Posted in: No Huddle Reviews by Michael Durr on October 12th, 2009
The people at Warner Bros recently decided to adopt a new strategy when dealing with some of their back catalog. They would propose a printing on demand option or what they would dub the “Archive Collection”. This would allow collectors to own classics of long forgotten films and keep costs at a minimal to Warner Bros. One such movie was named Lightning Strikes Twice which came out in 1951 with Ruth Roman. Hopefully this one was a gem and not something that should be long forgotten back in the vault.
Richard Trevelyan (played by Richard Todd) has been convicted for murder of his wife. He is about to be executed when the jury becomes dead-locked and no decision can be made. He is then released where he decides to hide out at a Texas ranch where nobody can find him. Everybody is convinced that he did it and nobody seems that willing to stand by his side.
Posted in: Disc Reviews by Gino Sassani on October 9th, 2009
Medium made a jump in its 5th season. NBC axed the show, but the folks at CBS decided to pick it up and continue the series. It’s not a huge leap, actually. CBS was already showing the similar and better Ghost Whisperer, and the series was produced by the CBS parent company, Paramount. That means that the production team pretty much stays intact and the show doesn’t really suffer any kind of transition. The same can be said for the release. The packaging and production values are pretty much identical to the previous four years.
Medium was based on a real person with alleged psychic powers who apparently has helped out various law enforcement agencies in some actual cases. If you’ve seen the series, you might find that hard to believe, and the episodes are obviously fictional adventures and not based on the real Allison Dubois’s experiences. At first glance it might be easy to lump Medium in with Ghost Whisperer or The Dead Zone. Actually there are almost no similarities to any of those shows. Allison does not gain any understanding through touching, and while she does see ghosts at times, that aspect of the show has been made to play in only a small percentage of the episodes. Allison accesses her powers through dreams. These nightmares are usually vague and often provide additional clues with each recurring dream. The formula for the show is that she must interpret these images and signs in time to do whatever it is she needs to do. Now that her secret is out, she’s not able to continue her work at the DA’s office. Joe’s career is also in jeopardy, so the show is going through some changes here. The strike likely did some damage, so we may never know exactly what was in store.
Posted in: Disc Reviews by Archive Authors on October 9th, 2009
The Strawberry Shortcake Movie: Sky’s the Limit definitely surprised me. As I turned this 96-minute movie on I expected to be bombarded with female stereotypes: flowers, butterflies, and the color pink. Though Strawberry didn’t fail to deliver these dainty, feminine elements, it also offered six very strong and independent female characters.
After watching the intro on car seat safety, sponsored by AAA and unable to be skipped, the movie begins. The opening scene shows the town of Berry Bitty City where all the girls live; Strawberry, Orange, Plum, Blueberry, Lemon and Raspberry. The Berrykins (who pick the berries to keep the berry juice flowing which is what powers the entire city) dance while picking berries and singing a song about their “very nice life.” Orange, the craftiest of the girls, has created a juice fountain and is showing it off to all her friends, while Strawberry works on a new smoothie recipe. We are introduced to the only character different from Strawberry and friends, Mr. Longface. He is the lovable caterpillar who seems to offer the girls’ guidance while reading his family’s stories from an “old family journal.”
Posted in: Disc Reviews by Gino Sassani on October 8th, 2009
Horror fans have suffered through a severe case of déjà vu of late. All of the major titles of the 80’s and 90’s slasher cycle have now been either remade or are currently in production. There isn’t a big title remaining. Now it appears anything is fair game. Are we really that desolate of originality in this modern age? Today no cult classic or bomb is safe from being regurgitated back to us in either a theatrical release. Or, more likely, a direct to DVD project. In some cases, I’ve welcomed the occasional re-release, if the new film has something new to offer while remaining true to the source material. I actually liked the Mummy films. They don’t really look anything like the Universal classics, but they were kind of a nice ride, so my sensibilities weren’t all that shaken up. I’m looking forward to the Wolf Man film coming soon from Universal. It appears that the movie will be quite an homage to the original, yet satisfy the more modern needs of today’s filmgoers. But for every film that deserves a second look, there are countless movies that had already played out their string. It’s Alive is one of those.
Larry Cohen ended up with an unexpected cult success on his hands when he delivered the low budget original film back in 1974. He wrote and directed the effort, and it was a pretty good hit. It told the story of an unsuspecting mother who gives birth to a carnivorous mutant with an unending hunger for fresh meat. It was a sweet Halloween treat back then. But Cohen decided to milk that baby for all that he could. In 1978 he churned out It Lives Again and finally in in 1987 he delivered his third and final baby with It’s Alive II: The Island Of The Alive. Each entry scored lower than the last, and finally It was dead. But that’s just not how Hollywood rolls these days.
Posted in: Disc Reviews by David Annandale on October 7th, 2009
This season finds the protagonists well beyond high school, now having adventures in the adult world. So writer Lucas, in the midst of promoting his book, proposes to Peyton. Brooke fights to save her clothing business from the clutches of her mother From Hell. Piece of work Dan is flattened by a car and then finds himself in the hospital, helpless, badly injured, and at the mercy of a sadistic nurse out for revenge. Basketball player Nathan doesn't know that his mother is having an affair with one of his friends. And on we go, and I haven't even mentioned the episode that's a fantasy construction of Lucas', relocating the entire cast and setting to the 1940s.
Posted in: Disc Reviews by Gino Sassani on October 6th, 2009
“You know those shows that say don’t try this at home? This is one of those.”
Scare Tactics is really nothing new. In 1948 one of the very first television shows to air on network television was a converted radio program originally called Candid Microphone and renamed Candid Camera for television. It was the brain child of Allen Funt, who began the idea while in the armed services, secretly recording fellow servicemen in awkward positions for his Armed Forces Radio program. The idea was a hit and was television’s first hit program. Funt would hide his 16mm cameras and put people in awkward situations with the intent to make them feel and appear foolish. The stunts in those days were pretty simple. A talking mail box or strange acting workers. It was all in good fun and everybody got a laugh.
Posted in: Disc Reviews by Archive Authors on October 6th, 2009
Written by Adrienne Ambush
Growing up, I wasn’t really a fan of the cartoon Transformers; I was actually more of a Muppet babies kind of girl, but the minute I hit play on my DVD player I was instantly transported back to a time when nothing else mattered to me except for what was on TV and what time dinner was going to be later that night.
Posted in: Disc Reviews by Gino Sassani on October 6th, 2009
“Welcome to The Hundred Acre Wood, where voices come together in joyful celebration and, the seasons gently turn like pages in a book. A time of giving, shared with good friends and a silly old bear named Winnie The Pooh.”
“Oh Bother”A.A. Milne was quite an eclectic writer. He wrote murder mysteries that even appeared on Alfred Hitchcock Presents. From that fertile mind would also come a place known as the Hundred Acre Wood. In that select place some of literature’s finest characters had the greatest adventures any boy could imagine. And adventures are certainly no fun on your own. Young Christopher Robin was joined by Piglet, Tigger, Owl, Rabbit, Eeyore, and, of course, Winnie-The-Pooh. Who didn’t fall in love with that silly old bear… Winnie-The-Pooh. OK, so maybe Dahmer or Bundy might have been exceptions. Still, anyone growing up in the last 30-40 years who isn’t a psychopath has had a love affair with Winnie-The-Pooh, all stuffed with fluff.
Posted in: Disc Reviews by Gino Sassani on October 5th, 2009
“In 1982 controversial film director Wilson Wyler Concannon released his only film, The Hills Run Red. Because of its graphic depiction of sadism and murder the film was quickly pulled from theaters. All known prints vanished and no cast member was ever found. Over the years film historians attempted to find the film, but all that remained was a crudely made trailer. Director Wilson Wyler Concannon was never heard from again.”
Believe it or not, The Hills Run Red was a project saved at one point by the Man Of Steel himself, Superman. Okay, it’s not like the famous Kryptonian hero actually swooped in and rescued anyone on the project, but he does deserve some credit for the film’s ultimate release.
Posted in: Disc Reviews by Gino Sassani on October 5th, 2009
The idea of a British television series being adapted for American screens is really nothing new. Lately a lot has been written about the phenomenon as if it’s some recent trendy invasion of English telly. We’ve been watching British hits since at least the 1970’s. In those days it was the sit-com that got the most attention from across the pond. Till Death Do Us Part and Steptoe And Son became All In The Family and Sanford And Son, respectively. Both shows became even bigger hits here in the states and are remembered by more folks on both continents than the originals today. The latest hit from England was The Office. Unfortunately, Life On Mars was never destined to join those Anglo/American success stories.
Detective Sam Tyler (O’Mara) is hot in pursuit of a serial killer who has abducted his partner and lover. When he steps out of his SUV he is struck by an oncoming car. On his ipod David Bowie is singing his obscure track, Life On Mars. When Tyler wakes up he can still hear the song in the background. But this time it’s coming from an 8-track deck in a mint vintage 1970’s car. Turns out there’s a reason the car is so cherry. It’s actually brand spankin’ new, and Tyler is no longer in 2008. It’s 1973. Strangely, he still has his identity here. A police officer identifies the car as his. At his 125th Precinct, he’s recognized as the transfer from Hyde. His disorientation earns him a few introductory sucker punches to the gut by his new boss Lt. Gene Hunt (Keitel) who doesn’t like people coming into his station house barking out orders. It turns out he’s joined a special forces kind of team that also includes Detective Ray Carling (Imperioli) who feels passed over by Tyler. He was in line to be the new second in command. Detective Chris Skelton (Murphy) is a green detective who warms us fastest to Tyler. Also working more or less for the team is policewoman Annie Norris (Mol) better known in the squad as “No Nuts Norris”, because she acts more like a man, believing that a woman can be a detective. It seems whatever powers that have planted Tyler here have thought of everything. He has an apartment with a free spirit hippie neighbor named Windy (Ferrin), appropriately named as she kind of breezes her way in and out of his life. Eventually Tyler decides to temporarily accept his situation, hoping to figure out why he’s here and how he can get back home.
