Posted in: Disc Reviews by Gino Sassani on March 17th, 2002
Intro
Writer/director Ron Shelton says, in his commentary, that one of the things that pushed him to make Bull Durham was the sense that nobody did sports movies right. Mission accomplished: here is a film about baseball that can be enthusiastically embraced by those of us who have no interest in, or knowledge of, baseball.
Posted in: Disc Reviews by David Annandale on March 15th, 2002
Intro
Every so often, the Marquis de Sade comes back into vogue. The last couple of years saw the release of Quills and Sade close on each other’s heels. Their rather romantic views of Sade are as nothing, however, compared to this 1969 film.
Posted in: Disc Reviews by Gino Sassani on March 14th, 2002
It was the Universal Horror classics of the 30’s and 40’s that baptized me into the world of films forever. Although I wasn’t born when these films were made, like the creatures they portrayed, they came back to life for me on TV Shock Theaters and the writing of Forrey Ackerman. Now Universal has once again resurrected one of its marquee monsters for a new generation of fans. The fusion of modern-day CG effects and an Indiana Jones flair for adventure make this a remake worth viewing.The film was an unexpected gem for both Universal and fans.
Synopsis
Posted in: Disc Reviews by David Annandale on March 11th, 2002
Intro
The hero is a kitchen sponge. I think I’ve seen everything now.
Posted in: Disc Reviews by Gino Sassani on March 11th, 2002
Intro
It is interesting to see a film with such a tiny budget ($500,000) on the MGM label.
Posted in: Disc Reviews by Gino Sassani on March 10th, 2002
Intro
It is the season for animated sequels, and right on the tail of Cinderella 2, Disney has released The Hunchback of Notre Dame II.
Posted in: Disc Reviews by Gino Sassani on March 9th, 2002
Intro
This was a very interesting crime thriller. The acting was quite good, and the triple-crossing plot was very unique. It is too bad that a film such as this would get a bare-bones DVD release.
Posted in: Disc Reviews by Gino Sassani on March 9th, 2002
Intro
An ambitious, intelligent, serious look at the life of Oscar Wilde, this is a first-class biopic.
Posted in: Disc Reviews by Gino Sassani on March 7th, 2002
Chevy Chase is at his funniest in National Lampoon’s European Vacation. This film now seems somewhat dated, but it still makes me laugh.
Synopsis
Posted in: Disc Reviews by Archive Authors on March 6th, 2002
Starting a few years back with Out of Sight and continuing on with The Limey and Erin Brokovich, director Steven Soderbergh had been riding a remarkable streak of winning films that fulfills the blazing promise of his first film, sex, lies, and videotape. With his most complex film to date, Traffic, Soderbergh once again proved that he is one of America’s most inventive filmmakers. He doesn’t play it safe – with each and every new outing, Soderbergh proves that he’s not afraid to ...ake chances. It seems as if he thrives off of the challenge and manages (so far) to hit a home run every time he steps up to the plate.
Based on the British mini-series “Traffik”, Soderbergh’s film tackles America’s complex “war on drugs”, ultimately declaring it a draw, if not a futile endeavor. It interweaves three separate storylines, each with its own trailing threads and allows Soderbergh, and screenwriter Stephen Gaghan (Rules of Engagement), to detail various aspects of the drug trade in America, Mexico, and in homes all across America. The film is many stories and no center – a drama that describes a condition in which symptoms far outnumber any possible cure. We see smart, affluent teens smoking, snorting, and shooting-up under the noses of parents you would think are most likely to realize it. We see the high living that drug money can afford you and we wander the streets of dusty Tijuana to see the beginnings of the drugs making their way across our borders. The film retains a personal touch for viewers by making the cops, crooks, and users into individuals with strong personalities and credible motives for their actions.