Posted in: Disc Reviews by Archive Authors on February 22nd, 2004
Season three sees Futurama cooking on gas. This is THE SIMPSONS on some mind-altering substance. For the uninitiated (and if you have never watched the series before - watch seasons 1 and 2 first…duhhh!) pizza delivery boy Fry has awoken from cryogenic suspension and finds himself in the year 3000. Here he teams up with the girl of his dreams, one-eyed space captain Leela, the hard-drinking, wallet-lifting robot Bender (he bends things for a living), the frankly barmy Professor Farnsworth and an assorted bunch of ge...ks and aliens who tag along for the ride.
The reason Futurama is an acquired taste is because, as its creators intended, it uses every opportunity to parody and poke fun at the conventions of practically every science-fiction show and film ever made. By season three the writers are in full flow and watching these episodes is an exhausting experience because they are so packed with visual gags and brilliant one-liners. By the time you've realized the significance of the hypno frog you've missed a dozen other quips and in-jokes.
Posted in: Disc Reviews by Archive Authors on February 22nd, 2004
The third and hopefully final entry in the American Pie series, American Wedding keeps with the sweet charms and gross out comedy of the first two movies, but can’t live up to the humor of the original or its sequel. Average Joe Jim, (Jason Biggs) and former band geek Michelle, (Alyson Hannigan) are now engaged to be wed and must decide whether raucous Stifler (Seann William Scott) should be invited to the wedding. Shenanigans ensue involving a night out at a gay club, a bachelor party, pleasing the in-laws, and pubi... hair on a wedding cake.
Sure, Stifler eats dog poop and does for curse words what bullet time did for special effects, but missing characters and lack of novelty cannot lift this one into the rare category of sequels being as good or better than the previous installments. While it offers plenty of funny moments, most courtesy of Stifler, the movie just seems tired and worn out. The filmmakers should excuse themselves from the table after this. No more pie for them.
Posted in: Disc Reviews by David Annandale on February 21st, 2004
Synopsis
Posted in: Disc Reviews by Archive Authors on February 21st, 2004
I came into this title completely blind. I almost always have some idea what I am going to be watching, but in this case, I truly had none whatsoever. I believe that I might have heard the title of this show before, but that’s about it.
Upon viewing this set, it might be a good thing that I didn’t know what I was getting myself into. Otherwise, I would have never taken this task on. Put simply, this is not a show that has stood the test of time. True laughs are virtually nonexistent, as almost all of...the jokes in this show are now tired sitcom cliché’s. The funky 70’s duds may have been hip at the time, but they just look stereotypical by today’s standards. As many afros, bellbottoms, and velour as you can stand are crammed into each and every frame.
Posted in: Disc Reviews by Archive Authors on February 20th, 2004
MGM keeps rolling out the Best Picture award winners. A few weeks ago it was Mutiny on the Bounty, this time it’s The Great Ziegfeld . I think Ziegfeld belongs in the category of those Best Picture winners that aren’t necessarily the best films for that year (Driving Miss Daisy?? C’mon). I actually prefer Frank Capra’s Mr. Deeds Goes to Town and Gregory La Cava’s seminal screwball comedy My Man Godfrey (starring Ziegfeld’s own William Powell). The Great Ziegfeld al...o picked up Best Actress for Luise Rainer. She has excellent presence, some nice moments (the phone call scene, most famously), and those eyes. But for my money, I would’ve given it to Carole Lombard for My Man Godfrey. The Academy has always been a sucker for Big Emotion, and Rainer gives the audience spoonfuls of it. But then there are the well deserved Oscar Winning dance sequences by Seymour Felix.
The story follows the rise and fall of Flo Ziegfeld, broadway producer extraordinaire. We see the highs of lows of Ziegfeld’s life in “biz” and in love. It’s a Hollywood bio-pic, so you know some events will be glossed over. And the clichéd ending is, of course, completely ridiculous. But Powell’s portrayal of Ziggy tries to reflect some of the flaws in this “diamond” of a man. It’s a nice well rounded performance. If you enjoy his work, check out Criterion’s excellent DVD presentation of My Man Godfrey. And there are the Thin Man films, of course.
Posted in: Disc Reviews by David Annandale on February 20th, 2004
Synopsis
Posted in: Disc Reviews by Archive Authors on February 20th, 2004
I can only imagine what it might have been like to be a child during the heyday of Disney’s live films division. Going to see The Parent Trap or Mary Poppins as a young girl must really have been exciting. Experiencing Pete’s Dragon or Chitty Chitty Bang Bang in the theater must have been a thrill for young lads.
Unfortunately, Disney has not lived up to those high standards in its later days. Part of the wonder of those films was that they were not children’s films, as much as s...andard feature films that were easily accessible to children. While there is nothing wrong with films such as Angels in the Outfield, The Mighty Ducks or George of the Jungle, they just don’t have the same classic quality that the older Disney films had. The genre grew into a direction that made these modern films a little more sterile, and a little lower quality than your average Hollywood production.
Posted in: Disc Reviews by Archive Authors on February 20th, 2004
Synopsis
Barbarians is The History Channel’s box set of a series of four interesting documentaries. Each chronicles the rise and fall of one or another of history’s famous “Barbarian” tribes – from their generally agrarian origins, to their bloody warlike height and eventual gradual decline or precipitous fall. Four groups are covered in this box set, on two discs:
Posted in: Disc Reviews by David Annandale on February 18th, 2004
Synopsis
Posted in: Disc Reviews by Archive Authors on February 18th, 2004
MTV is getting used to productions about provocative love affairs. Just look at Justin Timberlake and Janet Jackson at this year’s MTV produced Super Bowl. So in their production of a modern updating of Emily Bronte’s novel “Wuthering Heights”, MTV throws in everything but the nipple.
“Wuthering Heights” is a benchmark of Gothic Romantic literature. It tells the tale of a doomed and frenzied love between the two protagonists, Heathcliff and Cathy. “Wuthering Heights” has been adapted for film and tel...vision umpteen times, in different styles and different languages. The most notable adaptation is probably the first in 1939, with Larry Olivier and Merle Oberon in the title roles.
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