Posted in: Disc Reviews by Gino Sassani on June 14th, 2003
One of Ray Harryhausen’s earliest stop motion projects was a military training film on how to build a bridge. In It Came from Beneath the Sea he got to destroy a famous one and create yet another vivid memory for his legion of fans. It Came from Beneath the Sea was the second film I had the pleasure to discuss with Ray Harryhausen (stop motion pioneer) at the 2003 Wonderfest in Louisville. Again I was joined by Einsiders writer Rusty White. You can find the actual interview at: http://einsiders.com/features/interviews/harryhausen.php.
Certainly this could not be considered one of Harryhausen’s most imaginative films. Still, the stop motion effects were incredible for their day. If the film suffers at all it is from enormous budget constraints, particularly when it came to the creature itself. Ray told me me, “It was a sextapus. If we had cut the budget any more it would have been a tripod!”
Posted in: Disc Reviews by David Annandale on June 13th, 2003
After a disastrous voyage in which he loses his ship and all his crew, Richard Widmark journeys back from the Mediterranean to Norway (apparently swimming all the way). He say she has discovered the location of a giant bell made of solid gold (don’t ask how well something like that would ring), and along with his brother (Russ Tamblyn) steals the king’s funeral boat(along with his daughter). Off they go for many wild adventures. As you can probably guess, this is an exceedingly silly film, from its eccentric casting on down. But it is very entertaining, and doesn’t take itself seriously.
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Posted in: Disc Reviews by David Annandale on June 13th, 2003
AIDS is at the forefront of the gay community’s consciousness, and Jeffrey (Steven Weber)is frustrated by how complicated sex has become. His solution is to swear it off, and naturally he immediately meets and falls for Steve (Michael T. Weiss). What to do, especially when you are neurotic like Jeffrey. Fortunately (or unfortunately), Jeffrey has plenty of friends and family who want to help out, including Patrick Stewart, whose line about looking like “a gay superhero”suddenly has more bite than it did in 1995.
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Posted in: Disc Reviews by David Annandale on June 13th, 2003
Essentially, this is standard Hulk stuff: Bruce Banner wants to stop his horrible transformation, General Ross wants to kill the Hulk, Betty Ross wants to save the man she loves,and all sorts of villains get into the mix. There is a bit more continuity than in some other TV cartoon fare (though not on the level of, say, Gargoyles). The animation is standard TV stuff.Keeping the commercial breaks in so obviously wasn’t necessary, I have to say.
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Posted in: Disc Reviews by David Annandale on June 12th, 2003
This is the story of Frida Kahlo, now recognized as one of Mexico’s greatest artists. Most particularly, the film is the story of her tempestuous love affair with fellow artist Diego Rivera --their loves, their clashes, their politics, their infidelities, their betrayals, and so on. So much attention is paid to this relationship that Kahlo’s art itself slips into the background, which is too bad. That said, this is a tremendously engaging film, with great performances all round.It is also a spectacular movie to look at. If Kahlo’s art doesn’t take centre stage in the narrative, it does in the look of the film, informing almost every frame. The visual impact is not simply eye candy,however. Every colour is thematically relevant. This is a film made by creators very conscious of the visual possibilities of cinema.
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Posted in: Disc Reviews by Gino Sassani on June 12th, 2003
20 Million Miles To Earth has always been one of my favorite films. It was from this classic monster fest that I developed my long standing respect for stop motion pioneer Ray Harryhausen. In 1998, I got to meet Ray for the first time as his assistant for a horror convention (unfortunately run by a megalomaniac). It was there that I developed enough of a relationship with him and his lovely wife Diane that I was able to interview him at the 2003 Wonderfest in Louisville. Ray’s time was extremely limited, so I ...as joined in my interview by Einsiders’ Rusty White. You can find the actual interview at: http://einsiders.com/features/interviews/harryhausen.php.
20 Million Miles to Earth was originally written by Harryhausen to take place in Chicago, but as Ray tells me: “I originated the story. Then, I wanted a trip to Italy, so I changed the location when I submitted it to Columbia. I had always wanted to go to Europe and I didn’t have the money. So, I changed the location to Sicily because I wanted to go to Rome.” The more exotic location gave Ray more than his chance to visit Italy. It supplied the film with one of those memorable climaxes as the creature climbs the walls of the Coliseum. The creature itself also went through several changes. Ray explains, “First he was a Cyclops, then he was a two-horned, with two eyes. Oh, he was very stout originally. Then I decided that he would be better off thin. So I made him more humanoid.”
Posted in: Game Reviews by Archive Authors on June 12th, 2003
Sometimes when a game is delayed and put out a little later than planned, the anticipation surrounding the title can help it with the fan base that had been waiting for it. However, that anticipation can cut both ways with folks who had been waiting for a game to release and end up just losing interest altogether.
In the case of Brute Force, the game was featured prominently at the Xbox Press Event during the 2002 Electronic Entertainment Expo. Indeed, it seemed the title was only a few short months ...way during the press activities at the show. Now, nearly a year after it was showcased during the Press Event, Microsoft has unleashed Brute Force onto the Xbox console--a game some have wondered may be the next HALO, and will have many thinking it most definitely is not.
Posted in: Game Reviews by Archive Authors on June 12th, 2003
When I first saw Primal at the last E3 expo, I wasn’t particularly impressed with what I saw. A clunky battle system, jerky movements from the main characters, and visuals which could arguably be called mediocre.
Then Sony sent me a demo version of this game last month and I actually had some fun playing it. Imagine my disappointment when the full version arrived here and the game left me somewhere between boredom and frustration. Indeed, Primal will undoubtedly leave many gamers in the same ...osition once they start playing this title.
Posted in: Disc Reviews by David Annandale on June 11th, 2003
Eric Roberts, miles away from direct-to-video action fodder, plays Nick, a man in the terminal stages of AIDS. Over the opening credits, we see his long-term relationship with Gregory Harrison rise and disintegrate, and in the present, this relationship and its fallout will have a major role to play at Nick’s party. This party, the heart of the film, is an event he throws to say goodbye to all his friends and family. The story has added poignancy since this is based on an actual event.
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Posted in: Disc Reviews by David Annandale on June 11th, 2003
Melina Mercouri plays Illia, a character who makes prostitution seem like a carefree Utopia.She lives in a version of Greece where there only appear to be 5 women, and they are all ladies of the night. Into this extraordinarily male fantasy comes Jules Dassin, a deluded American idealist who wants to save Illia from herself. Naturally, he doesn’t have a hope, and Greek enthusiasm (think My Big Fat Greek Wedding on steroids) will inevitably overcome his anti-fun attitudes. Obviously, the picture has dated quite noticeably, and makes Pretty Woman look like a gritty expose. But the point of the film is cheerful good humour, and it is for this reason that it is beloved. I found the good cheer a little relentless, but that’s me being churlish.
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