Posted in: Disc Reviews by Archive Authors on December 5th, 2005
Posted by Kim Lee
This unauthorized biography by New Line Home Entertainment covers the life of Curtis “50 Cent” Jackson. The documentary describes 50 Cent’s expedition of dealing drugs at the corner of Jamaica and Queens, to boxing, to becoming a gangster rapper, and in the end a music industry icon.
Posted in: Disc Reviews by Archive Authors on December 5th, 2005
Yes, I dreaded this one like the plague. Call it a pure hatred for reality television. But honestly, after starting these episodes, I found myself lending a begrudging respect to it all. If you're unfamiliar with this enormously popular program, here's a brief education. Home interior designers Ty Pennington, Michael Moloney, Constance Ramos, Paul DiMeo, Tracy Hutson, Preston Sharp, and a slew of others, who have made appearances here and there, get together and help some needy family realize their dream home in just seven days. As if the simple act of building a house in seven days isn't enough to get you watching, they usually pick some family that's been pushed to the limits of what ordinary people can take.
This season of thirteen episodes features quite a few heart-warmers spread across its two discs. The most memorable for me was "The Cadigan-Scott Family," which involved a family of eight children, who had lost their parents tragically. The mother died of complications from heart problems; the father followed shortly thereafter with a heart attack. The family would have been dispersed to foster care if not for the selfless act of the two oldest siblings. Jennifer, 23, and Janice, 21, became legal guardians for the other six children, so the family could stay together. Not even an iron-clad heart could fail to soften at the sight of over 3,000 Livermore, California, residents lining the streets at the show's end for the big unveiling. I'll briefly declare a peace treaty between myself and reality-TV to give this show its due. It certainly knows how to hit all the right buttons.
Posted in: Disc Reviews by Archive Authors on December 5th, 2005
Happy Endings is one of those films that makes you rethink being a DVD reviewer. I sat through this excursion into pretentious observations about the way the world is, and the way "average people" are, and thought, "Yeah, sure, this is a slice-of-life. I bet." Oh, I don't mean to say the characters' lives are way too screwed up to be believable. Lord knows, under every ordinary average guy... or gal... there lurks a whole slew of skeletons banging their bony fists against the inside of the closet door. But the extent to which these screwed-up folks bang into one another like aimless bumper cars at a county fair makes one say, "Enough already."
Lisa Kudrow heads a weak cast, despite name recognition and the merits I'm sure each of the performers possess. With other capable stars such as Laura Dern, Maggie Gyllenhall, Tom Arnold, and Jason Ritter attached, one would think acting is the least of the film's worries. The problem with that? Everyone gets so caught up in the hipness of it all they come across with obnoxious self-indulgence smeared over their faces like the feces permanently plastered to the walls of my old college dorm's public restroom. And it's as if writer-director Don Roos wants to remove it from that wall, but he feels too intimidated to cross the ex-Phoebe Buffay and Mr. Roseanne Barr.
Posted in: Disc Reviews by Archive Authors on December 5th, 2005
Missouri Breaks starring Marlon Brando and Jack Nicholson is an overlooked, under-appreciated western, which succeeds where most films fail -- as first a character study, and last an action piece. Set in Montana, Missouri Breaks tells the story of a fun-loving outlaw (Nicholson) and his comrades (including a much younger Randy Quaid and good old Harry Dean Stanton), who set out on a crime spree as a means of payback against an evil land baron responsible for the death of one of their friends.
eadly revenge is not their first intention, but the stakes are raised when the land baron hires "regulator" Lee Clayton (another reveling work in villainy by Marlon Brando) to teach the boys a lesson. Though Brando does have a tendency to steal every scene he's in, I found it a huge joy watching Nicholson remind me he is capable of more than just O.C.D. eccentricity. His role in the film fits with the snugness and perfection of a glove, to the point that I wish his resume included more westerns than it does.
Posted in: Disc Reviews by Archive Authors on December 5th, 2005
While VeggieTales: Lord of the Beans is not my thing, I can certainly see how it would connect with very small children. Parents may also throw Phil Vischer and company some appreciation for the positive messages his bunch tries to present in each VeggieTales special, but something about Vischer and crew's latest doesn't feel right. For one, it's a parody -- and a rather faithful one -- to LOTR: Fellowship of the Ring. While it's fine to parody, I think VeggieTales misses the point with their chosen subject matter. True, Lord of the Rings is a very popular series, but to think the age group this is aimed at is familiar enough with the material to appreciate the parallels is ridiculous.
I'm not saying kids in general are unfamiliar with LOTR, or that they haven't seen it. I'm saying pre-schoolers, who will certainly get the most out of Lord of the Beans are most likely clueless to the material from which this special strives to mine most of its humor. You could say the creators made it a parody for the adults' sake -- and I will admit that was probably most of their intention. But again, Lord of the Beans fails because the humor never rises above a three-year old's mentality. And let's face it, at that age, all you'll probably find funny about VeggieTales is the first appearance of a talking cucumber melon with large eyes.
Posted in: Disc Reviews by Archive Authors on December 5th, 2005
Synopsis
This series has a clever conceit, being a sequel to the 1953 version of H.G. Wells’ novel. In the present, a terrorist group breaks into the base where the Martian corpses and war machines are being held. Turns out the Martians aren’t dead after all, and they revive to re-embark on their quest to conquer the Earth. In a budget-conscious move, part of this plan of attack consists in possessing the minds of humans, thus hugely diminishing the effects budget. So new viewers shouldn’t expect any...hing like the recent theatrical film, or even too much like the 1953 film, either. There is plenty of action, and a number of other clever ideas in the episodes (stars of the original film showing up, plays on the Orson Welles radio program), but plenty of limitations, too.
Posted in: Disc Reviews by Archive Authors on December 5th, 2005
Synopsis
Robert Redford narrates, but his on-screen avatar is Craig Sheffer. He and Brad Pitt are the sons of Presbyterian minister Tom Skerritt. The sons react to their stern father’s teachings in different ways. Sheffer is the good boy who becomes the scholar, while Pitt is the hell-raising journalist with the bad gambling debts. But both brothers do inherit their father’s love of fly fishing, and that is the act that bonds the three men together.
Posted in: Disc Reviews by Archive Authors on December 5th, 2005
Titus De Voogdt, Delfine Bafort, and Johan Heldenbergh head a mostly forgettable cast, which tends to fall so far into the background, you'll often forget more than just three actors are in Steve + Sky... and for what it's worth, I believe this stems more from the supporting cast's lack of charisma than it does from any real star power the three headliners bring to the table. The film is more of an inciting situation which throws Steve and Sky together, followed by randomly pointless character bits, which stil... could have worked had either star been in the least bit interesting. De Voogdt does the best he can with the main role, but unfortunately, his Steve acts with little-to-no rhyme or reason, and ends up condemning the film's status as a mindless romp through the lives of two deadbeat characters.
I don't have to like characters to enjoy a film, but I must feel drawn in to their plight, if for nothing more than to see them get their just desserts. With Steve + Sky, the film plods along in an effort to achieve "character piece" status, but all that's really accomplished is they simply "do stuff" for an overly long 100 minutes, when writer-director Felix Van Groeningen finally -- and mercifully -- calls an end to the proceedings. At the end of this ride, I honestly wondered what point the film had just made that hadn't already been made far better by many a crappy film. Hopefully, Van Groeningen's next effort will focus more on storytelling aspects in addition to his characters, and less on the aimless A.D.D. brain droppings that too often pass for good cinema, both here and abroad.
Posted in: Disc Reviews by Archive Authors on December 4th, 2005
Synopsis
Anchor Bay, holding all (or most) of the keys in George Romero’s zombie film trilogy, released a four disc Ultimate Edition to capitalize on the theatrical release of the remake, done in grainy, handheld, 28 Days Later style by director Zack Snyder. There isn’t too much here plotwise that you need to be aware of. 4 people decide to seek shelter at an abandoned mall, a continuation of Romero’s first film Night of the Living Dead. I don’t really know of an underlying moral tale in this...film, aside from trying to make a life for yourself again, it really is about trying to get past the zombies and find some sort of freedom, wherever that may be. Special effects whiz Tom Savini gets to show off more of his work here, though not as much as in Day, as he spends some time in front of the camera as the leader of a biker gang.
Posted in: Disc Reviews by Archive Authors on December 4th, 2005
Synopsis
On its surface, Almost You is potentially interesting. Considering the mid-‘80s production, you have Griffin Dunne, about to appear in Scorsese’s After Hours, but had already appeared in An American Werewolf in London. In this film, he is married to Brooke Adams, a.k.a. Mrs. Tony Shalhoub (Monk), but before that, had appeared in Terrence Malick’s Days of Heaven, and had her own experiences in horror, appearing in The Dead Zone. As husband and wife, Dunne’s ...haracter Alex feels rapidly disenchanted with their marriage, and says so just before they are about to leave on a trip to Erica’s (Adams) parents.
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