Posted in: Disc Reviews by Gino Sassani on August 22nd, 2002
Sleepy Hollow is certainly not your father’s version of the Washington Irving tale. Sleepy Hollow is enshrouded in patented Tim Burton darkness and rich gothic atmosphere. Johnny Depp continues to amaze... although his performances never appear extraordinary, they are nonetheless almost always wonderful immersions in character. Christina Ricci proves that her inspired deadpan performance in the Addams Family films was no fluke. I think you will find this to be one of the finest contemporary horror films to come along in years.
Synopsis
Posted in: Disc Reviews by Gino Sassani on August 16th, 2002
What happens when you take a writer/producer known primarily for music videos and documentaries, give him a modest budget, and a script of vignettes? You get a very artsy David Lynch imitation that I like to call Lynch-Lite. Jon Reiss wants so much to be David Lynch that there are even moments of the Twin Peaks theme in the score. I don’t mind struggling through a piece of film noir if I can eventually find my way to a payoff. Not that there aren’t bright spots and even flashes of cinematic genius here, just not enough.
Synopsis
Posted in: Disc Reviews by Gino Sassani on August 16th, 2002
Anyone who watched all the tobacco CEO’s testify before a congressional committee might have thought they were watching a Hollywood comedy. They all stood there with straight faces and denied their products were addictive. It felt a little bit like watching Ted Bundy saying, “What girls are you talking about?” The Insider is actually a brave film. Hollywood has for years depended upon tobacco for revenue. Product placement was, until recently, a tree of money for many productions. Russell Crowe shows a preview of the talent that would blossom fully in Gladiator. Pacino, as always, approaches his role of 60 Minutes producer with blinding passion. Surprisingly, Christopher Plummer nails Mike Wallace without really bearing much of a physical resemblance.
Synopsis
Posted in: Disc Reviews by Gino Sassani on August 13th, 2002
Synopsis
Minerva Mirabal (Salma Hayek) is an independent spirit in a society where that can get you killed. Her spiritedness, present from childhood, gradually evolves into outright rebellion against the brutal regime of General Trujillo (Edward James Olmos). The personal cost is heavy.
Posted in: Disc Reviews by Gino Sassani on August 13th, 2002
Synopsis
The Masque of the Red Death is one of Corman's most sumptuous Poe pictures. Vincent Price plays the decadent Prince Pospero, presiding over sadistic revels while the plague rages outside his castle walls. The plague, however, is personified here, and has plans for Prospero. In The Premature Burial, Ray Milland is obsessed with the fear that he will be buried alive. Guess what happens? Though not as good as Masque, this film has long been absent from home video, and its appearance here is ver... welcome.
Posted in: Disc Reviews by Gino Sassani on August 13th, 2002
Synopsis
Meredith Monroe is the rich girl who's been breezing through life. Mia Kirshner is the poor girl for whom life is a struggle. Thrown together for a sociology project, they find that each has something the other needs, and dangerous wheels are set in motion. All of this is recounted in flashback, as Sheriff Taye Diggs (looking a bit young for the role) investigates the cause of Kirshner's near-fatal drug overdose.
Posted in: Disc Reviews by Gino Sassani on August 13th, 2002
Synopsis
Bad boy Spike discovers the benefits of calling the title phone number for his "horrorscope." Bad things happen to the people who tick Spike off. But Spike doesn't need help as much as his put-upon cousin Hoax does. And Hoax's addiction to the number is going to spell bad news for everyone.
Posted in: Disc Reviews by David Annandale on August 13th, 2002
Synopsis
Bill Murray (finding some difficulty to lose that trademark smirk) plays Larry Darrell, a man who takes nothing seriously until World War I happens to him. Disillusioned, he embarks on a quest to find meaning in life, a quest that will take him to the Himalayas and back to his home town.
Posted in: Disc Reviews by Gino Sassani on August 12th, 2002
After a dismal resurrection on film with Star Trek: The Motion Picture, it appeared that the crew of the good ship Enterprise was finally stilled forever. Enter two heroes to rival Kirk and Spock in Harve Bennett and Nicholas Myers. Star Trek II is everything that shines about Star Trek. Finally the triumvirate of Kirk, Spock, and McCoy dazzle longtime fans with the chemistry that made the original series so enduring. In The Motion Picture, the characters come off stiff and cold. They hardly seem to know each other. In Wrath of Khan we believe these old friends haven’t missed a beat. Add to all of this perhaps the greatest Star Trek villain of all time in Ricardo Montalban’s enigmatic and obsessive Khan and you truly see Star Trek at its very best.
Synopsis
Posted in: Disc Reviews by Gino Sassani on August 11th, 2002
The final (so far) Lethal Weapon is not a bad film at all, but it does suffer from the escalation syndrome. After three explosive films number 4 finds itself in the trap of having to try too hard to top its predecessors. While Chris Rock is a funny guy and he adds some great moments in the film, he’s just simply not necessary and distracts from the Glover, Gibson, Pesci trilogy of hysterics. I could also do without the domestication of Riggs through Russo’s character. All that said, you won’t be disappointed because it’s back to Disney World and another film literally exploding with rides.
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