authors on July 1st, 2003
Fear and Loathing in Las Vegas can be and has been described in many ways, but one of the things that this movie isn't is a Cheech and Chong road movie about a couple of whacky buddies on a drug binge in the city of sin. There’s no going to strip clubs, no hilarious misunderstandings that make one of them have to dress in drag and be involved in a stage show, in fact, there isn’t even any gambling. This movie is more accurately described as a scalding epitaph to the counterculture of the sixties, a re...
Posted in: Disc Reviews by David Annandale on June 30th, 2003
Brad Johnson plays Jake Grafton, one of the top A-6 Intruder pilots, stationed on an aircraft carrier off the coast of Vietnam in 1972. He is frustrated by the useless missions he is constantly sent on, fruitlessly bombing trees. His frustration turns to rage when his bombardier is killed during one of these missions. He is subsequently paired up with borderline rogue bombardier Willem Dafoe, and before long these two cowboys decide to perform their own unilateral mission into the heart of Hanoi, whatever their commanding officer (Danny Glover) might think.
Posted in: Disc Reviews by David Annandale on June 30th, 2003
After the death of his estranged wife, Cary Grant swoops back into his children’s lives,determined to be a proper father. He’s a bit rusty, and his kids aren’t exactly ecstatic about living with him. In over his head, he searches for a maid, and into their lives comes Sophia Loren, who is actually the daughter of a famous Italian conductor. They wind up living on a rickety houseboat, and romantic heat is gradually generated between Grant and Loren while Loren brings father and kids closer together.
Posted in: Disc Reviews by Gino Sassani on June 30th, 2003
Black Mask 2 doesn’t really seem to have anything to do with the first film. Instead what you get is a cheesy Japanese version of The X-Men. With the help of less than special effects, professional wrestlers change into hilarious creatures that are more loony tunes funny than actually dangerous. It doesn’t help that newcomer Andy On has the large fists of Jet Li to fill. Even fans of the original won’t find too much to like about this odd sequel.
Audio
The sound is an adequate Dolby Digital 5.1 track.
Posted in: Disc Reviews by Gino Sassani on June 30th, 2003
We are all familiar with the so called “great wars” of American history. Hollywood has supplied more hours of World War II film than the actual war itself. From classics like Torra Torra Torra to Saving Private Ryan, we have gotten to know every inch of those wars. Vietnam became a popular subject by the mid 80’s with films like Apocalypse Now and Full Metal Jacket. “Peace-keeping” missions like the U.N. directed effort s like the one in Somalia in the 1990’s isn’t the “stuff” of heroes it seems. Leave it to Ridley S...
Posted in: Disc Reviews by David Annandale on June 27th, 2003
In the dying days of World War II, a German submarine torpedoes a British ship off the coast of Venezuela, and machine-guns all the crew. Sole survivor is Murphy (Peter O’Toole), who istaken in by coastal villagers. Driven by thoughts of revenge that have less and less to do with the wider war, Murphy sets as his one goal in life the destruction of the German sub, by whatever improvised means possible (including repairing a reconnaissance plane and learning to fly it himself).
Posted in: Disc Reviews by Gino Sassani on June 26th, 2003
Synopsis
Humphrey Bogart leads a trio of cons who have violently broken out of prison. On the run,they randomly select a suburban house in which to hole up and take hostages. This happens to bethe home of Fredric March, and a tense battle of wits and wills ensue. March’s dilemma issimple: if the police show up, Bogart will make sure his family dies. But if he doesn’t get help,what guarantee does he have that Bogart won’t kill them all anyway? Though film adaptations ofplays are ofte...
