Posted in: Disc Reviews by Archive Authors on April 28th, 2004
I spent many an evening as a child watching the Peanuts gang in one of their famous holiday specials. I looked in my backyard for The Great Pumpkin at Halloween, and I often times decorated my very own Charlie Brown Christmas tree at Christmastime. Obviously, I was not alone in my enjoyment of these cartoons, as the very same shows are aired even now, during the appropriate time of year.
The popularity of these cartoons has not escaped the attention of the estate of Charles Schultz, either. In an attempt to...keep a good thing going, the Peanuts gang is back in an all new special, Lucy Must Be Traded, Charlie Brown. Often times, any effort to capture the magic of a classic in an all-new feature fails miserably, but thank goodness that is not the case here. This special is just as much fun as the originals were, complete with the determined spirit of underachieving Chuck, the cruel nature of loudmouth Lucy, and the mannish (dare I say homosexual?) tendencies of Marci.
Posted in: Disc Reviews by Archive Authors on April 28th, 2004
When I first glanced over the cast of this film, I was certain that it was shot in the 80’s. These days, names such as Deborah Harry, Ally Sheedy, Ralph Macchio and Robin Givens just don’t show up together on a movie poster. Of course, this is no ordinary gangster film, either. In fact, for a director trying to make a name for himself, this casting strategy is pretty brilliant. If Quentin Tarrantino has taught us anything, he has taught us that old actors don’t lose their chops, they just become less fashionable. If ...ou can get a name with skill at a bargain rate, then by all means, do so.
From the opening title sequence, I was hooked on the visuals of this film. It is clear that Singer has fun as a director, and that enthusiasm bleeds over into the feel of the film. In fact, the whole piece is cut like a feature-length trailer, with lots of action going on behind the camera, and respectable acting in front of it.
Posted in: Disc Reviews by David Annandale on April 27th, 2004
Synopsis
Posted in: Disc Reviews by Archive Authors on April 27th, 2004
Ahh, those funny little Kids from Canada. I’m not sure exactly when it happened, but at some point in the 90’s, The Kids in the Hall became North America’s answer to Monty Python. Now, that’s not to say that the Kids are as classically funny as the Pythons, but the similarities run rampant nonetheless. Both troupes had a very successful sketch comedy television series, in which many of the all-male cast dressed in drag. Following the success of their respective shows, they both explored what feature films might conta...n. Following this exploration, they both performed some of their classic material before a live audience. The last part of the puzzle is the emergence of one of the cast members as a serious Director; for the Pythons, it was Gilliam, and for the Kids, it’s Bruce MuCulloch.
Just to make this clear yet again, I am certainly not saying that Gilliam and MuCulloch are equals in the world of film… far from it. I can say, however, that McCulloch is off to a good start, and I wouldn’t be surprised to see him evolve into a talented comedy director in the future. Dog Park is a basic romantic comedy, with indie sensibilities and a twisted view of dog owners. Think Best in Show meets When Harry Met Sally.
Posted in: Disc Reviews by David Annandale on April 27th, 2004
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Posted in: Disc Reviews by David Annandale on April 26th, 2004
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Posted in: Disc Reviews by David Annandale on April 26th, 2004
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Posted in: Disc Reviews by David Annandale on April 25th, 2004
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Posted in: Disc Reviews by Archive Authors on April 24th, 2004
The Farelly brothers are back with another unconventional comedy, this time about conjoint twins (otherwise known as Siamese twins). When I first saw the ads for this movie, I thought, “Yikes, what jokes in bad taste are the Farelly’s going to poke at the conjoined community?” I watched this move with some trepidation, but was surprised to find Stuck On You the least offensive and most accessible of all of the Farrelly’s pictures.
The movie follows the lives of Bob (Matt Damon) and Walt (Greg Kinnea...) as they transition from their comfortable lives in New England as burger joint owners and chefs, where they are accepted for who they are. Walt has the acting bug and has starred in a number of local productions but wants more. He wants to ply his trade in Hollywood.
Posted in: Disc Reviews by David Annandale on April 23rd, 2004
Synopsis
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