Synopsis

The wife of a policeman shows up at the mansion of one Elizabeth Caine (or is she Erzsebet Bathory) for a lesbian tryst, but has her neck punctured by her host. Ray, the cop, investigates his wife’s disappearance, and very quickly suspects Bathory, but has difficulty assembling proof. To make matters worse, bodies of young women start piling up, and the evidence points more and more damningly toward Ray. He is in a race to prove his innocence and stop Bathory before she kills again.

Synopsis

A trio of low-lifes led by Tiffany Bolling kidnap innocent young Candy (Susan Sennet). They bury in the hillside, and the only witness is mute, autistic little boy. They inform Candy’s father that he must deliver a load of diamonds from the shop he runs, or Candy dies. Their plan appears foolproof. But then the father doesn’t show up. Confusion and dissension in the ranks breaks out, and the plot moves inexorably towards a terrible ending.

Nothing much changes in the second season of Las Vegas. Of course, Danny comes home from his secret and apparently tragic tour of duty. Mike is a full fledged member of the security team. Otherwise it’s business as usual for the workers at the Montecito. The show works well as an ensemble piece, but the relationship between Danny and Big Ed is more fully developed here and is beginning to dominate the series. James Caan continues to impress with work most of his peers would consider beneath him. The flashy fast paced camera work continues to offer a dizzying ride through the glitz and glamour of Las Vegas. All in all the show probably improved in year two, if for nothing else the characters have been fleshed out more in season two. Sometimes the interrelationships get a little too complicated and I could certainly do with less of the cliché of everyone hooking up with everyone else. All in all, this is a unique series with plenty of laughs, glitter, action, and hormones to please almost anyone.

Synopsis

Not to be confused with the current film of the same name, Taxi was one of the funniest shows in television history. There simply hasn’t been a sitcom to feature so many cast members who would go on to bigger but perhaps not better things. Christopher Lloyd’s Reverend Jim has to be one of the best characters television has known. In its third year Jim would finally be around for an entire season. The show simply swept the Emmys in its third year with statues going to Judd Hirsch, Danny DeVito, and Christopher Lloyd (oddly enough, for a script he penned for the series). This is the year Andy Kaufman delivered Vic Ferrari to the show’s mythology. Taxi was hitting its stride on all fronts in season three. This is the show at its peak.

Synopsis

Synopsis

A serial murderer is at large, burning his victims’ bodies down to the bone with acid. In order to identify the victims, the police must turn to reluctant forensic sculptor Hyun-min. He has no heart for the job, concerned as he is with this daughter, whose body seems to be rejecting its heart transplant. But he does go to work, even as he and his daughter have visions of a female ghost.

For the first time in Star Trek history it was decided to dedicate an entire season to tell a single story. Following a recent trend started by hits like Alias and 24, Enterprise boldly went where many had gone before. The problem with this grand idea is that character development and Trek lore were all given a back seat. Rick Berman felt the need for Trek to become more epic. Unfortunately what Enterprise really needed to do was return to its character and socially driven roots. The show did finally start in that direction, but not before losing a legion of fans. On DVD, however, this story plays out much better. Now you don’t need to worry about missing an episode and spending the rest of the entire year feeling like you’re the only one who doesn’t know what’s going on.

Season Two ended with a shocking attack on Earth that destroyed much of my home area, Florida. The Enterprise embarks on its single mission to find and stop the mysterious Xindi. Along the way we are treated to plenty of stories that are in some way interrelated to this new big picture. The season is much darker in tone, both in script and cinematically.

Here is a great interview with The Interpreter Director Sydney Pollack speaking to the benefits of Widescreen over Fullscreen presentations. For those of you who are still fans of the 1.33:1 aspect ratio, this is an informative peice you sould check out. Click here to view the interview

Synopsis

In 1969, a group of jocks drug their dates at the homecoming dance in order to abduct them. One of them, Mary, stays sober, and is accidentally killed by her date. Thirty years later, history repeats itself when three young women are the victims of a similar revenge prank on the part of the jocks. One of the victims (Kate Mara) accidentally summons the vengeful ghost (by reciting “Bloody Mary”) and the culprits all start dying in various gruesome ways. It seems, however, that they all have s...me link to the original victimizers of 1969.

Winter Solstice is one of those quiet, somber independent films. While not as flashy as The Upside of Anger (and that’s not a flashy film), Josh Sternfeld’s feature is a meditative look at a broken family trying to rebuild its life. Don’t expect any major plot twists or a flashy directing style. Solstice takes its time and builds towards something called hope.

A family tragedy as taken its toll on a Jersey family. Anthony LaPaglia plays Jim Winters, a landscape gardener. H...s sons Gabe and Pete (played by Aaron Stanford and Mark Webber, respectively) are adolescents and are trying to deal with their senses of identity. Enter the new woman down the street, Molly (played by West Winger Allison Janney). Jim takes an interest, but romance is tough since the “family tragedy”. There are soap opera elements in the film, but these elements are handled with quiet human rhythms.

Synopsis

The son of Seth Brundle, the unfortunate man-fly, is born with his mixture of human and fly DNA. He turns out to be uncannily brilliant, but also reaches adulthood (played by Eric Stoltz) in only five years. He grows up in the Bartok Industries facility, and is asked to carry on his father’s work. Inevitably, the fly genes make themselves felt, and he begins to transform, and love interest Daphne Zuniga wants to save him.