Posted in: Disc Reviews by David Annandale on November 3rd, 2010
Season 5 of this most well-meaning of sitcoms finds a major change. With the cast now having aged to the point that not all the girls could reasonably be in high school together, Mrs. Garrett (Charlotte Rae) opens Edna's Edibles, a bakery-slash-coffee-shop, and the opening two-parter establishes the new status quo (essentially doing whatever is necessary to keep the main characters together). Otherwise, things proceed as they always have, with each story combining standard sitcom hijinks with Important Life Lessons and forays into weighty subjects. So, for example, the friendship between Natalie (Mindy Cohn) and Tootie (Kim Fields) hits a rough patch when Natalie's reaction to being asked out by Tootie's cousin is perceived, by Tootie, to be racist.
Posted in: Disc Reviews by Michael Durr on November 3rd, 2010
Apparently, animated shows created by Seth McFarlane are in high demand. He has had considerable success with Family Guy and American Dad. It was only a matter of time before Fox would try their luck with a Family Guy spinoff. The subject would be one of Peter’s friends. No, not Quagmire. That will be reserved for Cinemax late night. Giggity giggity. Actually, the subject would be Cleveland. Let us see how this one plays out.
Posted in: Disc Reviews by Archive Authors on November 2nd, 2010
Written by Diane Tillis
As the title suggests, Attack on Darfur depicts the genocide occurring in Darfur, and it doesn’t get more real than this.
I have seen many films that chronicle the evil that exists within mankind. These films, in my opinion, are the most difficult to watch. I can sit through the goriest of horror films and not have a physical reaction. However, films that depict the horrors of real life terrorism make my stomach turn, because you know it is real. The Boogey Man isn’t real, but a terrorist with a mind towards ethnic cleansing is very real.
Posted in: Disc Reviews by William O'Donnell on November 1st, 2010
Two young boys start a rivalry that is forged into a friendship by way of helping an ailing dog. As one boy's caregiver passes away, the other boy's family takes him on as one of their own. This family struggles through tough times on their farm as well as tensions from bigoted neighbours because the boy they took into their home happens to be black. Such is the “family bond” thesis of this highly sentimental Xmas film, co-authored by Country superstar Kenny Rogers, and starring country star turned famous dad, Billy Ray Cyrus.
Posted in: Disc Reviews by Archive Authors on October 30th, 2010
Written by Diane Tillis
Lake Placid (1999) was a humorous film which played on our fears of animal attacks. It depicted a gigantic man-eating crocodile living in a lake near a rural town in Maine. The idea of crocodiles in Maine was a creative parallel to the alien-invasion scenario. The humans (park rangers, anthropologists, and wildlife experts) had to defeat the murderous alien (giant crocodile) before it destroyed the world (Maine). This concept continued in two direct-to-DVD films
Posted in: Disc Reviews by David Annandale on October 29th, 2010
Nicky Henson plays Tom, the leader of a hellraising biker gang known as the Living Dead. His goal is to make that moniker absolutely literal, and it helps that his mother (Beryl Reid) is a medium who has made some sort of Satanic pact, and the butler (George Sanders, in his final role just before his suicide) might well be an infernal power himself (his precise nature is never made clear). At any rate, all it takes to come back from the dead, apparently, is to kill oneself while firmly believing that one will return. Tom proves this formula to be correct, and soon almost all the other gang members follow suit. The one member who might hold out is his girlfriend Abby (Mary Larkin). Meanwhile, as the Living Dead embark on a reign of terror, will anyone be able to stop them?
Posted in: Disc Reviews by Gino Sassani on October 27th, 2010
"War and me took to each other real well. It felt like it had meaning. The feeling of doing what you thought was right. But it wasn't. Folks can believe what they like, but eventually a man's gotta decide if he's gonna do what's right. That choice cost me more than I bargained for..."
All of the good superheroes are getting used up. With so many Hollywood blockbuster films featuring those iconic comic superheroes, there comes a time when you have to start looking at the next tier of comic favorites.
Posted in: Disc Reviews by Gino Sassani on October 27th, 2010
It was the summer of 1987. Horror movies had just gone through a recent splatter craze, and it seemed as though the genre might be dead, at least for a while. Then Joel Schumacher delivered his little low-budget vampire film The Lost Boys. While the movie didn't exactly tear things up at the box office, the film developed quite a strong cult following and had earned pretty high praise from the folks within the horror community. The movie was fresh and was just the kick in the pants that the sequel-weary crowd was looking for. The movie was dark but managed to provide a camp atmosphere at times that worked as a wonderful counterbalance to the blood and guts
Posted in: Disc Reviews by Archive Authors on October 27th, 2010
Written by Diane Tillis
Hush Little Baby is a direct-to-DVD film presented by the Lifetime television network. Already you can make assumptions as to the quality of the film and the heightened drama that is associated with all Lifetime films. Hush Little Baby is parallel to any horror film about a possessed child who torments his/her parents, minus any suspense or gore.
Posted in: Disc Reviews by Archive Authors on October 26th, 2010
Written by Diane Tillis
I will admit, the moment I saw the cover of the DVD I was already convinced this was going to be one of the worst films I have ever seen or a close second. The cover has a dark figure cloaked in a blue throw blanket and is holding a leaf blower as a weapon… a leaf blower?! Four Boxes turned out to be one of those independent thriller films that should have been left on the cutting room floor.
