Brother Bear is the story of a boy who becomes a man by becoming a bear. Kenai (Joaquin Phoenix) is a young man set on revenge against a bear he feels is responsible for his brother’s death. Going up against the beast and winning the battle, the great Spirits who guide Kenai transform him into a bear himself. As Kenai tries to undo the spell placed on him by the spirits, he meets Koda (Jeremy Suarez) a young cub who was separated from his mother. As the story unfolds Kenai becomes more find of Koda and “adopts... him, however, his main desire is to once again become human. Kenai’s journey takes himself and Koda to the salmon spawning grounds where they meet a group of other bears led by a huge black bear voiced by Michael Clarke Duncan. It is here that we learn that Koda’s mother was the bear that Kenai did battle with at the beginning of the film – he learns that Koda’s mother was attempting to protect Koda from ‘the hunters’ i.e Kenai and his brothers. Because of Kenai’s anger at the bear he attacked and as a result is the reason for Koda being without his mother. The climax of the movie comes when Kenai faces off against his remaining brother who believes that Kenai, in his bear form, is responsible for the death of Kenai and their older brother. While Kenai tries to avoid harming his brother he is torn when his brother starts going after Koda. Kenai does his best to protect Koda and at this point the spirits intervene and transform Kenai back to his human form. Kenai is finally reunited with his brothers but his joy is overcome with the responsibility that he feels for Koda and in the end makes the decision to remain as a bear and care for his brother bear.

While this sounds very serious, the comedy provided here is some of the best that Disney has offered in a long time. Now I am a huge SCTV fan so keep that in mind. The comedy relief is provided by Rutt and Tuke, a couple of moose voiced by none other than Bob and Doug themselves, Rick Moranis and Dave Thomas. How cool is that? And where else are you going to hear a line like, “How do you total a mammoth (referring to the trip that they all took on the backs of a herd of mammoths that Rutt and Tuke ‘crashed’ offscreen)?”

A couple of years ago, my wife and I found ourselves watching an episode of The Lizzie McGuire Show on a lazy Saturday morning, when nothing else was on. While we are certainly not the target market, we were both pleased to find that the half-hour was genuinely entertaining. Saturday mornings are a perfect time to watch this show, as it is mildly humorous, yet still benign enough that you don’t really have to get your brain working to enjoy it. It has since become a fairly-regular part of our weekend routine.< ...p>

This disc features four episodes with that ever popular sitcom convention; the guest star. The stars in question here are the unbelievably arrogant Aaron Carter, surprisingly funny Frankie Muniz, rock god Steven Tyler, and Raymond’s own Doris Roberts. Once viewers get past the horrible Aaron Carter episode, the remaining segments (including a bonus featuring Erik Estrada) are the same kind of entertaining family faire that viewers have come to identify with Lizzie.

Not that there was anything wrong with the picture and sound of the previous Superbit release. But now Panic Room returns in a package that truly contains every imaginable extra, and then some.

Synopsis

Most American Doctor Who fans are most familiar with the Tom Baker Who. There is no question he added a flair to the role. In this 10th Anniversary special episode we get to see the first 3 Doctors in action. John Pertwee was the current Who. He teams up mostly with 2nd Doctor Patrick Troughton. The first Doctor was played by William Hartnell and was limited to view screen images as he was quite aged and ill. The idea would occur again with the 5 Doctors to celebrate 20 years of Doctor Who. The story is a bit contriv...d even for a Doctor Who episode. The Lava Men are quite laughable. I approached this episode mostly from a historic perspective. In that light it is quite fun to watch.

Audio

The biggest compliment that I can pay to this film is that I have seen worse. The acting is bad, but not painful. The plot is sub-par, but not entirely horrible. The dialog is forced, but not filled with bad teenage slang. Yes, this is a horrible film, but I have seen worse.

Truth be told, The Brotherhood III is more like an excruciatingly long short film. The main emotion that I felt as I moved through this disc was… boredom. Huge segments of the film are simply without dialog or action of any kind....The first half-hour of this 83-minute film contains a total of seven minutes of dialog. The remaining 23 minutes are filled with slow motion shots of a single character walking down a hallway. Sometimes, this character is followed by the killer, sometimes they are not.

Let’s get one thing straight right off the bat… this is a title intended for viewing by small children. Very small children. As a result, all of my usual judging criteria (picture quality, sound quality, character development) are pretty much unimportant. The target audience for this title has trouble forming words, so I am willing to bet that the more subtle nuances of the narrative will be lost on them. Nevertheless, I will continue on as best as I can.

If you are still reading this, you are most likely a...parent, or will soon become one. Personally, I don’t have children. Having said that up front, I feel that this is a tremendous title that would prove to be invaluable in the task of teaching young minds to recognize colors, shapes, and even words. The content is presented in a way that would be interesting to children, with a nice mix of bright colors, moving images, animation and live action. Vocal narration is virtually nonexistent, as the people at Baby Einstein allow the images to speak for themselves.

Back in the day, the Looney Tunes were irreverent, violent, and created with an adult audience in mind (much like South Park is today). Somewhere along the line, however, values changed, and they became standard kids faire. Now, that’s not to say that there wasn’t still plenty in there for adults to enjoy as well, but they just didn’t carry with them the same humorous social commentaries that were prevalent in the days of old.

Well, the Tunes are back! The appropriately-titled Looney Tunes - Back ...n Action is a breath of fresh air for parents who have tired of taking their children to standard animated Saturday matinees. This is a live action/animation hybrid film, in the same vein as the classic Who Framed Roger Rabbit?. A lot has changed since those days, however. The live action and animation blends seamlessly throughout this film, with virtually none of the awkward line-of-sight errors that were so prevalent in earlier attempts to marry the two formats.